The Dictator S Seduction

The dictatorship of Rafael Trujillo, who ruled the Dominican Republic from 1930 until his assassination in 1961, was one of the longest and bloodiest in Latin American history. The Dictator’s Seduction is a cultural history of the Trujillo regime as it was experienced in the capital city of Santo Domingo. Focusing on everyday forms of state domination, Lauren Derby describes how the regime infiltrated civil society by fashioning a “vernacular politics” based on popular idioms of masculinity and fantasies of race and class mobility. Derby argues that the most pernicious aspect of the dictatorship was how it appropriated quotidian practices such as gossip and gift exchange, leaving almost no place for Dominicans to hide or resist. Drawing on previously untapped documents in the Trujillo National Archives and interviews with Dominicans who recall life under the dictator, Derby emphasizes the role that public ritual played in Trujillo’s exercise of power. His regime included the people in affairs of state on a massive scale as never before. Derby pays particular attention to how events and projects were received by the public as she analyzes parades and rallies, the rebuilding of Santo Domingo following a major hurricane, and the staging of a year-long celebration marking the twenty-fifth year of Trujillo’s regime. She looks at representations of Trujillo, exploring how claims that he embodied the popular barrio antihero the tíguere (tiger) stoked a fantasy of upward mobility and how a rumor that he had a personal guardian angel suggested he was uniquely protected from his enemies. The Dictator’s Seduction sheds new light on the cultural contrivances of autocratic power.

This unique collection of essays, edited by leading Woolf scholar, brings together for the first time a serious consideration of Virginia Woolf's writing within the political context of fascism. Virginia Woolf and Fascism probes Woolf's fiction and non-fiction from Mrs. Dalloway in 1927 to Between the Acts , 1941, for her responses not only to the growing menaces of dictators abroad, but also to mounting evidence of fascist ideology at home in England. The essays present a portrait of Woolf as a woman writer who was politically engaged, and actively protesting against a worldview which aggressively targeted women for oppression.

Soon after Satchel Paige arrived at spring training in 1937 to pitch for the Pittsburgh Crawfords, he and five of his teammates, including Josh Gibson and Cool Papa Bell, were lured to the Dominican Republic with the promise of easy money to play a short baseball tournament in support of the country’s dictator, Rafael Trujillo. As it turned out, the money wasn’t so easy. After Paige and his friends arrived on the island, they found themselves under the thumb of Trujillo, known by Dominicans for murdering those who disappointed him. In the initial games, the Ciudad Trujillo all-star team floundered. Living outside the shadow of segregation, Satchel and his recruits spent their nights carousing and their days dropping close games to their rivals, who were also stocked with great players. Desperate to restore discipline, Trujillo tapped the leader of his death squads to become part of the team management. The American players believed they might be lined up and shot if they lost the tournament. When Paige’s team ultimately rallied to win, it barely registered with Trujillo, who a few months later ordered the killings of fifteen thousand Haitians at the border between Haiti and the Dominican Republic. Paige and his teammates returned to the states to face banishment from the Negro Leagues, but ironically they barnstormed across America wearing their Trujillo All-Stars uniforms. The Pitcher and the Dictator is an extraordinary story of race, politics, and some of the greatest baseball players ever assembled, playing high-stakes baseball in support of one of the Caribbean’s cruelest dictators. For more information about The Pitcher and the Dictator, visit thepitcherandthedictator.com.

Assessing development thinking from a multidisciplinary perspective, this work argues that Africa is undeveloped not in spite of globalization, but precisely because of globalization’s saintly mission of unbridled liberalization and Euro-American teleology, which has reduced the African governing class to a body of abandonment-neurotics, co-conspirators in the First World’s human and economic genocides. The work suggests subsequently that, provided Africans remain impervious to the anti-Asian agitation which is sweeping the Euro-American world today, they have invaluable lessons in standpoint development to learn from India’s and China’s experiences with liberalism as well as constructive alliances to establish with these emerging transitional nations.

