The End Is Music

Publisher description

Robert Jenson has been praised by Stanley Hauerwas, David Bentley Hart, Wolfhart Pannenberg, and others as one of the most creative and important contemporary theologians. But his work is daunting for many, both because of its conceptual demands and because of Jenson’s unusual prose style. This book is an attempt to give Jenson the kind of hearing that puts his creativity and significance on display, and allows newcomers to and old friends of his theology the opportunity to hear it afresh.

Robert Jenson has been praised by Stanley Hauerwas, David Bentley Hart, Wolfhart Pannenberg, and others as one of the most creative and important contemporary theologians. But his work is daunting for many, both because of its conceptual demands and because of Jenson's unusual prose style. This book is an attempt to give Jenson the kind of hearing that puts his creativity and significance on display, and allows newcomers to and old friends of his theology the opportunity to hear it afresh.

A practicing music thanatologist provides an insider's history of this remarkable profession, which combines music, medicine, and spirituality to help the terminally ill and their families face the end of life. Reflecting on the author's experiences as a music-thanatologist, Jennifer Hollis's Music at the End of Life: Easing the Pain and Preparing the Passage is an enlightening and emotional examination of the ways in which the experience of dying can be transformed with music. Music at the End of Life highlights the unique role music has come to play in hospice and palliative medicine. Jennifer Hollis interweaves narrative memoir, the personal experiences of fellow music-thanatologists and caregivers, and extensive research to demonstrate the transformative power of music when curing is no longer an option. Through story after unforgettable story, Hollis offers a new vision of end-of-life care, in which music creates a beautiful space for the work of letting go, grieving, and saying goodbye.

Presents the story of how French composer Olivier Messiaen was able to overcome the desolation of a World War II prison camp through the power of music.

From its indefinite beginnings through its broad commercialization and endless reinterpretation, American rock-and-roll music has been preoccupied with an end-of-the-world mentality that extends through the whole of American popular music. In Apocalypse Jukebox, Edward Whitelock and David Janssen trace these connections through American music genres, uncovering a mix of paranoia and hope that characterizes so much of the nation's history. From the book's opening scene, set in the American South during a terrifying 1833 meteor shower, the sense of doom is both palpable and inescapable; a deep foreboding that shadows every subsequent development in American popular music and, as Whitelock and Janssen contend, stands as a key to understanding and explicating America itself. Whitelock and Janssen examine the diversity of apocalyptic influences within North American recorded music, focusing in particular upon a number of influential performers, including Bob Dylan, Leonard Cohen, John Coltrane, Devo, R.E.M., Sleater-Kinney, and Green Day. In Apocalypse Jukebox, Whitelock and Janssen reveal apocalypse as a permanent and central part of the American character while establishing rock-and-roll as a true reflection of that character.

A practicing music thanatologist provides an insider's history of this remarkable profession, which combines music, medicine, and spirituality to help the terminally ill and their families face the end of life. Reflecting on the author's experiences as a music-thanatologist, Jennifer Hollis's Music at the End of Life: Easing the Pain and Preparing the Passage is an enlightening and emotional examination of the ways in which the experience of dying can be transformed with music. Music at the End of Life highlights the unique role music has come to play in hospice and palliative medicine. Jennifer Hollis interweaves narrative memoir, the personal experiences of fellow music-thanatologists and caregivers, and extensive research to demonstrate the transformative power of music when curing is no longer an option. Through story after unforgettable story, Hollis offers a new vision of end-of-life care, in which music creates a beautiful space for the work of letting go, grieving, and saying goodbye.

This book explores the deep and abiding human need for contemplation, for coming to terms with and standing in awe of the nature and character of the God revealed in the Scriptures. When so much is wrong in the world, when our lives are troubled by so many threats, both real and imagined, we must learn to look to God and to see all things, including ourselves, in the light of who he is. A life of faithful contemplation begins to free us from the bad desires, false expectations, and corrupting illusions that bind us against our will and keep us from the fullness promised in the gospel.