The Daily Show And Philosophy

An entertaining and insightful examination of the Emmy-awardwinning American satirical news show, broadcast on Comedy Centralin the US, and (in an edited edition) on More4 in the UK and CNNInternational around the world. Includes discussion of both The Daily Show and itsspin-off show, The Colbert Report Showcases philosophers at their best, discussing truth,knowledge, reality and the American Way Highlights the razor sharp critical skills of Jon Stewart andhis colleagues Faces tough and surprisingly funny questions about politics,religion, and power head on

Savor moments of Zen like never before, with our Senior Philosophical Correspondents The Ultimate Daily Show and Philosophy is revised, expanded, and updated to probe deeper than ever before the philosophical significance of the quintessential “fake” news show of the 21st century. Features significant revisions and updates from the first 2007 edition Includes discussion of both The Daily Show and its spin-off, The Colbert Report Reveals why and how The Daily Show is philosophically engaging and significant Showcases philosophers at their best, discussing truth, knowledge, reality, and the American Way Faces head on tough and surprisingly funny questions about politics, religion, and power

Savor moments of Zen like never before, with our Senior Philosophical Correspondents The Ultimate Daily Show and Philosophy is revised, expanded, and updated to probe deeper than ever before the philosophical significance of the quintessential “fake” news show of the 21st century. Features significant revisions and updates from the first 2007 edition Includes discussion of both The Daily Show and its spin-off, The Colbert Report Reveals why and how The Daily Show is philosophically engaging and significant Showcases philosophers at their best, discussing truth, knowledge, reality, and the American Way Faces head on tough and surprisingly funny questions about politics, religion, and power

The Daily Show and Rhetoric: Arguments, Issues, and Strategies examines the popular Comedy Central program from a rhetorical perspective to uncover the ways in which Jon Stewart, the cast, and writers critique mainstream media and politicians. This volume analyzes the nature of The Daily Show, the arguments the program makes about the media and politics, the strategies that are used, and some of the particular issues about which the program makes arguments. Overall, the contributors skillfully demonstrate that The Daily Show is more than just a show designed to make the audience laugh. Rather, the show provides useful information and arguments so that the audience can make informed decisions about the world around them.

For everyone who was too cheap to buy the hardcover, the blockbuster, award-winning #1 New York Times bestseller is now in trade paperback-with a new introduction, fully updated, and with equally unsettling nude photos of the newest Supreme Court justices, and a text corrected by the most reputable college professor we could find/afford. Including: Historical inaccuracies, gross distortions, complete fabrications-corrected by real-life bearded college professor.

While television has always played a role in recording and curating history, shaping cultural memory, and influencing public sentiment, the changing nature of the medium in the post-network era finds viewers experiencing and participating in this process in new ways. They skim through commercials, live tweet press conferences and award shows, and tune into reality shows to escape reality. This new era, defined by the heightened anxiety and fear ushered in by 9/11, has been documented by our media consumption, production, and reaction. In Small Screen, Big Feels, Melissa Ames asserts that TV has been instrumental in cultivating a shared memory of emotionally charged events unfolding in the United States since September 11, 2001. She analyzes specific shows and genres to illustrate the ways in which cultural fears are embedded into our entertainment in series such as The Walking Dead and Lost or critiqued through programs like The Daily Show. In the final section of the book, Ames provides three audience studies that showcase how viewers consume and circulate emotions in the post-network era: analyses of live tweets from Shonda Rhimes's drama, How to Get Away with Murder (2010–2020), ABC's reality franchises, The Bachelor (2002–present) and The Bachelorette (2003–present), and political coverage of the 2016 Presidential Debates. Though film has been closely studied through the lens of affect theory, little research has been done to apply the same methods to television. Engaging an impressively wide range of texts, genres, media, and formats, Ames offers a trenchant analysis of how televisual programming in the United States responded to and reinforced a cultural climate grounded in fear and anxiety.

This biography profiles Jon Stewart, television's most incisive deliverer of the fake news. As the host of The Daily Show with Jon Stewart, he has attracted a vast audience that sees him as one of the few credible sources of cultural critique TV. As comfortable and adept at interviewing Pakistani President Pervez Musharraf, U.S. President Barack Obama, activist Al Sharpton, or political commentator Bill O'Reilly as he is chatting with Angelina Jolie, Bill Gates, or Denis Leary, Jon Stewart has emerged as one of the hottest television personalities and most powerful media icons of the 21st century. The Daily Show with Jon Stewart, currently Comedy Central's longest running show, has launched the successful careers of Stephen Colbert (host of The Colbert Report) and Steve Carell (star of The 40 Year Old Virgin and the popular television series The Office), and an appearance on Stewart's half-hour segment is coveted by both political figures and Hollywood celebrities as one of the most important places to be seen. Well-read, impossibly well-versed in current events, charismatic, and self-deprecating, Stewart has successfully garnered a broad-based following of viewers, from teens to senior citizens. Ideal for students and general readers alike, this biography profiles the always controversial, always prepared Stewart, including his early life, his first break in comedy, and his meteoric rise to joining an elite group of well-known and often-quoted media personalities.

In a game where players are expected to call their own penalties and scoring the least points leads to victory, decorum takes precedence over showmanship and philosophical questions become par for the course. Few other sports are as suited for ethical and metaphysical examination as golf. It is a game defined by dichotomies -- relaxing, yet frustrating, social, yet solitary -- and between these extremes there is room for much philosophical inquiry. In Golf and Philosophy: Lessons from the Links, a clubhouse full of skilled contributors tee off on a range of philosophical topics within the framework of the fairway. The book's chapters are arranged in the style of an eighteen-hole golf course, with the front nine exploring ethical matters of rationality and social civility in a world of moral hazards and roughs. The back nine pries even deeper, slicing into matters of the metaphysical, including chapters on mysticism, idealism, identity, and meaning. Taken together, the collection examines the intellectual nature of this beloved pastime, considering the many nuances of a sport that requires high levels of concentration, patience, and consistency, as well as upstanding moral character. Golf and Philosophy celebrates the joys and complexities of the game, demonstrating that golf has much to teach both its spectators and participants about modern life.