The Devil S Cathedral

THEATRE ROYAL, DRURY LANE, 24 April 1708. A performance of Macbeth is under way when disaster strikes and the stage becomes a scene of elemental chaos – and for Widow Trotter and her friends at the Bay-Tree Chocolate House, a new adventure begins, involving murder, poison, fire, and a rogue elephant . . . Devoted fans of Chocolate House Treason will welcome this second novel in the Chocolate House Mysteries series, which captures all the energies of the early eighteenth-century theatre. We move among the eccentric characters of the Theatre Royal company, in Drury Lane and at the exuberant May Fair where the actors moonlight in the fairground booths. The puritanical reformers are determined to close the theatre and abolish the Fair, and ‘accidents’ begin to happen – but Mary Trotter and her friends at the Bay-Tree are determined to expose the conspiracy, and the action reaches its climax at the Fair when the players are faced with the ultimate act of terror. Once again, David Fairer offers the delights of the classic eighteenth-century novel, intricately weaving a murder mystery with authentic history, and bringing the London of Queen Anne to life.

Part 1 of this book provides an annotated edition of Samuel Harsnett's famous attack on the practice of exorcism, which had a profound influence upon Shakespeare's conception and writing of King Lear. Part 2 explores the context of Shakespeare's reading of Harsnett's book.

Twenty years ago, in a series of mysterious, incandescent writings, David Seabrook told of the places he knew best: the declining resort towns of the Kent coast. The pieces were no advert for the local tourist board. Here, the ghosts of murderers and mad artists crawl the streets. Septuagenarian rent boys recall the good old days and Carry On stars go to seed. Clandestine fascist networks emerge. And all the time, there is Seabrook himself - desperate perhaps, and in danger. Dark, strange and immediate, this is a classic work of sui generis British literature. There are devils here, and the reader will remember them.

The second in the ‘Chocolate House Mysteries’ series, The Devil’s Cathedral captures all the energies of the early eighteenth-century stage with its ruthless ambitions and jealousies. The book weaves its classic whodunit plot around the actual events of April-May 1708.

Supernatural phenomena and causalities played an important role in medieval society. Religious practice was relying upon a set of cult images and the sacral status of these depictions of divine or supernatural persons became the object of heated debates and provoked iconoclastic reactions.The miraculous intervention of saints or other divine agents, the wondrous realities beyond understanding, or the manifestations of magic attributed to diabolic forces, were contained by a variety of discourses, described and discussed in religion, philosophy, chronicles, literature and fiction, and also in a large number of pictures and material objects. The nine essays in this collection discusses how supernatural phenomena – especially angels and devils – found visual manifestation in Latin and Eastern Christianity as well as Judaism in the late medieval, early renaissance period.

Devils may be elevated before the eye not only as a luminous lesson to mankind, but as the instigators of evil, to be trodden underfoot. Contents include devils; names of devils; marshaling of devils; Christian devils; origin of the devil; hell; devil in art; legends; proverbs; exorcism. Many of the sketches found in this book were brought from distant countries, some aglow with a richness which time has not dimmed. The Paranormal, the new ebook series from F&W Media International Ltd, resurrecting rare titles, classic publications and out-of-print texts, as well as new ebook titles on the supernatural - other-worldly books for the digital age. The series includes a range of paranormal subjects from angels, fairies and UFOs to near-death experiences, vampires, ghosts and witchcraft.