The End Of The Story

The first and only novel by Lydia Davis, winner of the Man Booker International Prize 2013. 'It surprised me, over and over, to find that I was with such a young man. He was twenty-two when I met him. He turned twenty-three while I knew him, but by the time I turned thirty-five I did not know where he was anymore.' Mislabelled boxes, confusing notes, wrong turnings - such are the obstacles in the way of the unnamed narrator of The End of the Story as she organises her memories of a love affair into a novel. With compassion, wit and what seems to be candour, she seeks to determine what she actually knows about herself and her past, but we begin to suspect, along with her, that given the elusiveness of memory and understanding, any tale retrieved from the past must be fiction Back in print at last, this is Lydia Davis's first - and so far only - novel. 'Extraordinary' Newsday 'Brilliant' New Yorker 'Breathtakingly elegant' Details 'Beautifully written' Marie Claire 'Astonishing' Elle Lydia Davis is the author of Collected Stories, one novel and six short story collections, most recently Can't and Won't. She is the recipient of a MacArthur Fellowship and was named an Officer of the Order of Arts and Letters by the French government for her fiction and her translations of modern writers, including Gustave Flaubert and Marcel Proust. She won the Man Booker International Prize in 2013.

Every love story has a breaking point... From the author of Paperweight comes the star-crossed romance of two high school friends in a tale rife with deeply buried secrets and shocking revelations. BEFORE: Bridge and Wil have been entangled in each other’s lives for years. Under the white-hot Florida sun, they went from kids daring each other to swim past the breakers to teenagers stealing kisses between classes. But when Bridge betrayed Wil during their junior year, she shattered his heart and their relationship along with it. AFTER: When Wil’s family suffers a violent loss, and Bridge rushes back to Wil’s side. As they struggle to heal old wounds and start falling for each other all over again, Bridge and Wil discover just how much has changed in the past year. Though they once knew each other’s every secret, they aren’t the same people they used to be. Bridge can’t imagine life without Wil, but sometimes love isn’t enough. Can they find their way back to each other, or will this be the end of their story?

"End of Story" could be described as a sequel to E. M. Forster's "Maurice." But it is more than that. The saga begins on the eve of the First World War in 1914 and ends in New York during the destruction of the World Trade Center on 9/11. Many themes emerge: New York during the sexual revolution of the 1970s and AIDS, Princeton and Cambridge, Santa Fe and Brooklyn, plus a rich cast of Cuban and Hispanic characters, all woven together to form what might be called a history of emotional expression and social change. But most of all it becomes a happy-ending version of Edmund White's "Farewell Symphony," the story of intimacy and devotion tested over time. John M. Bowers is an internationally known scholar of medieval English literature with books on Chaucer, Langland, and the Gawain Poet. Educated at Duke, Virginia and Oxford where he was a Rhodes Scholar, he taught at Caltech and Princeton before settling at the University of Nevada Las Vegas. His work has been supported by fellowships from the National Endowment for the Humanities and the John Simon Guggenheim Foundation, and his lecture series "The Western Literary Canon in Context" was released by The Teaching Company. "End of Story" is his first novel.

Following his acclaimed New York Times bestseller Did You Ever Have a Family, Bill Clegg returns with a “delicate, deeply observed, and deftly crafted” (Nickolas Butler, author of Shotgun Lovesongs) second novel about the complicated bonds and breaking points of friendship, the corrosive forces of secrets, the heartbeat of longing, and the redemption found in forgiveness. A retired widow in rural Connecticut wakes to an unexpected visit from her childhood best friend whom she hasn’t seen in forty-nine years. A man arrives at a Pennsylvania hotel to introduce his estranged father to his newborn daughter and finds him collapsed on the floor of the lobby. A sixty-seven-year-old taxi driver in Kauai receives a phone call from the mainland that jars her back to a traumatic past. These seemingly disconnected lives come together as half-century-old secrets begin to surface. It is in this moment that Bill Clegg reminds us how choices—to connect, to betray, to protect—become our legacy. “Written in lyrical, beautiful prose that makes even waking up seem like a poetic event” (Good Morning America), this novel is a feat of storytelling, capturing sixty years within the framework of one fateful day.

A Quixotic coming of age novel exploring the ways we enter the fantasy lives of those we love, This is the End of the Story is the first in a trilogy of new novels from Cinnamon Press founding editor, Jan Fortune.

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.

"Tell the story to its end," says Eren with a grin. His yellow eyes are glowing like embers in the night. "When I reach the end," I say, "what happens? You'll have the whole story." "Hmm," he says, looking at me and licking his lips with a dry, grey tongue. "What happens then? Why don't we find out?" People are keeping secrets from Oli. His mum has brought him to stay with his aunt and uncle in the countryside, but nobody will tell him why his dad isn't there, too. Why hasn't he come with them? Has something happened? Why won't anyone talk about it? Oli has a hundred questions, and only an old, empty house in the middle of an ancient forest for answers. But then he finds a secret of his own: there is a creature that lives in the attic... Eren is not human. Eren is hungry for stories. Eren has been waiting for him. With Eren to listen, Oli starts to make sense of what's happening. But Eren is powerful, and though he's willing to help Oli, he's not willing to do it for free; he wants something in return. Oli must make a choice: he can learn the truth -- but to do so he must abandon himself to Eren's world, forever. From striking new voice Simon P. Clark comes Tell the Story to Its End; richly atmospheric, moving, unsettling, and told in gorgeous prose, it is a modern classic in the making. ----- “Sure-footed, distinctive, strange, poetic. Simon P. Clark is a truly interesting new voice.”—David Almond, award-winning author of Skellig “Unflinchingly dark and unforgettably creepy, Tell the Story to Its End will have you in its grip.”—Anne Ursu, award-winning author of The Real Boy and The Shadow Thieves “Offering a spiral of stories within stories, this atmospheric first novel features a boy searching for truth, who gets sidetracked by a remarkable discovery. Echoing the surreal quality and settings of David Almond’s books, this novel adeptly mixes fantasy with reality and leaves some pressing questions unanswered.” —Publishers Weekly “Debut British-American author Clark creates a tale with mythic largesse...The book explores the relationship between truth and fiction, the essence of story, and the urgency of putting dreams and experiences into words ‘to fire imaginations and break worlds.’ Savvy readers and would-be writers will love this exploration of story as an art form, a panacea, and an endless part of life.” —Kirkus Reviews “The magical realism and storytelling details will draw fantasy readers, who will find meaty substance and enough Britishisms to lend flavor. While the conclusion is entirely logical, it’s unexpected and will spark discussion, challenging readers to reflect on the nature of both stories and reality.” —Booklist “Eren has echoes of A Monster Calls by Patrick Ness or Skellig by David Almond. It’s dark, poetic and feels as ancient as stories themselves.”—Readings.com “This is skillful storytelling; the kind that feels destined to become a classic.”—Katelliswrites.com “Incredibly dark and delicious.”—Diva Book Nerd “One of those books that you really have to read...The story was so beautifully written that it throws you into the borders of reality and fantasy.”—Sporadic Reads

**THE INSTANT #1 NEW YORK TIMES BESTSELLER** "An unforgettable—and Hollywood-bound—new thriller... A mix of Hitchcockian suspense, Agatha Christie plotting, and Greek tragedy." —Entertainment Weekly The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive. Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....