The Eagle And The Phoenix Coventry Stories For Young People

Coventry's coat of arms shows an eagle and a phoenix on either side of the famous "elephant and castle" - why? The eagle was the emblem of Lady Godiva's husband, Leofric, Earl of Mercia. The earl and his countess are forever remembered in Coventry's distant past. The phoenix, a mythical bird which is born again from fire, has become the symbol of the new Coventry, rising from the ashes after so much of the city was destroyed by war. In The Eagle and the Phoenix you can witness some of the dramatic moments in the history of Coventry, through nine stories told by children who saw them: Marcus the young Roman, training horses at the Lunt Fort; Thomas and Anne, plotting with the imprisoned Mary, Queen of Scots; Daniel and William, viewing a terrible hanging at Gibbet Hill; Tilly the weaver and Amit the Sky Blues fan. Take a journey into Coventry's past - and imagine yourself there.

The powerful new novel from the master storyteller - inspired by the true story of one man who might have stopped World War II.

A world list of books in the English language.

The story of Wolfert Webber was said by Louis Stevenson to be one of the finest treasure-seeking stories in the world; and as Stevenson was a very good judge, I am going to tell it to you. Wolfert's ancestor, Cobus Webber, was one of the original settlers who came over from Holland and established themselves on the coast of what is now the State of New York. Like most of his countrymen, Cobus was a great gardener, and devoted himself especially to cabbages, and it was agreed on all sides that none so large or so sweet had ever been eaten by anybody. Webber's house was built after the Dutch pattern, and was large and comfortable. Birds built their nests under the eaves and filled the air with their singing, and a button-wood tree, which was nothing but a sapling when Cobus planted his first cabbage, had become a monster overshadowing half the garden in the days of his descendant Wolfert early in the eighteenth century. The button-wood tree was not the only thing that had grown during those years. The city known at first as 'New Amsterdam,' and later as 'New York,' had grown also, and surrounded the house of the Webbers. But if the family could no longer look from the windows at the beautiful woods and rivers of the countryside, as their forefathers had done, there was no reason to drive a cart about from one village to another to see who wanted cabbages, for now the housewives came to Wolfert to choose their own, which saved a great deal of trouble. Yet, though Wolfert sold all the cabbages he could raise,Êhe did not become rich as fast as he wished, and at length he began to wonder if he was becoming rich at all. Food was dearer than when he was a boy, and other people besides himself had taken to cabbage-growing. His daughter was nearly a woman, and would want a portion if she married. Was there no way by which he could make the money that would be so badly needed by and bye?

Comprising hundreds of well-known and obscure primary sources arranged chronologically by the author, this book traces the development of imaginary animals as they appear and reappear in literary accounts from the Babylonian epic of creation to modern fantasy. 12 halftones, 70 linecuts.