The Diviners

During one month in the autumn of election year 2000, scores of movie-business strivers are focused on one goal: getting a piece of an elusive, but surely huge, television saga, the one that opens with Huns sweeping through Mongolia and closes with a Mormon diviner in the Las Vegas desert; the sure-to-please-everyone multigenerational TV miniseries about diviners, those miracle workers who bring water to perpetually thirsty (and hungry and love-starved) humankind. Among the wannabes: Vanessa Meandro, hot-tempered head of Means of Production, an indie film company; her harried and varied staff; a Sikh cab driver, promoted to the office of -theory and practice of TV; a bipolar bicycle messenger, who makes a fateful mis-delivery; two celebrity publicists, the Vanderbilt girls; a thriller writer who gives Botox parties; the daughter of an L.A. big-shot, who is hired to fetch Vanessa's Krispy Kremes and more; a word man who coined the phrase -- inspired by a true story; and a supreme court justice who wants to write the script.A few true artists surface in the course of Moody's rollicking but intricately woven novel, and real emotion eventually blossoms for most of Vanessa's staff at Means of Production, even herself. The Diviners is a cautionary tale about pointless ambition; a richly detailed look at the interlocking worlds of money, politics, addiction, sex, work, and family in modern America; and a masterpiece of comedy that will bring Rick Moody to a still higher level of appreciation.

Morag Gunn is a writer in her mid-forties who lives in a riverside farm in East Ontario. Her eighteen-year-old daughter is suffering from a profound loneliness that she is struggling to understand, causing Morag to contemplate her own past. Through a series of flashbacks she reviews the painful and exhilarating moments from her earlier life: her childhood on the social margins of the small prairie town of Manawaka; her escape from a demeaning marriage into writing fiction; and her travels to England, Scotland and finally back to Canada, where she faces her most difficult challenge – the necessity to understand, and let go of, the daughter she loves. First published in 1974, The Diviners is an evocative, moving exploration of one woman's search for identity.

Do you believe there are ghosts and demons and Diviners among us? Evie O'Neill has been exiled from her boring old hometown and shipped off to the bustling streets of New York City--and she is pos-i-tute-ly ecstatic. It's 1926, and New York is filled with speakeasies, Ziegfield girls, and rakish pickpockets. The only catch is that she has to live with her Uncle Will and his unhealthy obsession with the occult. Evie worries he'll discover her darkest secret: a supernatural power that has only brought her trouble so far. But when the police find a murdered girl branded with a cryptic symbol and Will is called to the scene, Evie realizes her gift could help catch a serial killer. As Evie jumps headlong into a dance with a murderer, other stories unfold in the city that never sleeps. A young man named Memphis is caught between two worlds. A chorus girl named Theta is running from her past. A student named Jericho hides a shocking secret. And unknown to all, something dark and evil has awakened.... Printz Award-winning and New York Times bestselling author Libba Bray opens a brand-new historical series with The Diviners, where the glittering surface of the Roaring Twenties hides a mystical horror creeping across the country.

The breath-taking finale to the epic New York Times bestseller, The Diviners, from Printz winner and beloved author, Libba Bray. After the horrifying explosion that claimed one of their own, the Diviners find themselves wanted by the US government, and on the brink of war with the King of Crows. While Memphis and Isaiah run for their lives from the mysterious Shadow Men, Isaiah receives a startling vision of a girl, Sarah Beth Olson, who could shift the balance in their struggle for peace. Sarah Beth says she knows how to stop the King of Crows-but, she will need the Diviners' help to do it. Elsewhere, Jericho has returned after his escape from Jake Marlowe's estate, where he has learned the shocking truth behind the King of Crow's plans. Now, the Diviners must travel to Bountiful, Nebraska, in hopes of joining forces with Sarah Beth and to stop the King of Crows and his army of the dead forever. But as rumors of towns becoming ghost towns and the dead developing unprecedented powers begin to surface, all hope seems to be lost. In this sweeping finale, The Diviners will be forced to confront their greatest fears and learn to rely on one another if they hope to save the nation, and world from catastrophe...

