The Encyclopedia Of Malaysia Performing Arts

While there are books about folk dances from individual countries or regions, there isn’t a single comprehensive book on folk dances across the globe. This illustrated compendium offers the student, teacher, choreographer, historian, media critic, ethnographer, and general reader an overview of the evolution and social and religious significance of folk dance. The Encyclopedia of World Folk Dance focuses on the uniqueness of kinetic performance and its contribution to the study and appreciation of rhythmic expression around the globe. Following a chronology of momentous events dating from prehistory to the present day, the entries in this volume include material on technical terms, character roles, and specific dances. The entries also summarize the historical and ethnic milieu of each style and execution, highlighting, among other elements, such features as: origins purpose rituals and traditions props dress holidays themes

The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world′s musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology′s fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition

This anthology celebrates dancing diversities in Malaysia, a multicultural nation with old and not-so-old dance traditions in a synchronicity of history, creativity, inventions and representation of its people, culture and traditions. These articles and interviews document the legacy of dances from the Malay Sultanates to a contemporary remix of old and new dances aspired by a mélange of influences from the old world of India, China, European and indigenous dance traditions. This gives forth dance cultures that vibrate with multicultural dance experiences. Narratives of eclecticism, syncretic and innovative dance forms and styles reflect the processes of inventing and sharing of dance identities from the era of the colonial Malay states to post-independence Malaysia.

Explore the contemporary culture and traditional customs of Singapore and Malaysia in a volume that belongs on shelves in every high school and public library. Culture and Customs of Singapore and Malaysia examines all aspects of contemporary life in these two geographically close and historically and culturally connected nations, starting with the people fighting to maintain a balance between the new and the traditional. The book shows how religion has evolved through time in the two nations and examines how literature and traditional crafts thrive today. It highlights the performing arts and entertainment, noting how Western culture has influenced and shaped new customs. Housing and architecture, both modern and traditional, are discussed, along with cuisine and fashion. Students can use the book to analyze gender roles and family life. They can also read about the ways in which festivals are celebrated and can compare and contrast leisure activities of Singapore and Malaysia with their own. The volume concludes with a look to the future of these two evolving countries, both moving toward modernity, but still holding on to the traditions of the past.

Cina Peranakan merupakan sekumpulan subetnik Cina di negara ini. Mereka memperlihatkan identiti yang amat berbeza daripada orang Cina jati. Identiti mereka terdiri daripada identiti Cina yang diwarisi daripada generasi awal dan identiti yang dipupuk menerusi akulturasi oleh penduduk tempatan. Kebanyakan kajian tentang Cina Peranakan di negara ini tertumpu kepada Cina Peranakan yang menetap di pantai barat Semenanjung Malaysia, terutamanya Baba dan Nyonya dari negeri Melaka dan Pulau Pinang. Padahal, terdapat juga sekumpulan Cina Peranakan yang besar yang menetap di pantai timur Semenanjung Malaysia, terutamanya negeri Kelantan. Malangnya, Cina Peranakan Kelantan tidak banyak dikaji oleh sarjana sedangkan amalan budaya mereka agak berbeza daripada Cina Peranakan yang menetap di pantai barat dan wajar diberikan perhatian yang setimpal. Lagipun, kehidupan sosiobudaya mereka menyumbang kepada pengkayaan sosiobudaya negeri Kelantan. Monograf ini mengkaji Cina Peranakan Kelantan dengan memilih Cina Peranakan Kampung Pasir Parit sebagai satu kajian kes atas dua sebab utama. Pertama, mereka merupakan kumpulan Cina Peranakan yang terbesar di negeri Kelantan. Kedua, mereka tidak diserap oleh masyarakat Cina jati dan masih mengekalkan kebanyakan identiti Peranakan mereka.

Performing arts in most parts of Maritime Southeast Asia are seen as an entity, where music and dance, sound and movement, acoustic and tactile elements intermingle and complement each other. Although this fact is widely known and referenced, most scholarly works in the performing arts so far have either focused on "music" or "dance" rather than treating the two in combination. The authors in this book look at both aspects in performance, moreover, they focus explicitly on the interrelation between the two, on both descriptive-analytical and metaphorical levels. The book includes diverse examples of regional performing art genres from Indonesia, Malaysia and the Philippines. All case studies are composed from the perspective of the relatively new approach and field of ethno-choreomusicology. This particular compilation gives an exemplary overview of various phenomena in movement-sound relations, and offers for the first time a thorough study of the phenomenon that is considered essential for the performing arts in Maritime Southeast Asia - the inseparability of movement and sound.