The Dimension Of Music In Islamic And Jewish Culture

Though we can no longer hear how it sounded, the written sources that remain provide much information on the music of the medieval Islamic and Jewish worlds, on how it was regarded and on the importance that was attached to it. Amnon Shiloah has been a pioneer in the exploration of these sources, and the present volume brings together some of the results. The opening studies examine, with annotated translations, several key works expounding the meaning of music and its power, in terms of its ethical and therapeutic effects and properties. The following articles focus on scientific writings about music and on the transmission of musical knowledge, while the final section approaches the subject from the angle of religion, noting how the power attributed to music occasioned the distrust of many religious figures, who feared its capacity to deprave and debase its audience. Bien que nous ne puissions plus de nos jours l'entendre, les sources écrites qui ont survécu apportent énormément d'information sur la musique des mondes juifs et islamiques, sur l'importance qui y était attachée et sur son rà ́le. Le professeur Shiloah est un des pionniers en terme d'exploration de ces sources et le présent volume rassemble un certain nombre des résultats de ses recherches. Les premières études, accompagnées de traductions annotées, font l'examen de plusieurs travaux importants, exposant la signification de la musique et sa puissance de par ses effets et ses propriétés morales et thérapeutiques. Les articles suivants se concentrent sur les écrits scientifiques au sujet de la musique et sur la propagation de la connaissance musicale. La dernière section aborde le sujet à partir de l'aspect de la religion, soulignant combien le pouvoir attribué à la musique entraÃ(R)nait une certaine méfiance de la part d'un certain nombre de religieux, qui craignaient son aptitude à avilir et dépraver ceux qui l'ecoutaient.

Provides basic musicological information about a vast variety of Middle Eastern musical genres within an ethnomusical context.

The Routledge Handbook of Muslim-Jewish Relations invites readers to deepen their understanding of the historical, social, cultural, and political themes that impact modern-day perceptions of interfaith dialogue. The volume is designed to illuminate positive encounters between Muslims and Jews, as well as points of conflict, within a historical framework. Among other goals, the volume seeks to correct common misperceptions about the history of Muslim-Jewish relations by complicating familiar political narratives to include dynamics such as the cross-influence of literary and intellectual traditions. Reflecting unique and original collaborations between internationally-renowned contributors, the book is intended to spark further collaborative and constructive conversation and scholarship in the academy and beyond.

This multidisciplinary volume explores the Judaeo-Islamic tradition during the Middle Ages and down to the present focusing on such diverse themes as history, law, identity, prayer, language, scriptural exegesis, music, and film.

Avery explores the psychology of altered states among the early Sufis. It examines samâ` - listening to ritual recitation, music and certain other aural phenomena - and its effect in inducing unusual states of consciousness and behaviours. The focus is on the earliest personalities of the Islamic mystical tradition, as mediated by texts from the tenth to the twelfth centuries C.E. These unusual states are interpreted in the light of current research in Western psychology, and also in terms of their integration into historical Islamic culture. A Psychology of Early Sufi Samâ` provides new insights into the work of five Sufi authors, and a fresh approach to the relation between historical accounts of altered states and current psychological thinking.

Avery explores the psychology of altered states among the early Sufis. It examines samâ` - listening to ritual recitation, music and certain other aural phenomena - and its effect in inducing unusual states of consciousness and behaviours. The focus is on the earliest personalities of the Islamic mystical tradition, as mediated by texts from the tenth to the twelfth centuries C.E. These unusual states are interpreted in the light of current research in Western psychology, and also in terms of their integration into historical Islamic culture. A Psychology of Early Sufi Samâ` provides new insights into the work of five Sufi authors, and a fresh approach to the relation between historical accounts of altered states and current psychological thinking.

Music in the Hebrew Bible investigates musical citations in the Hebrew Bible and their relevance for our times. Most biblical musical references are addressed, either alone or as a grouping, and each is considered from a modern perspective. The book consists of one hundred brief essays divided into four parts. Part one offers general overviews of musical contexts, recurring musical-biblical themes and discussions of basic attitudes and tendencies of the biblical authors and their society. Part two presents essays uncovering what the Torah (Pentateuch) has to say about music, both literally and allegorically. The third part includes studies on music's place in Nevi'im (Prophets) and the perceived link between musical expression and human-divine contact. Part four is comprised of essays on musical subjects derived from the disparate texts of Ketuvim (Writings).

Perspectives on Jewish Music presents five unique and engaging explorations of Jewish music. Areas covered include self-expression in contemporary Jewish secular music, the rise of popular music in the American synagogue, the theological requirements of the cantor, the role of women in Sephardic music and society, and the personal reflections of a leading figure in American synagogue music. Its wide-ranging topics and disciplinary approaches give evidence for the centrality of music in Jewish religious and secular life, and demonstrate that Jewish music is as diverse as the Jews themselves. From these studies, readers will gain an appreciation of both what Jewish music is and what it does. This book will be useful for students, practitioners, and scholars of Jewish secular and religious music and Jewish cultural studies, as well as ethnomusicologists specializing in Jewish or religious music.