The Edwardian Novelists

Where Angels Fear to Tread (1905) is a novel by E. M. Forster. The title comes from a line in Alexander Pope's An Essay on Criticism: "For fools rush in where angels fear to tread".

With the rise of women's suffrage, challenges to marriage and divorce laws, and expanding opportunities for education and employment for women, the early years of the twentieth century were a time of social revolution. Examining British novels written in 1890-1914, Jane Eldridge Miller demonstrates how these social, legal, and economic changes rendered the traditional narratives of romantic desire and marital closure inadequate, forcing Edwardian novelists to counter the limitations and ideological implications of those narratives with innovative strategies. The original and provocative novels that resulted depict the experiences of modern women with unprecedented variety, specificity, and frankness. Rebel Women is a major re-evaluation of Edwardian fiction and a significant contribution to literary history and criticism. "Miller's is the best account we have, not only of Edwardian women novelists, but of early 20th-century women novelists; the measure of her achievement is that the distinction no longer seems workable." —David Trotter, The London Review of Books

Challenges conventional views of the Edwardian period as either a hangover of Victorianism or a bystander to literary modernism In this ground-breaking study, Jonathan Wild investigates the literary history of the Edwardian decade. This period, long overlooked by critics, is revealed as avibrant cultural era whose writers were determined to break away from the stifling influence of preceding Victorianism. In the hands of this generation, which included writers such as Arnold Bennett, Joseph Conrad, E. M. Forster, Beatrix Potter, and H. G. Wells, the new century presented a uniqueopportunity to fashion innovative books for fresh audiences. Wild traces this literary innovation by conceptualising the focal points of his study as branches of one of the new department stores that epitomized Edwardian modernity. These "departments" - war and imperialism, the rise of the lowermiddle class, children's literature, technology and decadence, and the condition of England - offer both discrete and interconnected ways in which to understand the distinctiveness and importance of the Edwardian literary scene.Overall, The Great Edwardian Emporium offers a long-overdue investigation into a decade of literature that provided the cultural foundation for the coming century.

Contains some 1,000 entries on well-known and obscure authors, individual works, and genres, encompassing adult's and children's fiction and some work by authors from other English-speaking countries. About half of the 800 authors profiled are women. Includes a chronology and an index of pseudonyms. Annotation copyrighted by Book News, Inc., Portland, OR

Teenager Faris Nallaneen is the heir to the small northern dukedom of Galazon. Too young still to claim her title, her despotic Uncle Brinker has ruled in her place. Now he demands she be sent to Greenlaw College. For her benefit he insists. To keep me out of the way, more like it! But Greenlaw is not just any school-as Faris and her new best friend Jane discover. At Greenlaw students major in . . . magic. But it's not all fun and games. When Faris makes an enemy of classmate Menary of Aravill, life could get downright . . . deadly. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Daniel Born explores the concept of liberal guilt as it first developed in British political and literary culture between the late Romantic period and World War I. Disturbed by the twin spectacle of urban poverty at home and imperialism abroad, major nove

The twentieth-century English novel encompasses a vast body of work, and one of the most important and most widely read genres of literature. Balancing close readings of particular novels with a comprehensive survey of the last century of published fiction, this Companion introduces readers to more than a hundred major and minor novelists. It demonstrates continuities in novel-writing that bridge the century's pre- and post-War halves and presents leading critical ideas about English fiction's themes and forms. The essays examine the endurance of modernist style throughout the century, the role of nationality and the contested role of the English language in all its forms, and the relationships between realism and other fictional modes: fantasy, romance, science fiction. Students, scholars and readers will find this Companion an indispensable guide to the history of the English novel.