The Dying Animal

The unforgettable story of an affair between a star lecturer at a New York college and the beautiful daughter of Cuban exiles—and the quagmire of sexual jealousy and loss that ensues—from the renowned Pulitzer Prize–winning author of American Pastoral. “[A] disturbing masterpiece.” —The New York Review of Books No matter how much you know, no matter how much you think, no matter how much you plot and you connive and you plan, you’re not superior to sex. With these words our most unflaggingly energetic and morally serious novelist launches perhaps his fiercest book. The speaker is David Kepesh, white-haired and over sixty, an eminent cultural critic and star lecturer at a New York college—as well as an articulate propagandist of the sexual revolution. For years he has made a practice of sleeping with adventurous female students while maintaining an aesthete’s critical distance. But now that distance has been annihilated. The agency of Kepesh’s undoing is Consuela Castillo, the decorous and humblingly beautiful 24-year-old daughter of Cuban exiles. When he becomes involved with her, Kepesh finds himself dragged—helplessly, bitterly, furiously—into jealousy and loss. In chronicling this descent, Philip Roth performs a breathtaking set of variations on the themes of eros and mortality, license and repression, selfishness and sacrifice. The Dying Animal is a burning coal of a book, filled with intellectual heat and not a little danger.

Like a hospice worker, author Rita M. Reynolds cares for sick and dying animals, helping them comfortably cross the threshold into death. She shares stories about dogs, cats, a donkey, a cow, ducks, goats, and even baby wild mice she cares for as they die. Reynolds teaches basic skills in respectfully handling a dying animal, whether it's a newborn bird that's fallen from a tree or a beloved dog that is terminally ill. Her new edition includes blessings and prayers for animals, whether in the process of dying or who have already passed over. Reynolds believes in divine and angelic influences when it comes to helping animals cross over. She believes animals possess unique souls that transform into an afterlife. She even tells of seeing the spirits of dead animals and messages they bring her. Many of Reynolds' lessons are conveyed through real-life stories, where the reader witnesses how she simultaneously releases and embraces dying animals. Like The Tibetan Book of the Dead, this book has functional appeal and longevity. This book appeals to anyone grieving and looking for comfort.

Philip Roth's The Breast is a funny, fantastical story and a bizarre yet daring exploration of sex and subjectivity. David Kepesh wakes up one morning in the hospital, mysteriously altered. Through an endocrinopathic catastrophe of unprecedented proportions, he has been transformed into a 155-pound human female breast. Railing at the incomprehensible, he uses his intelligence to deny and resist the thing he has become. Ultimately, he must accept his fate.

Everything is over for Simon Axler, the protagonist of the history. One of the leading American stage actors of his generation, now in his sixties, he has lost his magic, his talent and his assurance. His Falstaff and Peer Gynt and Vanya, all his great roles, 'are melted into air, into thin air'. When he goes on stage he feels like a lunatic and looks like an idiot. His confidence in his powers has drained away; he imagines people laughing at him; he can no longer pretend to be someone else. His wife has gone, his audience has left him, his agent can't persuade him to make a comeback. Into this shattering account of inexplicable and terrifying self-evacuation bursts a counterplot of unusual erotic desire, a consolation for the bereft life so risky and aberrant that it points not towards comfort and gratification but to a yet darker and more shocking end. In this long day's journey into night, told with Roth's inimitable urgency, bravura and gravity, all the ways that we persuade ourselves of our solidity, all our life's performances - talent, love, sex, hope, energy, reputation - are stripped off.

Animal death is a complex, uncomfortable, depressing, motivating and sensitive topic.

Gail Pope, founder and director of BrightHaven, a holistic animal sanctuary and hospice in northern California, created this booklet to provide both knowledge and comfort to those who are accompanying a beloved animal companion on the journey to transition. It is written as a simple guide to the specific signs and symptoms you may encounter during each stage of the actual dying process, which may begin several months before death finally occurs.

NATIONAL BESTSELLER • Set in a close-knit Newark neighborhood during a terrifying polio outbreak in 1944, a “book [that] has the elegance of a fable and the tragic inevitability of a Greek drama” (The New Yorker)—from the Pulitzer Prize–winning author of American Pastoral. Bucky Cantor is a vigorous, dutiful twenty-three-year-old playground director during the summer of 1944. A javelin thrower and weightlifter, he is disappointed with himself because his weak eyes have excluded him from serving in the war alongside his contemporaries. As the devastating disease begins to ravage Bucky’s playground, Roth leads us through every inch of emotion such a pestilence can breed: fear, panic, anger, bewilderment, suffering, and pain. Moving between the streets of Newark and a pristine summer camp high in the Poconos, Nemesis tenderly and startlingly depicts Cantor’s passage into personal disaster, the condition of childhood, and the painful effect that the wartime polio epidemic has on a closely-knit, family-oriented Newark community and its children.

From the Pulitzer Prize–winning author of American Pastoral—"a thoughtful...elegant" (The New York Times Book Review) and often hilarous novel about the dilemma of pleasure: where we seek it; why we flee it; and how we struggle to make a truce between dignity and desire. As a student in college, David Kepesh styles himself "a rake among scholars, a scholar among rakes." Little does he realize how prophetic this motto will be—or how damning. For as Philip Roth follows Kepesh from the domesticity of childhood into the vast wilderness of erotic possibility, from a ménage à trois in London to the throes of loneliness in New York, he creates a novel that "ranks among the major achievements in the literature of our time" (Village Voice).