The Eclipse Of Biblical Narrative

Laced with brilliant insights, broad in its view of the interaction of culture and theology, this book gives new resonance to old and important questions about the meaning of the Bible.

Hans W. Frei (1922-1988) was one of the most influential American theologians of his generation. This collection provides an unrivaled introduction to Frei's work.

This is a book about Jesus of Nazareth. It is not a book about "story," nor about "narrative theology." Hans Frei was not a theologian of story or of narrative in any general way, and this book is neither about the narrative quality of our existence and the gospel's relation to that quality, nor about the narrative shape of the Scriptures as a whole and the call on us to place ourselves within that narrative.Rather, this is a book about the way in which Jesus of Nazareth's identity is rendered by the Gospels--largely the Synoptic Gospels, particularly the Gospel of Luke, and especially in the passion and resurrection sequences--by means of a certain kind of narrative.--from the Foreword by Mike Higton

Exalted for centuries as a hero and author of the Bible, Moses is inseparable from biblical tradition itself. Moses is also an inherently ambiguous figure and a perennial focus of controversy, from ancient disputes of priestly rivalry to modern issues of class, gender and race. In Rewriting Moses, Brian Britt analyses elements of polemic and ideology in the Moses of the Bible, of film, novel, visual art and scholarship. He argues that the biblical Moses lives within writing, while the post-biblical Moses lives more often in biography. Yet later rewritings of Moses refract biblical traditions of writing in surprising ways. Rewriting Moses provides an original account of the Freudian insight that traditions preserve what they repress. This is volume 14 in the Gender, Cutlure, Theory series and is volume 402 in the Journal for the Study of the Old Testament Supplements series.

Multiple and sometimes unexpected forms of closure in biblical narratives bring their stories to satisfactory close. Knowledge of these conventions and how they affect their stories is valuable to students of Bible and of narrative.

Meir Sternberg’s classic study is “an important book for those who seek to take the Bible seriously as a literary work.” (Adele Berlin, Prooftexts) In “a book to read and then reread” (Modern Language Review), Meir Sternberg “has accomplished an enormous task, enriching our understanding of the theoretical basis of Biblical narrative and giving us insight into a remarkable number of particular texts.” (Journal of the American Academy of Religion). The result is a “a brilliant work” (Choice) distinguished “both for his comprehensiveness and for the clearly-avowed faith stance from which he understands and interprets the strategies of the biblical narratives.” (Theological Studies). The Poetics of Biblical Narrative shows, in Adele Berlin’s words, “more clearly and emphatically than any book I know, that the Bible is a serious literary work―a text manifesting a highly sophisticated and successful narrative poetics.”

Narrative Theology is still with us, to the delight of some and to the chagrin of others. 'Why Narrative?Ó is in reprint because it represents what is still a very important question. This diverse collection of essays on narrative theology has proven very useful in university and seminary theology classes. It is also of great use as a primer for the educated layperson or church study group. Jones and Hauerwas have done an excellent job of selecting representative essays that deal with appeals to narrative in areas such as personal identity and human action, biblical hermeneutics, epistemology, and theological and ethical method.

Dr. Jacob L. Goodson will be doing a book signing for Narrative Theology and the Hermeneutical Virtues: Humility, Patience, Prudence at Eighth Day Books in Wichita, KS, on Saturday March 21, 2015, at 4:00pm. In Narrative Theology and the Hermeneutical Virtues: Humility, Patience, Prudence, Jacob L. Goodson offers a philosophical analysis of the arguments and tendencies of Hans Frei’s and Stanley Hauerwas’ narrative theologies. Narrative theology names a way of doing theology and thinking theologically that is part of a greater movement called “the return to Scripture.” The return to Scripture movement makes a case for Scripture as the proper object of study within Christian theology, philosophy of religion, and religious ethics. While thinkers within this movement agree that Scripture is the proper object of study within philosophy and religious studies, there is major disagreement over what the word “narrative” describes in narrative theology. The Yale theologian, Hans Frei, argues that because Scripture is the proper object of study within Christian theology and the philosophy of religion, Scripture must be the exclusive object of study. To think theologically means paying as close attention as possible to the details of the biblical narratives in their “literal sense.” Different from Frei’s contentions, the Christian ethicist at Duke University, Stanley Hauerwas claims: if Scripture is the proper object of study within Christian theology, then the category of narrative teaches us that we ought to give our scholarly attention to the interpretations and performances of Scripture. Hauerwas emphasizes the continuity between the biblical narratives and the traditions of the church. This disagreement is best described as a hermeneutical one: Frei thinks that the primary place where interpretation happens is in the text; Hauerwas thinks that the primary place where interpretation occurs is in the community of interpreters. In order to move beyond the dichotomy found between Frei’s and Hauerwas’ work, but to remain within the return to Scripture movement, Goodson constructs three hermeneutical virtues: humility, patience, and prudence. These virtues help professors and scholars within Christian theology, philosophy of religion, and religious ethics maintain objectivity in their fields of study.