The Ego S Echo

Lists citations with abstracts for aerospace related reports obtained from world wide sources and announces documents that have recently been entered into the NASA Scientific and Technical Information Database.

Helene Cixous (1937-), distinguished not least as a playwright herself, told Le Monde in 1977 that she no longer went to the theatre: it presented women only as reflections of men, used for their visual effect. The theatre she wanted would stress the auditory, giving voice to ways of being that had previously been silenced. She was by no means alone in this. Cixous's plays, along with those of Nathalie Sarraute (1900-99), Marguerite Duras (1914-96), and Noelle Renaude (1949-), among others, have proved potent in drawing participants into a dynamic 'space of the voice'. If, as psychoanalysis suggests, voice represents a transitional condition between body and language, such plays may draw their audiences in to understandings previously never spoken. In this ground-breaking study, Noonan explores the rich possibilities of this new audio-vocal form of theatre, and what it can reveal of the auditory self.

Echo and Narcissus: Echolocating the Spectator in the Age of Audience Research came about as a response to the recent shift of focus in the studies of cinema. While the seventies and the eighties were marked by increasingly complex theorisations of spectatorship, the last two decades have witnessed a turn towards ethnographic research into film reception. However, this long overdue turn towards the empirical viewer has not produced a genuinely broader scope of analysis. It has rather, all too hastily, consigned the spectator, a textually constructed viewing position, to oblivion, thanks to the concept’s perceived hegemonic and totalising premise. Echo and Narcissus intervenes into this state of affairs by arguing for a productive nexus between theorisations of spectatorship and the currently more fashionable audience research. Petek maintains that an informed mapping of contemporary (and past) filmviewing practices still requires a spectatorial model and she offers such a model through a re-reading of Ovid’s tale of Echo and Narcissus. She demonstrates that the myth’s central role in traditional theorisations of spectatorship has not yet been properly reflected upon. Her critical recuperation of the Ovidian myth provides a revised model of the spectator—one with discursive access to all types of cinema, yet, flexible enough to accommodate a range of viewers’ responses and their cultural diversity.

This book represents a breakthrough in the quest for individual and collective fulfillment. It is a breakthrough in leadership and management systems an eye opener for managers, directors and every person how wants to dig deeper to become a fuller person. “Willem de Liefde constructed an ingenious matrix he calls the Universal Life Cycle (ULC) to help you understand yourself, your team, and your company. This process leads to the realization that our success lies in working together in harmony to become a WE driven organization thus moving to an African ubuntu approach.” Professor van der Merwe, executive Dean Faculty of Economic Sciences and Information Technology, Vanderbijlpark , South Africa. William James, the father of American psychology, said that the power to move the world is in your subconscious mind. If we are able to understand and align the interaction between our conscious and subconscious mind, the power released is unimaginable, it’s like an erupting volcano of positive energy; creative energy, logic and feelings of joy and harmony. If we can break these mental barriers we create a better life for all of us. The App or Android tablet tool: “EgosEcho” is the Universal Life Cycle’s profiling, provides you with this knowledge and insights. You awaken the universe within. Who am I May I invite you to the NOT EXPECTED?

The notion of a person--or even an object--having a "double" has been explored in the visual arts for ages, and in myriad ways: portraying the body and its soul, a woman gazing at her reflection in a pool, or a man overwhelmed by his own shadow. In this edited collection focusing on nineteenth- and twentieth-century western art, scholars analyze doppelgangers, alter egos, mirror images, double portraits and other pairings, human and otherwise, appearing in a large variety of artistic media. Artists whose works are discussed at length include Richard Dadd, Salvador Dali, Egon Schiele, Frida Kahlo, the creators of Superman, and Nicola Costantino, among many others.

This is a story of dysfunctional families and the effects encountered by one young woman who has been in a state of denial for decades. When the winds of change slowly blow in her direction-- this woman is reminded and convinced that her life has been a difficult one at best. She is forced to search her scattered and fragmented memories in an attempt to survive the unrelenting devastating blows of a difficult reality. The reality of her past begins to reveal it's haunting qualities early one morning after a disturbing dream and continues to grow while she survives one devastating blow after another. And through a persistant state of depression with a mutilated spirit and her amputated muse she begins therapy with a compassionate miracle worker. Her journey is a long one--as her therapist guides her though a maze of suppressed and repressed memories into recognition. And with recognition is a set of new eyes viewing and evaluating all of her choices while living in a life of denial that she created for existance. Survivng as a damaged person can dictate how a soul will evolve. An important component is the disposition of the person. A person's character dictates how the damaged person lives/survives and they usually know how to survive; it can be a negative or a positive life of survival. Survival depends strongly upon the individual, the boundaries and environment that they create to support his or her life. With the support of her family and friends she finds acceptance of her reality and purges her soul of a mistaken life style of fantasies.