The Effect Of The German Separation On The Communication In Germany

Seminar paper from the year 2007 in the subject Tourism, grade: 1,7, Stralsund University of Applied Sciences, course: Intercultural communication, 15 entries in the bibliography, language: English, abstract: Communication is everything. Nowadays communication is involved in every part of our life. Interactions and interrelations between different people is the basis for social competences, politics, economy, education and many things more. Since we live in a global world we always have to deal with lots of different cultures. And every culture has its own understanding of communication, does use different communication systems. Above that every single human being of a cultural system has its own personality and values. We need a common basis where we can establish competent behaviour. We have to have a look at the collusion to avoid irritations and misunderstandings. Normally intercultural communication deals with differences/ problems between members of different cultures. But this aspect can be transmitted to the communication within one country. A special part of this topic is the situation in Germany under the aspect of communication and cultural differences. Germany has a special position in Europe caused by its history. The separation between East and West is still a topic to refer to. The collusion and the similarities are partially smaller than expected after 16 years of the reunification. In the following essay different aspects of communication and intercultural behaviour shall be applied to Germany’s current situation. Reasons and possible explanations are given and in the end Germany’s real position is identified and proposals for solution of still existing problems are given. All the information given are based on general scientific methods and ideas concerning communication and culture as well as on personal experiences and a survey implemented by the authors of this essay. The meaning of culture is higher than normally thought. We need “bridges for understanding”, as Richard von Weizsäcker mentioned it in his book of the same name. This concerns not only peoples from all over the world but also the inhabitants of Germany. Only by understanding the culture and the way of communication of his neighbour one is able to create harmony, freedom and liberty.

This volume is the first wide-ranging study of the rise of the mass media in Germany from a social and cultural-historical perspective. Going far beyond the conventional focus on the organizational structures or aesthetic content of the media, it investigates the impact they have had on twentieth-century German society under widely varying political systems, and how in turn the media and their uses were shaped by the wider social, political and cultural context.

Despite the nearly three decades since German reunification, there remains little understanding of the ways in which experiences overlapped across East-West divides. German Division as Shared Experience considers everyday life across the two Germanies, using perspectives from history, literary and cultural studies, anthropology and art history to explore how interconnections as well as fractures between East and West Germany after 1945 were experienced, lived and felt. Through its novel approach to historical method, the volume points to new understandings of the place of narrative, form and lived sensibility in shaping Germans’ simultaneously shared and separate experiences of belonging during forty years of division from 1945 to 1990.

Few developments in the industrial era have had a greater impact on everyday social life than the explosion of the mass media and commercial entertainments, and none have exerted a more profound influence on the nature of modern politics. Nowhere in Europe were the tensions and controversies surrounding the rise of mass culture more politically charged than in Germany-debates that played fatefully into the hands of the radical right. Corey Ross provides the first general account of the expansion of the mass media in Germany up to the Second World War, examining how the rise of film, radio, recorded music, popular press, and advertising fitted into the wider development of social, political, and cultural life. Spanning the period from the late nineteenth century to the Third Reich, Media and the Making of Modern Germany shows how the social impact and meaning of 'mass culture' were by no means straightforward or homogenizing, but rather changed under different political and economic circumstances. By locating the rapid expansion of communications media and commercial entertainments firmly within their broader social and political context, Ross sheds new light on the relationship between mass media, social change, and political culture during this tumultuous period in German history.

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