The Dead Beside Us

In this sequel to the hugely-popular This Man's Wee Boy, young Tony Doherty struggles to come to terms with the murder of his father, Paddy, on Bloody Sunday and the impact it has on his mother, Eileen, and his brothers and sisters. At nine years old, he knows a terrible wrong has been committed against his family but lacks the understanding or the means to do anything about it – yet. For his fractured family, life goes on, with Tony determined to preserve the memory of his father and the bond they shared, even as he becomes increasingly immersed in the violent conflict raging on Derry's streets. As the 1970s unfold his father's absence remains the backdrop to the teenage Tony's newfound friendships and relationships, an ever-present ache amidst the craic and excitement of Sunday dances, first kisses and a trip to Butlins. Then, at seventeen, Tony decides it's time to join the fight.

A queer poet documents depression and grief in this autobiographical novel-in-verse.

A uniquely-crafted memoir of the author's early childhood (1967–1972), the third oldest in a working-class Catholic family from the Brandywell in Derry. Written with the authentic voice of a child, this snapshot of his young life unfolds in a series of stories evoking the innocence of childhood, family dynamics and tensions, street friendships and characters, the onset of civil strife, and a family protecting itself from conflict, with CS gas coming in through the door and tracer bullets flying past the windows. The book centres on Tony's father, Patrick – a legend in his son's eyes and a man who struggles to raise a family through bitter years of economic inactivity. It beautifully and movingly portrays the relationship between Tony and the father he adores, yet slightly fears, as events, both within the family and on the streets, unfold and fuse together. The burgeoning chaos of conflict finds its way into his life through the death of a friend under an army truck and more horrifically, directly into the Doherty household. Described as 'a treasure', it draws the reader into a child's world, his innocent view of the harsh reality of life and the horrifying events unfolding around him. It has bags of humour and paints a picture of a lost world of children running wild in play, unsupervised by or worried over by adults. The book is also very moving, to the point of provoking tears at the end.

A light-hearted look at the history and practice of “the ultimate human-interest story,” the obituary. “What a wonderful surprise—a charming, lyrical book about the men and women who write obituaries. The Dead Beat is sly, droll, and completely winning.”— David Halberstam Where can readers celebrate the life of the pharmacist who moonlighted as a spy, the genius behind Sea Monkeys, the school lunch lady who spent her evenings as a ballroom hostess? The obituary page, of course. Enthralled by these fascinating former lives, Marilyn Johnson tumbled into the little known world of the obituary page to find out what made it so compelling. She sought out the best obits in the English language, and chased the people who spent their lives writing about the dead. Surveying Internet chat rooms, surviving a mass gathering of obituarists, and making the pilgrimage to London to savor the most caustic and literate obits of all, she leads us into the cult and culture behind this fascinating segment of our daily news.