The Domestication Of Genius

This is a book about the biographical afterlives of the Romantic poets and the creation of literary biography as a popular form. It focuses on the Lives of six major poets of the period: Byron, Shelley, Wordsworth, Coleridge, Felicia Hemans, and Letitia Landon, published from the 1820s, by Thomas Moore, Mary Shelley, Thomas De Quincey, and others. It situates these within the context of the development of biography as a genre from the 1780s to the 1840s. Starting with Johnson, Boswell, and female collective Lives, it looks at how the market success of biography was built on its representation and publication of domestic life. In the 1820s and 30s biographers 'domesticated' Byron, Shelley, and other poets by situating them at home, opening up their (often scandalous) private lives to view, and bringing readers into intimate contact with greatness. Biography was an influential transmitter of the myth of 'the Romantic poet', as the self-creating, masculine genius, but it also posed one of the first important challenges to that myth, by revealing failures in domestic responsibility that were often seen as indicative of these writers' inattention to the needs of the reader. The Domestication of Genius is the most comprehensive account to date of the shaping of the Romantic poets by biography in the nineteenth-century. Written in a lively and accessible style, it casts new light on the literary culture of the 1830s and the transition between Romantic and Victorian conceptions of authorship. It offers a powerful re-evaluation of Romantic literary biography, of major biographers of the period, and of the posthumous reputations of the Romantic poets.

-- Lisa Moore, Albion

Focusing on the Lives of Byron, Shelley, Wordsworth, Coleridge, Felicia Hemans, and Letitia Landon, North explores how biographies by writers including Thomas Moore, Mary Shelley, Thomas De Quincey, both perpetuated and, by revealing private weaknesses and domestic failures, challenged the myth of 'the Romantic poet'.

The first comprehensive study of the roots of the concept of genius in Kant's understanding of nature and his notion of the artist.

Since the events of 9/11 the representation of Islam has increasingly come adrift from its actuality. Scholars and pundits have effectively demonised a whole faith by wilfully apportioning blame and by ignoring the differences within the Islamic movement. 'Religion and the Domestication of Dissent' examines how the classifications we use to name and negotiate our social worlds - notably 'religion' - are implicitly political. The study ranges widely from contemporary film and art to the War on Terror and will be invaluable to readers interested in the politics behind the portrayal of dissenting religious groups.

This study controversially suggests genius is made not born by tracing the lives of famous figures.

Examining films about writers and acts of writing, The Writer on Film brilliantly refreshes some of the well-worn 'adaptation' debates by inviting film and literature to engage with each other trenchantly and anew – through acts of explicit configuration not adaptation.