The Dublin Review

Using a blend of statistical analysis with field survery among native Irish speakers, Reg Hindley explores the reasons for the decline of the Irish language and investigates the relationships between geographical environment and language retention. He puts Irish into a broader European context as a European minority language, and assesses its present position and prospects.

A thrilling and perplexing investigation of a true Victorian crime at Dublin railway station. Dublin, November 1856: George Little, the chief cashier of the Broadstone railway terminus, is found dead, lying in a pool of blood beneath his desk. He has been savagely beaten, his head almost severed; there is no sign of a murder weapon, and the office door is locked, apparently from the inside. Thousands of pounds in gold and silver are left untouched at the scene of the crime. Augustus Guy, Ireland's most experienced detective, teams up with Dublin's leading lawyer to investigate the murder. But the mystery defies all explanation, and two celebrated sleuths sent by Scotland Yard soon return to London, baffled. Five suspects are arrested then released, with every step of the salacious case followed by the press, clamouring for answers. But then a local woman comes forward, claiming to know the murderer... 'The Dublin Railway Murder is a true-crime masterclass' Philip Gray, author of Two Storm Wood

Winner of the 2015 Man Booker International Prize The Melancholy of Resistance, Lszl Krasznahorkai's magisterial, surreal novel, depicts a chain of mysterious events in a small Hungarian town. A circus, promising to display the stuffed body of the largest whale in the world, arrives in the dead of winter, prompting bizarre rumours. Word spreads that the circus folk have a sinister purpose in mind, and the frightened citizens cling to any manifestation of order they can find - music, cosmology, fascism. The novel's characters are unforgettable: the evil Mrs. Eszter, plotting her takeover of the town; her weakling husband; and Valuska, our hapless hero with his head in the clouds, who is the tender centre of the book, the only pure and noble soul to be found. Compact, powerful and intense, The Melancholy of Resistance, as its enormously gifted translator George Szirtes puts it, 'is a slow lava flow of narrative, a vast black river of type.' And yet, miraculously, the novel, in the words of Guardian, 'lifts the reader along in lunar leaps and bounds.'

Falling in love with the enemy is the ultimate act of betrayal... 1917. A farm girl from Cavan, Veronica McDermott is desperate to find more to life than peeling potatoes. Persuading her family to let her stay with her aunt and uncle in Dublin so she can attend secretarial college, she has no idea what she is getting into. Recruited by Fr Michael O'Flanagan to type for Eamon De Valera, Veronica is soon caught up in the danger and intrigue of those fighting for Ireland's independence from Britain. The attentions of a handsome British soldier, Major Harry Fairfax, do not go unnoticed by Veronica's superiors. But when Veronica is tasked with earning his affections to gather intelligence for Sinn Féin, it isn't long before her loyalty to her countrymen and her feelings for Harry are in conflict. To choose one is to betray the other... Inspired by real life events and marking the centenary of the end of the War of Independence, Dublin's Girl is a thrilling historical debut from an exciting new Irish voice. Readers love Dublin's Girl! 'Reminiscent of Pam Jenoff's WWII novels and carried the suspense and anticipation of Eoin Dempsey's Finding Rebecca... The chemistry between the main characters was incredible.' NetGalley Reviewer, 5 stars 'Loved this!... Full of romance, political intrigue, suspense, and history.' Arrow Reads, 5 stars 'Fantastic read. I have been completely unable to put this one down. I cannot wait to read more by this author' Little Miss Book Lover 87, 5 stars 'I loved this book... Very highly recommended!' NetGalley Reviewer, 5 stars 'A great historical fiction novel that has romance, political intrigue, suspense, and most definitely action.' NetGalley Reviewer, 5 stars 'Wow... exciting and captivating.' NetGalley Reviewer, 5 stars 'Love learning about this time period in Irish history... drew me in immediately.' NetGalley Reviewer, 4 stars

