The Electric Church

Avery Cates is a very bad man. Some might call him a criminal. He might even be a killer - for the Right Price. But right now, Avery Cates is scared. He's up against the Monks: cyborgs with human brains, enhanced robotic bodies, and a small arsenal of advanced weaponry. Their mission is to convert anyone and everyone to the Electric Church. But there is just one snag. Conversion means death. "Some debuts simply set new bars in a genre. Jeff Somers' THE ELECTRIC CHURCH is one such book, a gritty noir story that challenges and surprises with every page. A novel that is equal parts Raymond Chandler and William Gibson. A major new talent has arrived -- and it's about time!" -- James Rollins, New York Times bestselling author of MAP OF BONES and BLACK ORDER

Long out-of-print classic of rock criticism. Author worked with Black Flag, Negativland, Birthday Party, Dead Kennedys, Husker Du, Meat Puppets, and others. Excerpted in the Penguin Book of Rock & Roll Writing. "It is the Moby Dick of Rock-Crit -- nothing else I've read comes close." --James Parker / The Idler (U.K.)

Poetry. African American Studies. A native of Los Angeles, California, K. Curtis Lyle became a founding member of the Watts Writers Workshop and a principal member of the Los Angeles renaissance. Lyle's lyrical pieces have been widely adapted to music, and draw from and utilize traditions of ritual and performance. ELECTRIC CHURCH is a compilation of selections from a number of books and chapbooks from Lyle's career since 1967.

Bob Dylan, Jimi Hendrix, and David Bowie are among three of the most influential figures in twentieth-century popular music and culture, and innumerable scholars and biographers have explored the history of their influence. However, critical historiography reminds us that such scholarship is responsible not just for documenting history but also for producing it. In brief, there is always some kind of logic underwriting these historiographies, drawing boundaries through and around our thinking. In Philosophizing Rock Performance: Dylan, Hendrix, Bowie, Wade Hollingshaus capitalizes on this notion by embracing a set of historiographical logics that re-imagine these three artists. Noting how Dylan, Hendrix, and Bowie first established their reputations amid the anti-establishment sentiments that emerged in Western counties during the 1960s and early 1970s, he connects them with the concurrent formative phase of Continental philosophy in the work of Giorgio Agamben, Jean-François Lyotard, Michel de Certeau, Jacques Rancière, Guy Debord, and Michel Foucault. In Philosophizing Rock Performance, Hollingshaus draws on the work of these latter Continental thinkers to explore how we might otherwise think about Dylan, Hendrix, and Bowie. This work is ideal for those in the fields of music history, performance studies, philosophy, American and European cultural and intellectual history, and critical theory.

Evangelical Christianity--the faith professed by one in four Americans--exerts an enormous influence in American society. Believed by some to have originated as a reaction to the social revolution of the 1960s, evangelicalism as a distinct subculture in fact dates to the advent of radio. The evangelical faithful flocked to the airwaves, developing a nationwide mass culture as listeners across denominational lines heard the same popular preachers and music. Evangelicals left behind the fundamentalism of the early 20th century as broadcast ministries laid the foundation for the culturally engaged New Christian Right of the late 20th century. This historical ethnography presents the era's major radio evangelists and songwriters in the own words, drawing on their writings and recordings, as well as songbooks, liner notes and "song story" anthologies of the period.