The Dadgad Gospel

This fingerstyle guitar book includes many wonderful gospel songs adapted for DADGAD tuning–a style not typically used in gospel. The material includes standards, as well as songs less familiar to fingerstyle players. Intended for advanced-beginners, intermediate-level players, and anyone looking to dive into alternating-bass music and more complex chordal work. Includes access to online audio.

This fingerstyle guitar book includes many wonderful gospel songs adapted for DADGAD tuning-a style not typically used in gospel. The material includes standards, as well as songs less familiar to fingerstyle players. Intended for advanced-beginners, intermediate-level players, and anyone looking to dive into alternating-bass music and more complex chordal work. Includes access to online audio.

Sacred music is often played. Plenty of song-books exist. And the singer may accompany on the DADGAD guitar. But the problem occurs when he/she plays a solo. For the reason the book was written. You can find here 29 gospels and spirituals. Each song is arranged in two keys. What you need is to know your favorite key, take a capo and start playing, singing and worshiping our Lord. Includes: The Angel Rolled the Stone Away, Go down Moses, Joshua Fit the Battle of Jericho, Swing Low, Sweet Chariot, Oh, When the Saints, Steal Away, Mary had a baby and many more? The are in the book songs without text.Check out samples from books: http://osos.sweb.cz/Sarek-Guitar-and-Guitalele-preview.pdf

The name of this book is no exaggeration. It includes some of the most gorgeous music that the authors El McMeen and Sandy Shalk know. To make things even more interesting, none of the music was originally written for guitar! In addition to Celtic favorites, El includes his arrangements of two of the most beautiful arias in all of opera: "Che Gelida Manina" from Puccini's "La Boheme" and "My Heart at Thy Sweet Voice" (“Mon Coeur S'ouvre à ta Voix”) from "Samson and Delilah" by Camille Saint-Saëns. Sandy's contributions range from Celtic to French love songs to Stephen Foster, manifesting Sandy's gift for chordal subtleties and innovation. Each piece is in either standard tuning (EADGBE) or Drop D tuning (DADGBE). Written in standard notation and tablature with computer generated audio files of each arrangement.

Whispering Stones won the award for “Best Recording” from the Washington Area Music Association and has continued to be a favorite with fans of fingerstyle guitar music throughout the world. The book features Celtic-inspired original and traditional tunes performed on solo acoustic guitar with the occasional addition of flute, mandolin, cello, piano, or bells. The tunes appear in the same order as in the recording. Al Petteway is an award-winning fingerstyle guitarist and composer. His many “Wammie” awards from the Washington Area Music Association include “Artist of the Year” and “Musician of the Year”. Al’s playing fuses Celtic/British ideas and tunings with American themes and drive. Acoustic Guitar Magazine praised his ‘concise, clean arrangements similar to John Renbourn’s better work’. In notation and tablature.

El McMeen has authored many guitar books for Mel Bay Publications, but this book holds a special place in his heart. This cutting-edge collection includes melodic, challenging, and exuberant band marches carefully arranged for fingerstyle guitar. The book contains arrangements of seven marches (including six by John Philip Sousa), many of which are in various open tunings. These pieces are challenging and geared for intermediate-advanced and advanced guitarists. There are so many great melodies in this collection–guitarists can camp on sections of pieces that they enjoy or tackle the pieces in their entirety. The book also contains a discussion by El McMeen on his selection and arrangement process. Includes access to online audio.

This is a collection of 25 beloved “old-time” Gospel songs arranged for flatpick guitar solo. The selections feature beautiful, lyrical melodies and many have a pleasing “Gospel swing feeling”. These solos work well as preludes or offertories at church services or just as fun pieces to play, regardless of the setting. All solos are in notation and tablature. Includes access to online audio recorded by the author for each solo.

This unique book presents 18 of the most popular classical compositions typically performed at weddings. Rather than being written for the classic guitar, however, each piece is arranged for solo pick-style guitar—a.k.a., plectrum or flatpicking guitar—in both standard notation and tablature. Like classical guitar arrangements, these settings utilize the full spectrum of the guitar’s capabilities with bass lines, chords and melodies happening simultaneously. Although written for intermediate to advanced plectrum guitarists, fingerstyle players will also find these arrangements rewarding. This collection would serve as a convenient resource for pros who should be able to sight read most of this material on the job. Given that these arrangements sound complete and appropriate as plectrum guitar solos, pick-style students will also enjoy and benefit from working on these familiar melodies by Baroque, Classical and Modern masters.