The Dictator Novel

Where there are dictators, there are novels about dictators. But “dictator novels” do not simply respond to the reality of dictatorship. As this genre has developed and cohered, it has acquired a self-generating force distinct from its historical referents. The dictator novel has become a space in which writers consider the difficulties of national consolidation, explore the role of external and global forces in sustaining dictatorship, and even interrogate the political functions of writing itself. Literary representations of the dictator, therefore, provide ground for a self-conscious and self-critical theorization of the relationship between writing and politics itself. The Dictator Novel positions novels about dictators as a vital genre in the literatures of the Global South. Primarily identified with Latin America, the dictator novel also has underacknowledged importance in the postcolonial literatures of francophone and anglophone Africa. Although scholars have noted similarities, this book is the first extensive comparative analysis of these traditions; it includes discussions of authors including Gabriel García Márquez, Ngugi wa Thiong’o, Alejo Carpentier, Augusto Roa Bastos, Domingo Faustino Sarmiento, José Mármol, Esteban Echeverría, Ousmane Sembène , Chinua Achebe, Aminata Sow Fall, Henri Lopès, Sony Labou Tansi, and Ahmadou Kourouma. This juxtaposition illuminates the internal dynamics of the dictator novel as a literary genre. In so doing, Armillas-Tiseyra puts forward a comparative model relevant to scholars working across the Global South.

PRE-ORDER PRECIPICE, THE THRILLING NEW NOVEL FROM ROBERT HARRIS, NOW - PUBLISHING AUGUST 2024 'Confirms Harris's undisputed place as our leading master of both the historical and contemporary thriller' Daily Mail 'Climatic in every sense . . . I could not put it down' Guardian There was a time when Cicero held Caesar's life in the palm of his hand. But now Caesar is the dominant figure and Cicero's life is in ruins. Cicero's comeback requires wit, skill and courage. And for a brief and glorious period, the legendary orator is once more the supreme senator in Rome. But politics is never static. And no statesman, however cunning, can safeguard against the ambition and corruption of others. 'The finest fictional treatment of Ancient Rome in the English language' The Scotsman

Where there are dictators, there are novels about dictators. But “dictator novels” do not simply respond to the reality of dictatorship. As this genre has developed and cohered, it has acquired a self-generating force distinct from its historical referents. The dictator novel has become a space in which writers consider the difficulties of national consolidation, explore the role of external and global forces in sustaining dictatorship, and even interrogate the political functions of writing itself. Literary representations of the dictator, therefore, provide ground for a self-conscious and self-critical theorization of the relationship between writing and politics itself. The Dictator Novel positions novels about dictators as a vital genre in the literatures of the Global South. Primarily identified with Latin America, the dictator novel also has underacknowledged importance in the postcolonial literatures of francophone and anglophone Africa. Although scholars have noted similarities, this book is the first extensive comparative analysis of these traditions; it includes discussions of authors including Gabriel García Márquez, Ngugi wa Thiong’o, Alejo Carpentier, Augusto Roa Bastos, Domingo Faustino Sarmiento, José Mármol, Esteban Echeverría, Ousmane Sembène , Chinua Achebe, Aminata Sow Fall, Henri Lopès, Sony Labou Tansi, and Ahmadou Kourouma. This juxtaposition illuminates the internal dynamics of the dictator novel as a literary genre. In so doing, Armillas-Tiseyra puts forward a comparative model relevant to scholars working across the Global South.

A new stand-alone novel from the acclaimed author of the Engineer Trilogy and The Company. Basso the Magnificent. Basso the Great. Basso the Wise. The First Citizen of the Vesani Republic is an extraordinary man. He is ruthless, cunning, and above all, lucky. He brings wealth, power and prestige to his people. But with power comes unwanted attention, and Basso must defend his nation and himself from threats foreign and domestic. In a lifetime of crucial decisions, he's only ever made one mistake. One mistake, though, can be enough.

