The Descent To The Chariot

The Hekhalot literature is a bizarre conglomeration of Jewish esoteric and revelatory texts in Hebrew and Aramaic, produced sometime between late antiquity and the early Middle Ages and surviving in medieval manuscripts. These texts claims to describe the self-induced spiritual experiences of the "descenders to the chariot" and to reveal the techniques that permitted these magico-religious practitioners to view for themselves Ezekiel's Merkavah as well as to gain control of angels and a supernatural mastery of Torah. Drawing on epigraphic and archaeological evidence from the Middle East, anthropological models, and a wide range of cross-cultural evidence, this book aims to show that the Hekhalot literature preserves the teachings and rituals of real religious functionaries who flourished in late antiquity and who were quite like the functionaries anthopologists call shamans.

Stairway to Heaven is an incredibly broad ranging new study that stretches from ancient Egypt and Babylon to Jewish and Christian Kabbalists, Chinese Daoists, Hindu Tantra and Haitian Vodun and finally to 19th and 20th century European occult societies, uncovering a hitherto unrecognized common myth that has been employed the world over in roughly the same form since the earliest recorded texts. Beginning with the oldest form of Jewish mysticism and extending this search through the dead sea scrolls, Levenda reveals a consistent emphasis on the number seven and its association with heavenly themes, including those of a chariot, a Throne, a Temple and a divine Being. The author then examines the myths and rituals of egypt, sumer and Babylon to locate the origin of this myth and comes up with some surprising results in the ascent rituals of the middle east. Shifting to the far east, Levenda demonstrates how the mystical practices of China and India display important similarities to these rituals, most notably in the practices of the Chinese alchemists who used a map of seven stars as their ladder to heaven. Reinforced by visits to the Buddhist shrine of Borobudur in indonesia, Levenda concludes that there was a myth common to peoples across the ancient world that an ascent to the heavens was possible using a ladder of seven stars, a process running parallel to the alchemical idea of the perfection of metals and the perfectibility of the soul. This concept was enshrined in the rituals of the Western secret societies of the 19th and 20th centuries such as the golden dawn and the Hermetic Brotherhood of Luxor, and influenced the development of new age occultism. exhaustive in scope and revealing in its scholarship, Stairway to Heaven casts a fascinating new multidisciplinary perspective on the mystical practices of heavenly ascent.

This volume contains essays dealing with complex relationships between Judaism and Christianity, taking a bold step, assuming that no historical period can be excluded from the interactive process between Judaism and Christianity, conscious or unconscious, as either rejection or appropriation

This accessible and enlightening history provides insights into thefascinating genre of apocalyptic literature, showing how theapocalypse encompasses far more than popular views of the lastjudgment and violent end of the world might suggest. An accessible and enlightening history of the"apocalypses"--ancient Jewish and Christian works -- providingfresh insights into the fascinating genre of literature Shows how the apocalypses were concerned not only with popularviews of the last judgment and violent end of the world, but withreward and punishment after death, the heavenly temple, and therevelation of astronomical phenomena and other secrets ofnature Traces the tradition of apocalyptic writing through the MiddleAges, through to the modern era, when social movements stillprophesise the world’s imminent demise

The Hekhalot literature is a motley collection of textually fluid and often textually corrupt documents in Hebrew and Aramaic which deal with mystical themes pertaining especially to God's throne-chariot (the Merkavah). They were composed between late antiquity and the early Middle Ages, with roots in earlier traditions and a long and complex subsequent history of transmission. This volume presents English translations of eclectic critical texts, with a full apparatus of variants, of most of the major Hekhalot documents: Hekhalot Rabbati; Sar Torah; Hekhalot Zutarti; Ma'aseh Merkavah; Merkavah Rabba; briefer macroforms: The Chapter of R. Nehuniah ben HaQanah, The Great Seal-Fearsome Crown, Sar Panim, The Ascent of Elijah ben Avuyah, and The Youth; and the Hekhalot fragments from the Cairo Geniza.

This is the first detailed study of Johannine mysticism against a Palestinian Jewish background has been previously undertaken. This book investiages whether there was a "mystical" practice in first-century Palestine and whether John can be better understood in the light of such practice, if there was any. In analysis, two strands of Jewish mysticism, the early forms of Ma`aseh Merkabah and of Ma`aseh Bereshit, emerge as existing in first-century Palestine. While the former narrates by means of Ezek. 1 the experience of seeing God in His kingly glory, the latter describes the same expereince by using Gen. 1. This book consists of three parts. Part one analyses Hellenistic mysticism as expressed by the Hermetica and Hellenistic-Jewish mysticism as presented by Philo. Part two traces the important elements of Merkabah mysticism from the later Hekhalot literature and the Jewish and Christian writings belonging to 2 cent. BCE - 1 cent. CE by defining the term "mysticism" in terms of the fourteen aspects of Jewish mysticism, an exegetical study of seven themes is undertaken in Part Three. The study shows that the conceptual parallels in John with Hellenistic mysticism and Hellenistic-Jewish mysticism are very slender, but indicates John's polemical motive against the Merkabah mystics of his time. He calls them to believe in Jesus as the Christ, the Son of God, by proclaiming that the divine glory, claimed by them to be revealed in human-like form on the throne, is now visible in the historical person, Jesus, particularly in his death on the Cross. Thus Jewish Throne-mysticism seems to have been reinterpreted by John as Cross-mysticism.

The Leipzig Mahzor is one of the most lavish Hebrew illuminated manuscripts of all time. A prayer book used during Jewish holidays, it was produced in the Middle Ages for the Jewish community of Worms in the German Rhineland. Though Worms was a vibrant center of Judaism in the eleventh and twelfth centuries and drew celebrated rabbis, little is known about the city's Jews in the later Middle Ages. In the pages of its famous book, Katrin Kogman-Appel discovers a portal into the life of this fourteenth-century community. Medieval mahzorim were used only for special services in the synagogue and "belonged" to the whole congregation, so their visual imagery reflected the local cultural associations and beliefs. The Leipzig Mahzor pays homage to one of Worms's most illustrious scholars, Eleazar ben Judah. Its imagery reveals how his Ashkenazi Pietist worldview and involvement in mysticism shaped the community's religious practice. Kogman-Appel draws attention to the Mahzor's innovations, including its strategy for avoiding visual representation of God and its depiction of customs such as the washing of dishes before Passover, something less common in other mahzorim. In addition to decoding its iconography, Kogman-Appel approaches the manuscript as a ritual object that preserved a sense of identity and cohesion within a community facing a wide range of threats to its stability and security.