The Cyclop Dia Or Universal Dictionary Of Arts Sciences And Literature By Abraham Rees With The Assistance Of Eminent Professional Gentlemen Illustrated With Numerous Engravings By The Most Disinguished Artists In Thirthy Nine Volumes Vol 1 39

The first historical account of visual art inspired by James Joyce. At once a comprehensive and selective study, it focuses on the most original, provocative and best-informed artists who took an interest in Joyce. With over 200 reproductions in colo

In Liberal Barbarism, Erik Ringmar sets out to explain the 1860 destruction of Yuanmingyuan - the Chinese imperial palace north-west of Beijing - at the hands of British and French armies. Yuanmingyuan was the emperor's own theme-park, a perfect world, a vision of paradise, which housed one of the greatest collections of works of art ever assembled. The intellectual puzzle which the book addresses concerns why the Europeans, bent on "civilizing" the Chinese, engaged in this act of barbarism. The answer is provided through an analysis of the performative aspect of the confrontation between Europe and China, focusing on the differences in the way their respective international systems were conceptualized. Ringmar reveals that the destruction of Yuanmingyuan represented the Europeans' campaign to "shock and awe" the Chinese, thereby forcing them to give up their way of organizing international relations. The contradictions which the events of 1860 exemplify - the contradiction between civilization and barbarism - is a theme running through all European (and North American) relations with the rest of the world since, including, most recently, the US war in Iraq.

THE Druids boasted a faith which appears to have been as imbued with life as that of any ancient or modern religious system. although little is known generally about it.Although their religion was polytheistic in character the Druids recognized a supremacy among the gods, this Supreme being represented by the sun. Next in point Of rank came the lesser divinities, who were symbolized by the moon and stars, and. in course of time. all the celestial bodies were venerated with divine honors. This characteristic was not more marked in Druidism than in other religions of a like nature where the elements were venerated. The sun as sun was not worshiped. The arch-god was Be'l, whose glory was manifested in the sun, and in singing hymns to the luminous orb they manifested their worship to the Supreme and not to the emblem. paying their adoration to what they regarded as the supreme power and eternal being.It was doubtless this veneration of the celestial bodies which laid the foundation of the knowledge possessed by the Druids of astronomical science. to which Czesar and other writers have borne testimony. They were certainly in possession of sufficient knowledge of the motion of heavenly bodies to enable them to fix definite times for their festivals and religious ceremonies, all of which were regulated by the sun and moon, and to calculate on a thirty-year cycle of lunar years in which the month began at the Sixth day. In common with the Gauls, Teutons, and Jews, they reckoned time from evening to morning

Long known as the classic work on the study of Atlantis, the author puts forth the idea that this was the true place where civilization began.This one book has done more than any other in promoting the idea for the lost continent of Atlantis.

An in depth history on the subject of luminescence. From elements to the sky to biological and more.