The Electric Michelangelo

On the windswept front of Morecambe Bay, Cy Parks spends his childhood years first in a guest house for consumptives run by his mother and then as apprentice to alcoholic tattoo-artist Eliot Riley. Thirsty for new experiences, he departs for America and finds himself in the riotous world of the Coney Island boardwalk, where he sets up his own business as 'The Electric Michelangelo'. In this carnival environment of roller-coasters and freak-shows, Cy becomes enamoured with Grace, a mysterious immigrant and circus performer who commissions him to cover her entire body in tattooed eyes. Hugely atmospheric, exotic and familiar, The Electric Michelangelo is a love story and an exquisitely rendered portrait of seaside resorts on opposite sides of the Atlantic by one of the most uniquely talented novelists of her generation.

'The Lake District's answer to The Handmaid's Tale.' Guardian England is in a state of environmental and economic crisis. Under the repressive regime of The Authority, citizens have been herded into urban centres, and all women of child-bearing age fitted with contraceptive devices. A woman known as 'Sister' leaves her oppressive marriage to join an isolated group of women in a remote northern farm at Carhullan, where she intends to become a rebel fighter. But can she follow their notion of freedom and what it means to fight for it? 'At the vanguard of the new wave of futuristic dystopian literature . . . an accomplished, provocative novel.' Literary Review 'Hall's fierce and shocking writing captures the cruel beauty of Cumbria.' Telegraph 'A dystopian vision of a disturbingly near future in which the floods have risen and the oil has run out . . . entirely modern and brutally fresh.' Independent

'One of the finest writers at work today.' Damon Galgut 'A writer of show-stopping genius.' Guardian 'So vivid, so visceral, so vital.' Val McDermid For almost a decade Rachel Caine has turned her back on home and worked in Idaho at a reservation for wolves. As one of the few experts in her field she is summoned back to England by the eccentric Earl of Annerdale to help with his plan for re-wilding wolves on his estate in the Lake District. As Rachel attempts a gradual reconciliation with her estranged family, her work with the Earl begins to generate public outrage and the threat of sabotage. Set against a backdrop of Scottish independence and tumultuous power struggles both locally and nationally, The Wolf Border is a novel steeped in wilderness and wildness, both animal and human. 'A graceful, visceral, utterly compelling read.' Sunday Express magazine 'A thrilling tale of politics and power . . . Compulsively absorbing and masterfully plotted, it confirms Hall as one of our finest fiction writers.' Daily Mail 'A compelling, psychological drama . . . [Hall] has a golden touch.' The Economist

Michelangelo’s adventure in Constantinople, from the “mesmerizing” (New Yorker) and “masterful” (Washington Post) author of Compass In 1506, Michelangelo—a young but already renowned sculptor—is invited by the sultan of Constantinople to design a bridge over the Golden Horn. The sultan has offered, along with an enormous payment, the promise of immortality, since Leonardo da Vinci’s design was rejected: “You will surpass him in glory if you accept, for you will succeed where he has failed, and you will give the world a monument without equal.” Michelangelo, after some hesitation, flees Rome and an irritated Pope Julius II—whose commission he leaves unfinished—and arrives in Constantinople for this truly epic project. Once there, he explores the beauty and wonder of the Ottoman Empire, sketching and describing his impressions along the way, as he struggles to create what could be his greatest architectural masterwork. Tell Them of Battles, Kings, and Elephants—constructed from real historical fragments—is a thrilling page-turner about why stories are told, why bridges are built, and how seemingly unmatched fragments, seen from the opposite sides of civilization, can mirror one another.

Italy in the early 1960s: a dying painter considers the sacrifices and losses that have made him an enigma, both to strangers and those closest to him. He begins his last life painting, using the same objects he has painted obsessively for his entire career - a small group of bottles. In Cumbria 30 years later, a landscape artist - and admirer of the Italian recluse - finds himself trapped in the extreme terrain that has made him famous. And in present-day London, his daughter, an art curator struggling with the sudden loss of her twin brother while trying to curate an exhibition about the lives of the twentieth-century European masters, is drawn into a world of darkness and sexual abandon. Covering half a century, this is a luminous and searching novel, and Hall's most accomplished work to date.

The bestselling author of E=mc2 weaves tales of romance, divine inspiration, and fraud through an account of the invisible force that permeates our universe—electricity—and introduces us to the virtuoso scientists who plumbed its secrets. For centuries, electricity was seen as little more than a curious property of certain substances that sparked when rubbed. Then, in the 1790s, Alessandro Volta began the scientific investigation that ignited an explosion of knowledge and invention. The force that once seemed inconsequential was revealed to be responsible for everything from the structure of the atom to the functioning of our brains. In harnessing its power, we have created a world of wonders—complete with roller coasters and radar, computer networks and psychopharmaceuticals. In Electric Universe, the great discoverers come to life in all their brilliance and idiosyncrasy, including the visionary Michael Faraday, who struggled against the prejudices of the British class system, and Samuel Morse, a painter who, before inventing the telegraph, ran for mayor of New York City on a platform of persecuting Catholics. Here too is Alan Turing, whose dream of a marvelous thinking machine—what we know as the computer—was met with indifference, and who ended his life in despair after British authorities forced him to undergo experimental treatments to “cure” his homosexuality. From the frigid waters of the Atlantic to the streets of Hamburg during a World War II firestorm to the interior of the human body, Electric Universe is a mesmerizing journey of discovery.

It is 1936 in a remote dale in the old, northern county of Westmorland. For centuries the rural community has remained the same and the Lightburn family have been immersed in the harsh hill-farming tradition - unchanged by the advent of modernity. Then a man from the city of Manchester arrives, spokesman for a vast industrial project which will devastate both the landscape and the local community. Mardale will be flooded to create a new reservoir, supplying water to the Midland cities. In the coming year this corner of Lakeland will be evacuated and transformed. Jack Liggett, the Waterworks' representative, further compounds the problems faced by the village as he begins a troubled affair with Janet Lightburn. A woman of force and strength of mind, her natural orthodoxy deeply influences him. Finally, in tragic circumstances, a remarkable, desperate act on Janet's part attempts to restore the valley to its former state. Told in luminous prose with an intuitive sense for period and place, Haweswater remembers a rural England that has been disappearing for decades. It is a novel about love, obsession and the destruction of a community, told with grace and artistry by a young storyteller of great imaginative and emotional power.

"From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself. The two despise each other."--Front jacket flap.