The Diviners are back in this thrilling and eerie third installment by #1 New York Timesbestselling author Libba Bray. New York City. 1927. Lights are bright. Jazz is king. Parties are wild. And the dead are coming... After battling a supernatural sleeping sickness that early claimed two of their own, the Diviners have had enough of lies. They're more determined than ever to uncover the mystery behind their extraordinary powers, even as they face off against an all-new terror. Out on Ward's Island, far from the city's bustle, sits a mental hospital haunted by the lost souls of people long forgotten--ghosts who have unusual and dangerous ties to the man in the stovepipe hat, also known as the King of Crows. With terrible accounts of murder and possession flooding in from all over, and New York City on the verge of panic, the Diviners must band together and brave the sinister ghosts invading the asylum, a fight that will bring them fact-to-face with the King of Crows. But as the explosive secrets of the past come to light, loyalties and friendships will be tested, love will hang in the balance, and the Diviners will question all that they've ever known. All the while, malevolent forces gather from every corner in a battle for the very soul of a nation--a fight that could claim the Diviners themselves. Heart-pounding action and terrifying moments will leave you breathless in the third book of the four-book Diviners series by #1 New York Times bestselling author Libba Bray.

THE NEW YORK TIMES #1 BESTSELLER 1920s New York. America's Sweetheart Seer. Diviners dream-walk. Follow them down. After a supernatural showdown with a serial killer, Evie O'Neill has outed herself as a Diviner. With her uncanny ability to read people's secrets, she's become a media darling, and everyone's in love with the city's newest It Girl. Everyone, that is, except the other Diviners, such as piano-playing Henry DuBois and Chinatown resident Ling Chan, both struggling to keep their powers a secret - for they can walk in dreams. While Evie lives the high life, victims of a mysterious sleeping sickness start turning up across New York City. As Henry searches for lost love, and Ling strives to succeed in a world that shuns her, a malevolent force infects their dreams. And at the edges of it all lurks a man in a stovepipe hat, who has plans that extend farther than anyone can guess. As the sickness spreads, can the Diviners descend into the dreamworld to save the city? In this heart-stopping sequel to The Diviners, New York Times bestselling and Printz Award winning author Libba Bray takes readers deeper into the mystical underbelly of New York City. 'The ambitiously broad focus of this novel strikes just the right balance.Weaving together a chilling mystery with a truly elusive solution, several poignant love stories, agonising injustice, terrifyingly monstrous dreams, and even a cameo by legendary psychiatrist Carl Jung, this instalment wraps enough up to satisfy but clearly sets the stage for more.' Kirkus, starred review

The ten stories gathered together in The Tomorrow-Tamer are Margaret Laurence’s first published fiction. Set in raucous and often terrifying Ghana, where shiny Jaguars and modern jazz jostle for eminence against fetish figures, tribal rites, and the unchanging beat of jungle drums, the stories tell of individuals, European and African, trying to come to terms with the frightening world brought about by the country’s new freedom. With the same compassion and understanding she would bring to her later fiction set in Canada, Laurence succeeds brilliantly in capturing the atmosphere of a continent and of individual men and women struggling for survival under the impact of the wind of change.

This marvelously theatrical play is the story of a disturbed young man and his friendship with a disenchanted preacher in southern Indiana in the early 1930s. When the boy was young he almost drowned. This trauma, and the loss of his mother in the same accident, has left him deathly afraid of water. The preacher, set on breaking away from a long line of Kentucky family preachers, is determined not to do what he does best. He works as a mechanic for the boy’s father. The town doesn’t have a preacher and the women try to persuade him to preach – while he tries to persuade the child to wash. When the preacher finally gets the boy in the river and is washing him, the townspeople mistake the scene for a baptism. They descend on the event and, in the confusion, the boy drowns.