The Digital Incunabula Rock Paper Pixels

"The Digital Incunabula is Patrick Aievoli's personal sonnet through media, interaction and communication design. He carefully crafts each evolutionary step into ripples that are supported by his own storied professional and academic experiences. It's full of facts, terms and historical information which makes it perfect for anyone looking to flat out learn "--James Pannafino, Professor, Millersville University & Interaction Design

The purpose of this book is to investigate and discuss the premise that the current generation was constructed to be consumers for a transitional marketplace. As the economy shifted from analog to digital, consumers had to be trained to accept, use and progress within a new economic model through changes in societal and economic patterns. Those events are reflected in the habits and lifestyles of the current 12 to 25 year old demographic globally, and it has caused them to be the consummate consumer of digital goods based on events that have been created to develop them to be consumers and to be consumed. Veal: The Rise of Generation Interactive is a deft manifesto on the domestication of the young consumer into a well-cultivated piece of "veal" ready to be parceled off to greedy corporations as a permanent food source, while governments either ineptly or corruptly look the other way.

"Nanna Verhoeff's new book is a must for anybody interested in visual culture and media theory. It offers a rich and stimulating theoretical account of the central dimension of our contemporary existence--interfacing and navigating both data and physical world through a variety of screens (game consoles, mobile phones, car interfaces, GPS devices, etc.). In the process of exploring these new screen practices, Verhoeff offers fresh perspectives on many of the key questions in media and new media studies as well as a number of new original theoretical concepts. As the first theoretical manual for the society of mobile screens, this book will become an essential reference for all future investigations of our mobile screen condition.--Lev Manovich."--Publisher's description.

A born-digital project that asks how recent technologies have changed the ways that historians think, teach, author, and publish

Proceedings from a workshop held at Wolfson College, Oxford in 2017. In light of rapid technological developments in digital imaging, this volume aims to inform specialist and general readers about some of the ways in which imaging technologies are transforming the study and presentation of archaeological and cultural artefacts.

Historical maps are fascinating documents and a valuable source of information for scientists of various disciplines. Many of these maps are available as scanned bitmap images, but in order to make them searchable in useful ways, a structured representation of the contained information is desirable. This book deals with the extraction of spatial information from historical maps. This cannot be expected to be solved fully automatically (since it involves difficult semantics), but is also too tedious to be done manually at scale. The methodology used in this book combines the strengths of both computers and humans: it describes efficient algorithms to largely automate information extraction tasks and pairs these algorithms with smart user interactions to handle what is not understood by the algorithm. The effectiveness of this approach is shown for various kinds of spatial documents from the 16th to the early 20th century.

Analyzing the relationship between digital technologies and society this book explores a wide range of complex social issues emerging in a new digital space. Itexamines both the vexing dilemmas with a critical eye as well as prompting readers to think constructively and strategically about exciting possibilities.