The Death Of The Left

The left is dead. Its ailments cannot be cured. The only way to resurrect what was once valuable in leftist politics is to declare the left dead and begin from the beginning again. Winlow and Hall identify the root causes of its maladies, describe how new cultural obsessions displaced core unifying principles and explore the yawning chasm that now separates the left from the working class. Drawing upon a wealth of historical evidence to structure their story of entryism, corruption, fragmentation and decline, they close the book by outlining how a new reincarnation of the left can win in the 21st century.

The liberal class plays a vital role in a democracy. It gives moral legitimacy to the state. It makes limited forms of dissent and incremental change possible. The liberal class posits itself as the conscience of the nation. It permits us, through its appeal to public virtues and the public good, to define ourselves as a good and noble people. Most importantly, on behalf of the power elite the liberal class serves as bulwarks against radical movements by offering a safety valve for popular frustrations and discontentment by discrediting those who talk of profound structural change. Once this class loses its social and political role then the delicate fabric of a democracy breaks down and the liberal class, along with the values it espouses, becomes an object of ridicule and hatred. The door that has been opened to proto-fascists has been opened by a bankrupt liberalism The Death of the Liberal Class examines the failure of the liberal class to confront the rise of the corporate state and the consequences of a liberalism that has become profoundly bankrupted. Hedges argues there are five pillars of the liberal establishment — the press, liberal religious institutions, labor unions, universities and the Democratic Party — and that each of these institutions, more concerned with status and privilege than justice and progress, sold out the constituents they represented. In doing so, the liberal class has become irrelevant to society at large and ultimately the corporate power elite they once served.

Readers will be touched and inspired by this latest novel from bestselling author Lurlene McDaniel: Beth's world has been torn apart. She cannot figure out how to go on when a car accident claims the lives of her entire family, and she is the only survivor. Things seem to get even worse when she moves in with her aunt and her spoiled cousin, Terri. But with the love and support of her aunt and some unexpected friends, Beth struggles to overcome the despair that threatens to consume her. Will she be able to move past the painful memories without feeling guilty for being a survivor?

Structures of Indifference examines an Indigenous life and death in a Canadian city, and what it reveals about the ongoing history of colonialism. At the heart of this story is a thirty-four-hour period in September 2008. During that day and half, Brian Sinclair, a middle-aged, non-Status Anishinaabeg resident of Manitoba's capital city, arrived in the emergency room of the Health Sciences Centre, Winnipeg's major downtown hospital, was left untreated and unattended to, and ultimately died from an easily treatable infection. His death reflects a particular structure of indifference born of and maintained by colonialism. McCallum and Perry present the ways in which Sinclair, once erased and ignored, came to represent diffuse, yet singular and largely dehumanized ideas about Indigenous people, modernity, and decline in cities. This story tells us about ordinary indigeneity in the City of Winnipeg through Sinclair's experience and restores the complex humanity denied him in his interactions with Canadian health and legal systems, both before and after his death. Structures of Indifference completes the story left untold by the inquiry into Sinclair's death, the 2014 report of which omitted any consideration of underlying factors, including racism and systemic discrimination.

'Spencer's latest is her best: an ingenious puzzle that goes straight to the heart' - Kirkus Starred Review A miscarriage of justice for DCI Woodend Though it is thirty years since Margaret Dodds was tried and executed for the brutal murder of her second husband, many troubling questions raised during the trial are still left unanswered. Why would she choose to commit the crime in such a way that the finger of suspicion would almost inevitably point at her? Why did she insist, even when all hope of reprieve had gone, that she was not guilty? Her daughter, an influential lawyer, wants her name cleared. The investigating officer, now a powerful politician with a seat in the House of Lords, is determined to ensure that the verdict stands. And Chief Inspector Charlie Woodend, charged with stripping away three decades of lies and deceit, finds that - once again - his superiors have presented him with a poisoned chalice.

A San Francisco Chronicle Best Book of 2004 After spilling bourbon on Schnaubelt's grave, its pugnacious and very dead occupant becomes Ross's mentor, sidekick, and boozing companion through this epic telling of the hallucinatory, carnal, and ornery histories of the American Left and John Ross's own remarkable life. Schnaubelt navigates us through his seemingly boundless revolutionary battleground, uttering cries of subversion from within the grave while trying to remain out of earshot from the FBI snoop and local supermarket tycoon buried nearby. Ross's own story--hobo revolutionist, junkie, poet, and journalist is a contrapuntal to Schnaubelt's. Ross never takes himself too seriously, yet his most remarkable trait is the honesty with which he approaches life, even while trying to deconstruct his own faults, personal tragedies (including the death of his one-month-old son), and imperfections. His pursuit of revolutionary politics and poetics is the constant, often spent with his muse, Revolutionary Mexico. Ross concludes with a trip to Baghdad as a "human shield," before the Anglo-American invasion, ready to sacrifice his life as part of his perpetual struggle for justice. Award-winning writer John Ross's memoir is inspired from a tumbledown tombstone in California: The headstone reads: E. B. Schnaubelt 1855-1913, "Murdered by Capitalism."