The Dynamics Of Violence And Revenge In The Hebrew Book Of Esther

In The Dynamics of Violence and Revenge, Francisco-Javier Ruiz-Ortiz presents an exegetical study of how the violence and revenge which are integral part of the Hebrew book of Esther structure the book and help passing on its message.

This book approaches the holiday of Purim as profane, freed to human use and ends, in order to consider the political legacy of the biblical story of Esther in festival and art works. Jo Carruthers explores carnival and synagogue practices, the purimshpiln (Purim's own dramatic genre), illuminated Esther scrolls, as well as artworks by Botticelli, Millais and Jan Steen. The complex and astute interrogation of political life in such festival and artworks is analysed through theories of sovereignty, law, precarity and hospitality by key political thinkers such as Giorgio Agamben, Hannah Arendt, Walter Benjamin, Judith Butler, Jacques Derrida, and Jacques Rancière. Carruthers considers different motifs of boundary conservation and dissolution, as a means of contemplating the political implications of Purim and the Esther story for diaspora politics. How is sovereignty aspired to and attained by marginalized and threatened communities? How can one respond to the ethical call of hospitality to relax sovereign boundaries whilst protecting and celebrating that which is exceptional? The practice of giving gifts, mishloach manos, offers a model of hospitality that together with Purim's profane impulse is epitomized in the final chapter's discussion of a 2018 Brooklyn purimshpil, that offers a riotous ridiculing of white supremacist rhetoric, norms of domination, capitalist inequalities, modern slavery and ablest identities and assumptions.

Esther is the most visual book of the Hebrew Bible and largely crafted in the Fourth Century BCE by an author who was clearly au fait with the rarefied world of the Achaemenid court. It therefore provides an unusual melange of information which can enlighten scholars of Ancient Iranian Studies whilst offering Biblical scholars access into the Persian world from which the text emerged. In this book, Lloyd Llewellyn-Jones unlocks the text of Esther by reading it against the rich iconographic world of ancient Persia and of the Near East. Ancient Persia and the Book of Esther is a cultural and iconographic exploration of an important, but often undervalued, biblical book, and Llewellyn-Jones presents the book of Esther as a rich source for the study of life and thought in the Persian Empire. The author reveals answers to important questions, such as the role of the King's courtiers in influencing policy, the way concubines at court were recruited, the structure of the harem in shifting the power of royal women, the function of feasting and drinking in the articulation of courtly power, and the meaning of gift-giving and patronage at the Achaemenid court.

This book reveals how violent pasts were constructed by ancient Mediterranean societies, the ideologies they served, and the socio-political processes and institutions they facilitated. Combining case studies from Anatolia, Egypt, Greece, Israel/Judah, and Rome, it moves beyond essentialist dichotomies such as “victors” and “vanquished” to offer a new paradigm for studying representations of past violence across diverse media, from funerary texts to literary works, chronicles, monumental reliefs, and other material artefacts such as ruins. It thus paves the way for a new comparative approach to the study of collective violence in the ancient world.

Biblical Foundations Book Awards Runner Up and Finalist In the biblical canon, two books lack any explicit reference to the name of God: Song of Songs and Esther. God's peculiar absence in these texts is unsettling, both for theological discourse and for believers considering implications for their own lived experience. Chloe T. Sun takes on the challenges of God's absence by exploring the often overlooked theological connections between these two Old Testament books. In Conspicuous in His Absence, Sun examines and reflects on the Song of Songs and Esther using theological interpretation. She addresses three main questions: What is the nature of God as revealed in texts that don't use his name? How do we think of God when he is perceived to be absent? What should we do when God is silent or hidden? The experience of God's absence or silence is an important part of the human condition. By exploring the distinct themes and perspectives of Song of Songs and Esther, as well as how they've been received in Jewish and Christian history, Sun demonstrates how both books serve as counter texts to the depiction of God and his work in the rest of the Hebrew Scriptures. Thus both contribute to a fuller picture of who God is and what it means to know him.

Looking at the Book of Esther through the lens of intertextuality, this collection considers its connections with each division of the Hebrew Bible, along with texts throughout history. Through its exploration, it provides and invites further study into the relationship between Esther and its intertexts, many which are under explored. Topics covered in the book include considerations of Esther alongside the Torah and the prophetic books, as well as in dialogue with the Qumran community. As an edited collection, the book draws together scholars with expertise in the wide variety of texts that are intertextually connected with Esther, offering the reader a more nuanced and informed discussion. By including some reflection on the nature of intertextuality as a 'method', it also enables the reader to appreciate the varying intertextual approaches currently employed in biblical studies. In applying these to a focused analysis of Esther, this collection will facilitate greater insight on both the book of Esther and current methodological research.

The names of the chief characters in the biblical Book of Esther are those of Mesopotamian deities. Stephanie Dalley argues that the narrative reflects real events in 7th-century Assyria which were 'explained' soon after they occurred in a mythologizing cuneiform text.

The Hebrew Bible's fascinating narratives about women have occasioned some of the most important biblical scholarship of the last generation. Lillian Klein contributes to that wealth with her absorbing studies of key figures in the narrative material: Deborah, Jephtha's daughter, Delilah, Jael, the whore of Gaza, Kaleb's daughter Achsah, Hannah, Esther, the wife of Job, David's wife Michal, and Bathsheba. With a marvelous eye for the telling detail -- or its absence -- Klein examines the biblical portraits, often unfortunately brief, of these women and the dynamics of gender, power, and honor at work in their stories. A remarkably lucid and careful scholar, Klein has surfaced the underlying and ironic ideals of womanhood in a society that both honored and marginalized women in stories of seduction and rivalry, deviation and obedience, public shame and private power.