The Enemy At Home

“Tantalizing…had me guessing and turning pages right up to the final, shocking reveal—which I never saw coming.” —Charlie Donlea, bestselling author of Twenty Years Later Perfect for readers of The Nurse’s Secret, this provocative and captivating new book from the New York Times bestselling author follows adiabolical murderer as he preys on women in WW2 era Seattle. Thoroughly researched, this gripping new historical thriller featuring a diverse, engaging cast of characters is at once vivid, richly detailed, and laced with taut suspense. “Fast-paced, suspenseful, and intriguing... Super enjoyable.” —Elizabeth George, #1 New York Times bestselling author “A sweeping, addictive story of bravery and sacrifice…Authentic period detail creates a suspenseful, chilling atmosphere in this grand historical novel.” —Susan Wiggs, #1 New York Times bestselling author 1943, Seattle. While raging war reshapes the landscape of Europe, its impact is felt thousands of miles away too. Before the war, Nora Kinney was one of countless housewives and mothers in her comfortable Capitol Hill neighborhood. Now, with her doctor husband stationed in North Africa, Nora feels compelled to do more than tend her victory garden or help with scrap metal drives . . . At the Boeing B-17 plant, Nora learns to wield a heavy riveting gun amid the deafening noise of the assembly line—a real-life counterpart to “Rosie the Riveter” in the recruitment posters. Yet while the country desperately needs their help, not everyone is happy about “all these women” taking over men’s jobs. Nora worries that she is neglecting her children, especially her withdrawn teenage son. But amid this turmoil, a sinister tragedy occurs: One of Nora’s coworkers is found strangled in her apartment, dressed in an apron, with a lipstick smile smeared on her face. It’s the beginning of a terrifying pattern, as women war-plant workers like Nora are targeted throughout Seattle and murdered in the same ritualistic manner. And eclipsing Nora’s fear for her safety is her secret, growing conviction that she and the killer are connected—and that the haven that was her home has become her own personal battlefield . . . “Nobody writes suspense better than Kevin O’Brien. Read The Enemy at Home, but do so with the lights on.” —Robert Dugoni, New York Times bestselling author “A compulsively unputdownable, keep-you-guessing-to-the-end, pages-flying whodunit. Packed with compelling, complicated characters in a fascinating and meticulously-researched time and place.” —Laurie Frankel, New York Times bestselling author of This Is How It Always Is “The curves in the plot kept me reading late into the night (while checking the locks on my doors!).” —Erica Bauermeister, New York Times bestselling author of No Two Persons

When nearly 7,000 people with German and Austrian heritage were detained by the Australian authorities following the outbreak of World War I, Paul Dubotzki, a talented Bavarian photographer, was among them. These unlikely prisoners-of-war came from all walks of life – merchant sailors, visiting academics — and many, including beer baron Edmund Resch and acclaimed orthopaedic surgeon Dr Max Herz, had lived in Australia for decades. In The Enemy at Home Dubotzki's rediscovered photographs and never-before-published excerpts from inmates' diaries reveal what life was like inside the Holsworthy, Berrima and Trial Bay internment camps. Dubotzki's stunning images offer a rare and surprising snapshot of the theatrical events, small businesses and sports that boosted the men's spirits.

From THE ENEMY AT HOME: “In this book I make a claim that will seem startling at the outset. The cultural left in this country is responsible for causing 9/11. … In faulting the cultural left, I am not making the absurd accusation that this group blew up the World Trade Center and the Pentagon. I am saying that the cultural left and its allies in Congress, the media, Hollywood, the nonprofit sector, and the universities are the primary cause of the volcano of anger toward America that is erupting from the Islamic world. The Muslims who carried out the 9/11 attacks were the product of this visceral rage—some of it based on legitimate concerns, some of it based on wrongful prejudice, but all of it fueled and encouraged by the cultural left. Thus without the cultural left, 9/11 would not have happened. “I realize that this is a strong charge, one that no one has made before. But it is a neglected aspect of the 9/11 debate, and it is critical to understanding the current controversy over the ‘war against terrorism.’ … I intend to show that the left has actively fostered the intense hatred of America that has led to numerous attacks such as 9/11. If I am right, then no war against terrorism can be effectively fought using the left-wing premises that are now accepted doctrine among mainstream liberals and Democrats.” Whenever Muslims charge that the war on terror is really a war against Islam, Americans hasten to assure them they are wrong. Yet as Dinesh D’Souza argues in this powerful and timely polemic, there really is a war against Islam. Only this war is not being waged by Christian conservatives bent on a moral crusade to impose democracy abroad but by the American cultural left, which for years has been vigorously exporting its domestic war against religion and traditional morality to the rest of the world. D’Souza contends that the cultural left is responsible for 9/11 in two ways: by fostering a decadent and depraved American culture that angers and repulses other societies—especially traditional and religious ones— and by promoting, at home and abroad, an anti-American attitude that blames America for all the problems of the world. Islamic anti-Americanism is not merely a reaction to U.S. foreign policy but is also rooted in a revulsion against what Muslims perceive to be the atheism and moral depravity of American popular culture. Muslims and other traditional people around the world allege that secular American values are being imposed on their societies and that these values undermine religious belief, weaken the traditional family, and corrupt the innocence of children. But it is not “America” that is doing this to them, it is the American cultural left. What traditional societies consider repulsive and immoral, the cultural left considers progressive and liberating. Taking issue with those on the right who speak of a “clash of civilizations,” D’Souza argues that the war on terror is really a war for the hearts and minds of traditional Muslims—and traditional peoples everywhere. The only way to win the struggle with radical Islam is to convince traditional Muslims that America is on their side. We are accustomed to thinking of the war on terror and the culture war as two distinct and separate struggles. D’Souza shows that they are really one and the same. Conservatives must recognize that the left is now allied with the Islamic radicals in a combined effort to defeat Bush’s war on terror. A whole new strategy is therefore needed to fight both wars. “In order to defeat the Islamic radicals abroad,” D’Souza writes, “we must defeat the enemy at home.”

