The Dawn Of The French Renaissance

Originally published in 1918, this book contains a comprehensive history of the root causes and the products of the Renaissance in France. Tilley covers topics such as changes in education, sculpture, painting and architecture with many vintage photographs illustrating important pieces and buildings, including several that were destroyed in WWI. This thoroughly researched book will be of value to anyone with an interest in the history of French art.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The French invasion of Italy under Charles VIII in 1494-95 has long been seen as inaugurating a new and wretched era in Italian history. The present volume, the work of an international team of contributors, seeks to question that assumption by focusing anew on the intricate politics of Renaissance Italy and the long history of Angevin attempts to impose their rule in southern Italy. It was later invasions, it is argued, that did most to reshape the politics of the Italian peninsula. These studies also look at social and economic effects of the French invasion, as well as its cultural aspects, not least the impact of Renaissance culture in France itself. Combining survey papers and research articles, this volume presents a new introduction to the history of late 15th-century Italy. The appendix, listing the Ilardi collection of microfilms, will also provide an invaluable guide to the diplomatic history of the era.

MacIntyre is greatly discontented with the nature of contemporary morality, which according to him has a form, i.e. what appears like morality, but lacks essential content. He argues that the most common feature of contemporary ethical discourse is that much of it is used to express individual preferences, which leads to disagreements among philosophers, and eventually results in debates that are interminable in character. MacIntyre attributes the cause of this situation to the activities of the enlightenment philosophers of the 17th and 18th centuries who, in an attempt to find rational justification for morality repudiated those essential elements that define the essence of morality and give it its contents. Such elements include historical narrative, tradition, teleology, and divine law. In MacIntyres opinion, morality so constructed was destined for failure, since it was not founded on the true nature of the human person. The obvious consequences of this failure were the birth of diverse post-enlightenment ethical theories and a substantial change in the conception of virtue. In order to remedy this deplorable condition of contemporary ethics MacIntyre, along with other virtue ethicists, advocates a certain renaissance of ethical principles that are founded on the true nature of the human person, characterized by historical narrative, tradition, and teleology, all grounded on divine legislation. Morality thus reconstructed finds its fullest expression in the theory of human character traits, i.e. virtues. This is what has motivated MacIntyres construction of virtue theory, which has brought him into confrontation with the enlightenment philosophers. Our study and analysis of MacIntyres theory of virtue reveals that his account of virtue is inadequate. This inadequacy is what has motivated our own project of reconstructing MacIntyres theory of virtue in view of offering an account of virtue that is adequate. In this way our own project complements that of MacIntyre.