The Da Capo Catalog Of Classical Music Compositions

The Da Capo Catalog of Classical Music Compositions exhaustively lists the works of 132 major composers, from Vivaldi and Bach to Webern and Cage. A classical music lover's dream, it is the only source containing all the essential information about classical compositions within the convenient covers of one volume. Designed for listeners, readers, collectors, and connoisseurs alike, this catalog will be as indispensable an investment as a philatelic catalog is to the postage stamp collector. This catalog will tell you at a glance: which works would complete your collection of Dvorák's string quartets; which Gershwin songs appeared in which of his shows; in which Mozart opera the aria "Il mio tesoro" appears; at what age Brahms composed his first symphony; whether Beethoven's Piano Sonata No.14 is the "Moonlight" or the "Waldstein"; and how many symphonies Borodin composed. The Da Capo Catalog of Classical Music Compositions relies on the most authoritative sources. Easy to use and difficult to put down, it will delight anyone frustrated by the inadequacy and inconsistency of existing reference works. The first book of its kind, it will undoubtedly become a well-appreciated companion on your journeys through musical history.

An exhaustive list of the works of 132 major composers. Gives the essential information about each work, including proper title; English title; variant titles or nicknames; dates of compostion and revision; names of any librettists, playwrights, poets, screenwiters, or directors associated with the work; intended instrumental or vocal ensemble; opus and catalog numbers.

Piano Pedagogy: A Research and Information Guide provides a detailed outline of resources available for research and/or training in piano pedagogy. Like its companion volumes in the Routledge Music Bibliographies series, it serves beginning and advanced students and scholars as a basic guide to current research in the field. The book will includes bibliographies, research guides, encyclopedias, works from other disciplines that are related to piano pedagogy, current sources spanning all formats, including books, journals, audio and video recordings, and electronic sources.

(Meredith Music Resource). The music performance library is the heart of any musical ensemble, supplying music to performers and information to an entire organization. This text contains valuable information on this important topic for all musicians, including music directors, conductors, student librarians, community volunteers, professional performance librarians, and performers. This essential resource provides step-by-step directions on the librarian's responsibilities, including how to: locate and choose editions * purchase and rent music * catalog new works * store and preserve music * prepare music for performance * mark bowings * correct errata * prepare manuscripts and programs * distribute and collect parts * and communicate efficiently.

Find free content and save on permission fees Millions of creative works—books, artwork, photos, songs, movies, and more—are available copyright-free in the public domain. Frozen for decades due to lengthened copyright terms, the public domain has finally begun to grow again as copyrights for older works expire. Since 2019, classics such as The Great Gatsby, Sherlock Holmes, and early Alfred Hitchcock films have all entered the U.S. public domain. The only book that helps you find and identify which creative works are protected by copyright and which are not, The Public Domain covers the rules for: • writings • music • art • photography • architecture • maps • choreography • movies • video • software • databases • collections The 10th edition is completely updated to include new public domain resources and the latest legal changes to copyright protection of songs, books, photos, and other creative works, as well as public domain rules outside the U.S. It also covers when works created with artificial intelligence (AI) are in the public domain.

Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals

Publisher description

Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.