The Devil From Over The Sea

In Ireland, few figures have generated more hatred than Oliver Cromwell, whose seventeenth-century conquest, massacres, and dispossessions would endure in the social memory for ages to come. The Devil from over the Sea explores the many ways in which Cromwell was remembered and sometimes conveniently 'forgotten' in historical, religious, political, and literary texts, according to the interests of different communities across time. Cromwell's powerful afterlife in Ireland, however, cannot be understood without also investigating his presence in folklore and the landscape, in ruins and curses. Nor can he be separated from the idea of the 'Cromwellian': a term which came to elicit an entire chain of contemptuous associations that would begin after his invasion and assume a wholly new force in the nineteenth century. What emerges from all these memorializing traces is a multitudinous Cromwell who could be represented as brutal, comic, sympathetic, or satanic. He could be discarded also, tellingly, from the accounts of the past, and especially by those which viewed him as an embarrassment or worse. In addition to exploring the many reasons why Cromwell was so vehemently remembered or forgotten in Ireland, Sarah Covington finally uncovers the larger truths conveyed by sometimes fanciful or invented accounts. Contrary to being damaging examples of myth-making, the memorializations contained in martyrologies, folk tales, or newspaper polemics were often productive in cohering communities, or in displaying agency in the form of 'counter-memories' that claimed Cromwell for their own and reshaped Irish history in the process.

In Ireland, few figures have generated more hatred than Oliver Cromwell, whose seventeenth-century conquest, massacres, and dispossessions would endure in the social memory for ages to come. The Devil from over the Sea explores the many ways in which Cromwell was remembered and sometimes conveniently 'forgotten' in historical, religious, political, and literary texts, according to the interests of different communities across time. Cromwell's powerful afterlife in Ireland, however, cannot be understood without also investigating his presence in folklore and the landscape, in ruins and curses. Nor can he be separated from the idea of the 'Cromwellian': a term which came to elicit an entire chain of contemptuous associations that would begin after his invasion and assume a wholly new force in the nineteenth century. What emerges from all these memorializing traces is a multitudinous Cromwell who could be represented as brutal, comic, sympathetic, or satanic. He could be discarded also, tellingly, from the accounts of the past, and especially by those which viewed him as an embarrassment or worse. In addition to exploring the many reasons why Cromwell was so vehemently remembered or forgotten in Ireland, Sarah Covington finally uncovers the larger truths conveyed by sometimes fanciful or invented accounts. Contrary to being damaging examples of myth-making, the memorializations contained in martyrologies, folk tales, or newspaper polemics were often productive in cohering communities, or in displaying agency in the form of 'counter-memories' that claimed Cromwell for their own and reshaped Irish history in the process.

This eBook edition of "The Devil's Admiral (A Sea Adventure Classic)" has been formatted to the highest digital standards and adjusted for readability on all devices. Excerpt: "Captain Riggs had a trunk full of old logbooks, and he said any of them would make a better story than the Kut Sang. The truth of it was, he didn't want me to write this story. There were things he didn't wish to see in type, perhaps because he feared to read about himself and what had happened in the old steamer in the China Sea…" Frederick Ferdinand Moore was an American author, sailor and war correspondent.

This book takes a look at how Satan tries to control our lives and how Satan keeps us from doing what God wants us to. In addition, it looks at the two separate realms of spiritual and physical realms and how they sometime co-exist. Finally, it takes a look at what is in store for Earth in the future.

Andre Verlain is on top of the world. At the age of twenty-six, he is already a respected member of the medical field, in love with a beautiful woman, Rachel Hayot. But then, in 1902, he finds himself in France, where he learns how easy it is to fall from the highest height to the lowest low. While in Paris, Andre meets a mysterious fortune teller, and Madame Boulier has some bad news . According to Madame, Andre must soon make a choice. It is foretold that the woman he truly loves is doomed to die in the city of St. Pierre on the island of Martinique-killed by the eruption of the volcano, Pelee. Andre is suspicious-until he sets foot on the destined island and realizes he has eight days before Pelee is fated to explode. Andre is in love with Rachel; the soothsayer must be referring to her ... but what of the enchanting island woman known only as White Flower? Rachel is the daughter of a rich plantation owner; she is safety and comfort. White Flower is the sister of a voodoo cultist-a dangerous man, hell-bent on killing Andre. She is not a viable prospect for marriage, so why does Andre feel such strong connection to the island beauty? Time is running out. Andre can only save one woman-but which one? And will Andre survive long enough to love her?

December 8, 1941 was the worst day of my life. You might say that it was a bad day for a lot of people. You are probably right. My problem, however, was not the bombing of Pearl Harbor. Not exactly. Mr. Patterson, the balding, uptight Principal of Sandy High School had just received an intelligence report that Sandy, OR, was to be the next Japanese target as they marched across the Pacific. It was the only explanation I could think of that made any sense as to why basketball practice had been cancelled. The city kids were more than happy to go home and miss a day of running and monotonous dribbling and shooting drills. I did not live in the city. My parents, like their parents before them, had set up a homestead on The Devil's Backbone.