I the Supreme imagines a dialogue between the nineteenth-century Paraguayan dictator known as Dr. Francia and Policarpo Patiño, his secretary and only companion. The opening pages present a sign that they had found nailed to the wall of a cathedral, purportedly written by Dr. Francia himself and ordering the execution of all of his servants upon his death. This sign is quickly revealed to be a forgery, which takes leader and secretary into a larger discussion about the nature of truth: “In the light of what Your Eminence says, even the truth appears to be a lie.” Their conversation broadens into an epic journey of the mind, stretching across the colonial history of their nation, filled with surrealist imagery, labyrinthine turns, and footnotes supplied by a mysterious “compiler.” A towering achievement from a foundational author of modern Latin American literature, I the Supreme is a darkly comic, deeply moving meditation on power and its abuse—and on the role of language in making and unmaking whole worlds.

The literature on political machines of American mayors is rich and varied. Essentially undiscovered, however, is "Orvie," the most flamboyant and original of them all-and, on his home turf, arguably the most powerful. David L. Good describes the public and private life of Orville L. Hubbard, a man whose remarkable political career overlapped the terms of seven presidents. Hubbard was mayor of Dearborn, Michigan, home of the Ford Motor Company, from 1942 to 1978, ranking him as the second-longest-tenured mayor in U.S. history. He became a model for successful suburban leaders, establishing a reputation for outstanding municipal services and low taxes-as well as for the most notorious racist rhetoric north of the Mason-Dixon line. During his reign, Hubbard was compared with nearly all the tyrants of the twentieth century and some before. At his peak of some 350 pounds, Orvie was a blimp-shaped dreadnaught who set up a government in exile in Canada because sheriff's deputies were waiting to arrest him back home; was pictured in the newspapers on his way to the Republican National Convention disguised in a clown mask; and ordered his fire chief to take an axe to the office door of Henry Ford II. Acquitted in a federal civil rights case, Hubbard showed his appreciation to the jury by taking them out to dinner. After the 1967 riots in Detroit, Orvie threatened to "shoot looters on sight." Hubbard took over a town-the town run by the American legend Henry Ford-without a traditional party organization, extensive patronage, or other trappings of a political machine. The "Hubbard machine" was essentially a one-man operation, consisting of Hubbard himself who prevailed on the sheer force of his personality. David L. Good, who reported on Hubbard for eighteen years, bases his book on personal observation, public and private records, and interviews with Hubbard and family members. Although the book reads like the stuff of novels, Orvie: The Dictator of Dearborn is a serious study of one of the most controversial figures in American municipal government.

“Brimming with rich descriptions of a beautiful country….The News From Paraguay evolves from a quirky, elegant tale of an unconventional love affair into a sweeping epic.” — Fort Worth Star-Telegram Lily Tuck’s impressive novel offers a kaleidoscopic portrait of 19th century Paraguay, a largely untouched wilderness where European and American figures mix with the Spanish aristocracy of the capital and the indigenous peoples from the surrounding areas. The year is l854. In Paris, Francisco Solano—the future dictator of Paraguay—begins his courtship of the young, beautiful Irish courtesan Ella Lynch with a poncho, a Paraguayan band, and a horse named Mathilde. Ella follows Franco to Asunción and reigns there as his mistress. Isolated and estranged in this new world, she embraces her lover's ill-fated imperial dream—one fueled by a heedless arrogance that will devastate all of Paraguay. With the urgency of the narrative, rich and intimate detail, and a wealth of skillfully layered characters, The News from Paraguay recalls the epic novels of Gabriel García Márquez and Mario Vargas Llosa.

“An expertly drawn narrative, well paced and above all intriguing in its portrayal of an odd, little known episode in the Second World War.” —National Post The Globe and Mail calls The Dictator “suspenseful . . . layered and morally complex” With a deft touch and a wonderful ability to show the humorous in the tragic, David Layton has written a novel that explores the relationship between fathers and sons, and the way in which events of the past translate down through the generations. The Dictator is at turns funny, poignant and insightful.