The Encyclopedia Of Popular Music Indexes

‘This is an extraordinary achievement and it will become an absolutely vital and trusted resource for everyone working in the field of popular music studies. Even more broadly, anyone interested in popular music or popular music culture more generally will enjoy - and find many uses for - the wealth of information and insight captured in this volume.' Lawrence Grossberg, Morris Davis Professor of Communication Studies and Cultural Studies, University of North Carolina at Chapel Hill The first comprehensive reference work on popular music of the world Contributors are the world's leading popular music scholars Includes extensive bibliographies, discographies, sheet music listings and filmographies. Popular music has been a major force in the world since the nineteenth century. With the advent of electronic and advanced technology it has become ubiquitous. This is the first volume in a series of encyclopedic works covering popular music of the world. Consisting of some 500 entries by 130 contributors from around the world. Entries range between 250 and 5000 words, and is arranged in two Parts: Part 1: Social and Cultural Dimensions, covering the social phenomena of relevance to the practice of popular music. Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided. For more information visit the website at: www.continuumpopmusic.com

This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.

Provides information on a range of popular music genres, including rock, pop, jazz, folk, blues, heavy metal, techno, R & B, reggae, and hip-hop. This biographical encyclopedia contains a name index, an index of song titles, and bibliographies by artist and subject. Expanded to ten volumes, the new edition contains 6,000 new entries and extensive revisions and updates throughout, yielding 50% more material than the 1998 Third Edition. In addition to a fully revised 10 volume hardcover edition, The Encyclopedia of Popular Music will go online in 2007 as a regularly updated subscription product that will be interactive with Grove Music Online.

The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.

See:

Volumes 3 and 4 of the The Encyclopedia of More Great Popular Song Recordings provides the stories behind approximately 1,700 more of the greatest song recordings in the history of the music industry, from 1890 to today. In this masterful survey, all genres of popular music are covered, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data—recording dates, record numbers, Billboard chart data, and personnel—while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists. Readers who revel in pop cultural history will savor each chapter as it plunges deeply into key events—in music, society, and the world—from each era of the past 125 years. Following in the wake of the first two volumes of his original Encyclopedia of Great Popular Song Recordings, this follow-up work covers not only more beloved classic performances in pop music history, but many lesser -known but exceptional recordings that—in the modern digital world of “long tail” listening, re-mastered recordings, and “lost but found” possibilities—Sullivan mines from modern recording history. The Encyclopedia of Great Popular Song Recordings, Volumes 3 and 4 lets the readers discover, and, through their playlist services, from such as iTunes toand Spotify, build a truly deepcomprehensive catalog of classic performances that deserve to be a part of every passionate music lover’s life. Sullivan organizes songs in chronological order, starting in 1890 and continuing all the way throughto the present to include modern gems from June 2016. In each chapter, Sullivanhe immerses readers, era by era, in the popular music recordings of the time, noting key events that occurred at the time to painting a comprehensive picture in music history of each periodfor each song. Moreover, Sullivan includes for context bulleted lists noting key events that occurred during the song’s recording

This comprehensive survey examines Latin American music, focusing on popular—as opposed to folk or art—music and containing more than 200 entries on the concepts and terminology, ensembles, and instruments that the genre comprises. The rich and soulful character of Latin American culture is expressed most vividly in the sounds and expressions of its musical heritage. While other scholars have attempted to define and interpret this body of work, no other resource has provided such a detailed view of the topic, covering everything from the mambo and unique music instruments to the biographies of famous Latino musicians. Encyclopedia of Latin American Popular Music delivers scholarly, authoritative, and accessible information on the subject, and is the only single-volume reference in English that is devoted to an encyclopedic study of the popular music in this genre. This comprehensive text—organized alphabetically—contains roughly 200 entries and includes a chronology, discussion of themes in Latin American music, and 37 biographical sidebars of significant musicians and performers. The depth and scope of the book's coverage will benefit music courses, as well as studies in Latin American history, multicultural perspectives, and popular culture.

Since its initial publication in 1981, Encyclopedia of Music in Canada has been recognized as a monumental record of the music of a country, an indispensable guide to all kinds of music: popular, folk, religious, concert, and other forms. The second edition advances this landmark work into the last decade of the twentieth century. It provides more than 3700 articles in all, with more than 500 pictures of people, places, scores, concert programs, and sheet music. Compiled by scores of experts, the Encyclopedia presents our musical heritage in all its aspects: historical, educational, critical, administrative, and commercial. Essays on modern composers and performers are accompanied by critical evaluations and complete discographies. The revisions in this edition reveal the vibrancy of the music scene in Canada today. A whole generation of new performers and composers emerged over the decade between the first and second editions. New technologies have had a profound impact; so have demographic changes and a heightened awareness of commercial realizties. These and other influences are reflected in 820 new entries, and in the expansion of such entries as ethnomusicology and of the discography sections throughout the Encyclopedia. Some 200 earlier entries have been eliminated, others condensed. Access throughout has been improved. The Encyclopedia of Music in Canada explores the nation's music in all its richness and variety, from school bands to rock superstar, from community music festivals to the great concert halls. It describes the development of music as it has been and is studied, performed, and composed throughout Canada.