The Disappearing Act

From the New York Times bestselling author of Something in the Water and Mr. Nobody comes “an unputdownable mystery about the nightmares that abound in the pursuit of Hollywood dreams” (Caroline Kepnes, author of the You series). “Stylish, riveting, hugely atmospheric—I couldn’t put it down.”—Lucy Foley, author of The Guest List A woman has gone missing. But did she ever really exist? A leading British actress hoping to make a splash in America flies to Los Angeles for the grueling gauntlet known as pilot season, a time when every network and film studio looking to fill the rosters of their new shows entice a fresh batch of young hopefuls—anxious, desperate, and willing to do whatever it takes to make it. Instead, Mia Eliot, a fish out of water in the ruthlessly competitive and faceless world of back-to-back auditioning, discovers the sinister side of Hollywood when she becomes the last person to see Emily, a newfound friend. Standing out in a conveyor-belt world of fellow aspiring stars, Emily mysteriously disappears following an audition, after asking Mia to do a simple favor. But nothing is simple. Nothing is as is seems. And nothing prepares Mia for a startling truth: In a city where dreams really do come true, nightmares can follow.

‘People often say that non-fiction books read like fast-moving thrillers, but this one genuinely does... This is a splendid book – and highly recommended.’ Daily Mail A remarkable piece of investigative journalism into one of the most pervasive and troubling mysteries of recent memory.

In his debut collection of short stories, Robert Sheehan disappears into characters, challenging the complacencies of everyday experience, often from entirely unexpected angles. Informed by the author's peripatetic life, Disappearing Act reflects on the absurdity of human behaviour. Sheehan delves deep into his characters' streams of self-talk and self-imposed delusions, exploring the dark impulses that lurk below the shiny surfaces of many outwardly normal lives. Dark and provocative, the collection will stay with the reader long after the book is finished. Warning: Contains Adult Content

“This debut thriller reads like The Devil Wears Prada meets Single White Female. I couldn’t put it down.”—Catherine Steadman, author of Something in the Water and Mr. Nobody She’s borrowed your life. But what if she decides to keep it? Glamorous Margot Jones is the fashion editor at glossy magazine Haute. Pregnant with her first child, Margot’s carefully curated life is the object of other women’s envy—who wouldn’t want her successful career, loving husband, beautiful house, and stylish wardrobe? Maggie, a freelance journalist, certainly knows she doesn’t measure up. But when she gets the temp job covering Margot’s maternity leave, Maggie seizes the chance to live a flashier life—even if it’s only for a few months. But the simultaneous arrival of Margot’s baby and a brutal end to her oldest friendship sends Margot into a spiral of insecurity and suspicion; normal preoccupations of new motherhood turn into dark and frightening paranoia. Who is the vicious online troll mocking Margot’s facade of perfection and threatening to expose a dark secret she’s spent years concealing? Are Maggie’s newfound ambitions and plucky enthusiasm as innocent as they seem? And what happens when Margot is ready to return to her old life—especially if Maggie doesn’t want to leave?

From #1 New York Times bestselling author Terry McMillan comes an honest look at a modern romance, from love at first sight to painful reality to working toward a happy ending.... Franklin Swift was a sometimes-employed construction worker and a not-quite-divorced dad of two. Zora Banks was a teacher, singer, and songwriter. They met in a Brooklyn brownstone, and there could be no walking away.... In this funny, gritty love story, Franklin and Zora join the ranks of fiction’s most compelling couples as they move from Scrabble to sex, from layoffs to the limits of faith and trust. Disappearing Acts is about the mystery of desire and the burdens of the past. It’s about respect—what it can and can’t survive. And it’s about the safe and secret places that only love can find.

Taylor uses performance theory to explore how public spectacle both builds and dismantles a sense of national and gender identity. Here, nation is understood as a product of communal "imaginings" that are rehearsed, written and staged - and spectacle is the desiring machine at work in those imaginings. Taylor argue that the founding scenario of Argentineness stages the struggle for national identity as a battle between men - fought on, over, and through the feminine body of the Motherland. She shows how the military's representations of itself as the model of national authenticity established the parameters of the conflict in the 70s and 80s, feminized the enemy, and positioned the public - limiting its ability to respond.

“A powerful family and a deadly game. Be prepared for a nail-biting, roller-coaster of a ride” (B. A. Paris, author of Behind Closed Doors), from the New York Times bestselling author of Something in the Water, Mr. Nobody, and The Disappearing Act “The Holbecks are what you might come up with if you took the Roys from Succession and blended them with the Murdochs, the Macbeths, and the Borgias. . . . Let the fun begin!”—The New York Times Book Review (Editors’ Choice) THE RULES 1. Listen carefully 2. Do your research 3. Trust no one 4. Run for your life Harriet Reed, a novelist on the brink of literary stardom, is newly engaged to Edward Holbeck, the heir of an extremely powerful family. And even though Edward has long tried to severe ties with them, news of the couple’s upcoming marital bliss has the Holbecks inching back into their lives. As Harriet is drawn into their lavish world, the family seems perfectly welcoming. So when Edward’s father, Robert, hands Harriet a tape of a book he’s been working on, she is desperate to listen. But as she presses play, it’s clear that this isn’t just a novel. It’s a confession. A confession to a grisly crime. A murder. And, suddenly, the game is in motion. Feeling isolated and confused, Harriet must work out if this is part of a plan to test her loyalty or something far darker. What is it that Robert sees in her? Why give her the power to destroy everything? This might be a game to the Holbeck family—but losing could still prove deadly. READY OR NOT, HERE THEY COME . . .

Joyce Fletcher's research shows that emotional intelligence and relational behavior are often viewed as inappropriate because they collide with powerful, gender-linked images. This study of female design engineers has profound implications for attempts to change organizational culture. Joyce Fletcher's research shows that emotional intelligence and relational behavior are often viewed as inappropriate because they collide with powerful, gender-linked images. Fletcher describes how organizations say they need such behavior and yet ignore it, thus undermining the possibility of radical change. She shows why the "female advantage" does not seem to be benefit women employees or organizations. She offers ways that individuals and organizations can make visible the invisible work.