An Post Irish Book Awards Nonfiction Book of the Year • A Guardian Best Book of 2020 • Shortlisted for the 2021 Rathbones Folio Prize • Longlisted for the 2021 Republic of Consciousness Prize • Winner of the James Tait Black Biography Prize • A New York Times New & Noteworthy Title • Longlisted for the 2021 Gordon Burn Prize • A Buzzfeed Recommended Summer Read • A Publishers Weekly Best Book of 2021 • A Book Riot Best Book of 2022 • An NPR Best Book of 2021 • A Chicago Public Library Best Book of 2021 • A Globe and Mail Book of the Year • A Winnipeg Free Press Top Read of 2021 • An Entropy Magazine Best of the Year • A LitHub Best Book of 2021 • A New York Times Critics' Top Book of 2021 • A National Book Critics Circle Award Finalist When we first met, I was a child, and she had been dead for centuries. On discovering her murdered husband’s body, an eighteenth-century Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament. Eibhlín Dubh Ní Chonaill’s poem travels through the centuries, finding its way to a new mother who has narrowly avoided her own fatal tragedy. When she realizes that the literature dedicated to the poem reduces Eibhlín Dubh’s life to flimsy sketches, she wants more: the details of the poet’s girlhood and old age; her unique rages, joys, sorrows, and desires; the shape of her days and site of her final place of rest. What follows is an adventure in which Doireann Ní Ghríofa sets out to discover Eibhlín Dubh’s erased life—and in doing so, discovers her own. Moving fluidly between past and present, quest and elegy, poetry and those who make it, A Ghost in the Throat is a shapeshifting book: a record of literary obsession; a narrative about the erasure of a people, of a language, of women; a meditation on motherhood and on translation; and an unforgettable story about finding your voice by freeing another’s.

Great Britain can be accused of many things; a proliferation of queuing, a fondness of the demon drink; but it's not without more than its fair share of important historical and modern people. 'Great Britons: A Very Peculiar History' looks at a myriad brillliant Britons and their influence on the world. The book features a short potted history of each person, detailing their acheivements, personalities and lifestyles in a quirky and memorable way. From kings and queens, pirates and politicians, actors and directors to sportsmen, explorers, scientists and inventors, 'Great Britons: A Very Peculiar History' celebrates the men and women who have shaped Great Britain and made it what it is today.

Edward Rutherfurd’s stirring account of Irish history, the Dublin Saga, concludes in this magisterial work of historical fiction. Beginning where the first volume, The Princes of Ireland, left off, The Rebels of Ireland takes us into a world transformed by the English practice of “plantation,” which represented the final step in the centuries-long British conquest of Ireland. Once again Rutherfurd takes us inside the process of history by tracing the lives of several Dublin families from all strata of society – Protestant and Catholic, rich and poor, conniving and heroic. From the time of the plantations and Elizabeth’s ascendancy Rutherfurd moves into the grand moments of Irish history: the early-17th-century “Flight of the Earls,” when the last of the Irish aristocracy fled the island; Oliver Cromwell’s brutal oppression and confiscation of lands a half-century later; the romantic, doomed effort of “The Wild Geese” to throw off Protestant oppression at the Battle of the Boyne. The reader sees through the eyes of the victims and the perpetrators alike the painful realities of the anti-Catholic penal laws, the catastrophic famine and the massive migration to North America, the rise of the great nationalists O’Connell and the tragic Parnell, the glorious Irish cultural renaissance of Joyce and Yeats, and finally, the triumphant founding of the Irish Republic in 1922. Written with all the drama and sweep that has made Rutherfurd the bestselling historical novelist of his generation, The Rebels of Ireland is both a necessary companion to The Princes of Ireland and a magnificent achievement in its own right.

“[L]ike reading a great tragicomic Irish novel.” —James Wood, The New Yorker “Masterful . . . astonishing.” —Cullen Murphy, The Atlantic "A landmark history . . . Leavened by the brilliance of O'Toole's insights and wit.” —Claire Messud, Harper’s Winner • 2021 An Post Irish Book Award — Nonfiction Book of the Year • from the judges: “The most remarkable Irish nonfiction book I’ve read in the last 10 years”; “[A] book for the ages.” A celebrated Irish writer’s magisterial, brilliantly insightful chronicle of the wrenching transformations that dragged his homeland into the modern world. Fintan O’Toole was born in the year the revolution began. It was 1958, and the Irish government—in despair, because all the young people were leaving—opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don’t Know Ourselves, O’Toole, one of the Anglophone world’s most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary “backwater” to an almost totally open society—perhaps the most astonishing national transformation in modern history. Born to a working-class family in the Dublin suburbs, O’Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland’s main export was beef and it was still not unknown for herds of cattle to clatter down Dublin’s streets. Yet the Westerns were a sign of what was to come. O’Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O’Toole’s telling, America became a lodestar, from John F. Kennedy’s 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis. A remarkably compassionate yet exacting observer, O’Toole in coruscating prose captures the peculiar Irish habit of “deliberate unknowing,” which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don’t Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us.