The Days Of Summer

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As summer ends and they get ready to go back to school, two young girls try to deal with the news that the grandparents they love are getting a divorce.

'Opens Vanessa Ronan's literary career the way dynamite opens a safe ... beautiful and invigoratingly shocking' Joseph O'Connor, Irish Times Mid-July in Texas. Cicadas shed their dry summer skins, the scent of roses hangs heavy in the still air, and a woman sits alone on her porch at dusk, watching the empty, merciless prairie, its light falling to darkness. He's coming home. Upstairs, Lizzie knows, her daughters are safe in their beds. Joanne, still young enough to smile at strangers, one last summer of childhood left in her. Katie, already a beauty, the first flush of womanhood blooming on her skin. Both sleeping soundly. But out beyond the boundary of their land, the townspeople sleep fitfully. Too many have heard that Jasper is coming back - folk who know him of old, who remember what he did - men who will make it their business to see he doesn't stay too long round these parts ... 'Vivid storytelling. ... makes your fingers tremble when you turn the pages. The terror and the pity of it will stay with you for a long time'Sunday Times 'A powerful, formidable debut. Vanessa Ronan is a natural storyteller and what a gripping, dark, compelling story this is' Donal Ryan 'Written with poetry and vision. With a blistering ending that leaves you racing to its conclusion ...' Stylist 'Shades of In Cold Blood and Truman Capote, shades of Harper Lee ... there's constant mystery hovering over every turn of the page' Ryan Tubridy, RTE 'Each word is weighted with dread and laden with drama ... impressive' Sunday Independent

A contemporary American classic—a poignant and hilarious tale of baseball, hero worship, eccentric behavior, and unlikely friendship Last Days of Summer is the story of Joey Margolis, neighborhood punching bag, growing up goofy and mostly fatherless in Brooklyn in the early 1940s. A boy looking for a hero, Joey decides to latch on to Charlie Banks, the all-star third basemen for the New York Giants. But Joey's chosen champion doesn't exactly welcome the extreme attention of a persistent young fan with an overactive imagination. Then again, this strange, needy kid might be exactly what Banks needs.

For twelve-year-old Lucy Crandall, the last week of August is the most perfect time in the world. It's the week she gets to spend with Grams at the lake house, canoeing, baking cookies, and glazing pots in Grams's potting shed. Grams has a way of making Lucy feel centered, like one of the pots on her kick wheel—perfect, steady, and completely at peace. But this summer, Grams doesn't seem to be exactly the person she once was. And as the week turns into a roller coaster of surprises—some good, some awful—Lucy can't help but wonder: Will things ever be centered again?

Patterned on the popular carol, The Twelve Days of Summer takes readers on a joyous journey into summer, from the first discovery of three eggs in a sparrow’s nest to the day when those eggs hatch. Readers will pore over the pictures, searching for that fifth bumblebee, that tenth crow, and for the thoughtfully chosen toy that turns up on each page: a parachute with the goatsbeard seeds, a fan with the ruffed grouse... This is a story to delight and engage children and adults alike.

This is a love story. Boy meets girl and girl falls for boy - that much is true. But when Sienna meets Nick it's not the way it happens in love stories. It's because of a squirrel on water skis! She sees Nick's dangerous brown eyes and thinks, don't fall into them. Who will be there to catch Siena when she falls?

Bestselling author Alain de Botton considers how our private homes and public edifices influence how we feel, and how we could build dwellings in which we would stand a better chance of happiness. In this witty, erudite look at how we shape, and are shaped by, our surroundings, Alain de Botton applies Stendhal’s motto that “Beauty is the promise of happiness” to the spaces we inhabit daily. Why should we pay attention to what architecture has to say to us? de Botton asks provocatively. With his trademark lucidity and humour, de Botton traces how human needs and desires have been served by styles of architecture, from stately Classical to minimalist Modern, arguing that the stylistic choices of a society can represent both its cherished ideals and the qualities it desperately lacks. On an individual level, de Botton has deep sympathy for our need to see our selves reflected in our surroundings; he demonstrates with great wisdom how buildings — just like friends — can serve as guardians of our identity. Worrying about the shape of our sofa or the colour of our walls might seem self-indulgent, but de Botton considers the hopes and fears we have for our homes at a new level of depth and insight. When shopping for furniture or remodelling the kitchen, we don’t just consider functionality but also the major questions of aesthetics and the philosophy of art: What is beauty? Can beautiful surroundings make us good? Can beauty bring happiness? The buildings we find beautiful, de Botton concludes, are those that represent our ideas of a meaningful life. The Architecture of Happiness marks a return to what Alain does best — taking on a subject whose allure is at once tantalizing and a little forbidding and offering to readers a completely beguiling and original exploration of the subject. As he did with Proust, philosophy, and travel, now he does with architecture.