Everyone is talking about this darkly gripping story of hidden secrets, as seen on BBC2 Between the Covers Book Club. 'A gripping, intelligent, utterly-of-the-moment thriller' EMMA STONEX 'A captivating story of women's power, love and secrets' LARA PRESCOTT 'Compelling, atmospheric. It's BRILLIANT' MARIAN KEYES 'Fascinating, atmospheric, utterly gripping' LIZ HYDER 'Demands to be devoured in one sitting' GLAMOUR 'A gripping and moving debut' HARLAN COBEN 'Magnificent' CHARLOTTE PHILBY 'Spellbinding' JANE SHEMLIT 'Darkly compelling' STYLIST 'Richly imagined' THE TIMES _________ She's beautiful and beguiling... but can you trust her? Young London lawyer Laura flies to her parents' homeland for the most important defence case of her life. On trial is Marija Popa, the beautiful widow of a murdered dictator, who created fear and division in his impoverished Eastern Bloc country, hiding untold riches for himself and his family. For Laura, the case is an opportunity to make sense of her broken childhood and her distant relationship with her mother, who will not speak about her old life under the regime. But Laura is distracted by the enigmatic Marija, who claims she knew nothing of her husband's dark affairs. As Laura is led deeper into her investigation of the past, she realises that to uncover the truth, she must draw closer to the dictator's wife. But does danger lie there...? ** Coming soon from Freya Berry - THE BIRDCAGE LIBRARY ** __________ DISCOVER YOUR NEW OBSESSION... 'The ending left me breathless' LARA PRESCOTT 'Atmospheric, claustrophobic and so elegantly written' ELLERY LLOYD 'Engrossing, evocative, chillingly claustrophobic. Wonderfully written' KAREN HAMILTON 'A darkly atmospheric, rich, compulsive and page-turning read' KATE HAMER 'A masterful portrait of a woman who is both devil and angel. Like the real-life dictator's wives that inspired her, she's unforgettable' ANIKA SCOTT 'A remarkable new talent' ANTHONY HOROWITZ 'Sumptuously written... One of the most compelling literary debuts of the year' GLAMOUR 'One of the most original debuts I have read' DAISY GOODWIN 'Excellent. Immersive with strong characterisation and atmosphere' HARRIET TYCE

A diplomatic history of the Dominican Republic and the successes and failures of the Good Neighbor Policy.

Winner, 2019 Isis Duarte Book Prize, given by the Haiti/Dominican Republic Section of the Latin American Studies Association Winner, 2019 Barbara Christian Literary Award, given by the Caribbean Studies Association Highlights the histories and cultural expressions of the Dominican people Using a blend of historical and literary analysis, Colonial Phantoms reveals how Western discourses have ghosted—miscategorized or erased—the Dominican Republic since the nineteenth century despite its central place in the architecture of the Americas. Through a variety of Dominican cultural texts, from literature to public monuments to musical performance, it illuminates the Dominican quest for legibility and resistance. Dixa Ramírez places the Dominican people and Dominican expressive culture and history at the forefront of an insightful investigation of colonial modernity across the Americas and the African diaspora. In the process, she untangles the forms of free black subjectivity that developed on the island. From the nineteenth century national Dominican poet Salomé Ureña to the diasporic writings of Julia Alvarez, Chiqui Vicioso, and Junot Díaz, Ramírez considers the roles that migration, knowledge production, and international divisions of labor have played in the changing cultural expression of Dominican identity. In doing so, Colonial Phantoms demonstrates how the centrality of gender, race, and class in the nationalisms and imperialisms of the West have profoundly impacted the lives of Dominicans. Ultimately, Ramírez considers how the Dominican people negotiate being left out of Western imaginaries and the new modes of resistance they have carefully crafted in response.

Representing a unique reference tool for readers interested in history, criminology, or terrorism, this book provides the most complete and up-to-date coverage of assassinations of key figures throughout history and around the world. Effecting the death of a political figure, a leader of a nation, or a public figure usually captures people's attention. But how often is assassination effective to achieve the larger objective beyond the death of the targeted individual? Famous Assassinations in World History: An Encyclopedia offers more than 200 entries on assassinations of all kinds that will allow readers to grasp the often-complex motivating factors behind each event and better understand historical and contemporary social unrest. Each entry identifies the assassination target and summarizes that person's significance; discusses the person's assassination, including the factors that led up to it and its political and cultural contexts; and explains the powerful effects of the assassination in world history. The encyclopedia also includes various sidebars that spotlight relevant individuals, groups, and movements and present intriguing factoids such as the final disposition of notorious assassins' weapons and various films and novels that were inspired by famous assassinations. In addition, 23 primary source documents provide accounts of assassinations throughout world history.