Peter feels compelled to help a wounded German pilot, but he doesn't want to be a traitor--especially not to his father, who is off fighting the Nazis. A moving story about the moral dilemmas of war. Summer 1941: For Peter, the war is a long way away, being fought by his father and thousands of other British soldiers against the faceless threat of Nazism. But war comes frighteningly close to home one night when a German jet is shot down over the neighboring woods. With his feisty new friend Kim, Peter rushes to the crash site to see if there's anything he can salvage. What he finds instead is a German airman. The enemy. Seriously wounded and in need of aid...Continuing in the tradition of thought-provoking literature about the Second World War, Dan Smith's MY FRIEND THE ENEMY is a thrilling adventure that also personalizes the moral dilemmas faced by the children left behind on the home front.

The first unputdownable adventure story in this phenomenal series, from the author of the bestselling Young Bond series and award-winning comedy writer and performer (The Fast Show, Down the Line), Charlie Higson. They'll chase you. They'll rip you open. They'll feed on you . . . When the sickness came, every parent, policeman, politician - every adult - fell ill. The lucky ones died. The others are crazed, confused and hungry. Only children under fourteen remain, and they're fighting to survive. Now there are rumours of a safe place to hide. And so a gang of children begin their quest across London, where all through the city - down alleyways, in deserted houses, underground - the grown-ups lie in wait. But can they make it there - alive?

In 1683, two empires - the Ottoman, based in Constantinople, and the Habsburg dynasty in Vienna - came face to face in the culmination of a 250-year power struggle: the Great Siege of Vienna. Within the city walls the choice of resistance over surrender to the largest army ever assembled by the Turks created an all-or-nothing scenario: every last survivor would be enslaved or ruthlessly slaughtered. The Turks had set their sights on taking Vienna, the city they had long called 'The Golden Apple' since their first siege of the city in 1529. Both sides remained resolute, sustained by hatred of their age-old enemy, certain that their victory would be won by the grace of God. Eastern invaders had always threatened the West: Huns, Mongols, Goths, Visigoths, Vandals and many others. The Western fears of the East were vivid and powerful and, in their new eyes, the Turks always appeared the sole aggressors. Andrew Wheatcroft's extraordinary book shows that this belief is a grievous oversimplification: during the 400 year struggle for domination, the West took the offensive just as often as the East. As modern Turkey seeks to re-orient its relationship with Europe, a new generation of politicians is exploiting the residual fears and tensions between East and West to hamper this change. The Enemy at the Gate provides a timely and masterful account of this most complex and epic of conflicts.

A British soldier walked over to the German front line to deliver newspapers; British women married to Germans became 'enemy aliens' in their own country; a high-ranking British POW discussed his own troops' heroism with the Kaiser on the battlefield. Just three amazing stories of contact between the opposing sides in the Great War that eminent historian Richard van Emden has unearthed ? incidents that show brutality, great humanity, and above all the bizarre nature of a conflict between two nations with long-standing ties of kinship and friendship. Meeting the Enemy reveals for the first time how contact was maintained on many levels throughout the War, and its stories, sometimes funny, often moving, give us a new perspective on the lives of ordinary men and women caught up in extraordinary events.

THE #1 NEW YORK TIMES BESTSELLING JACK REACHER SERIES THAT INSPIRED TWO MAJOR MOTION PICTURES AND THE STREAMING SERIES REACHER “A thriller that gallops at a breakneck pace.”—Chicago Sun-Times Jack Reacher. Hero. Loner. Soldier. Soldier’s son. An elite military cop, he was one of the army’s brightest stars. But in every cop’s life there is one case that changes everything. For Jack Reacher, this is that case. New Year’s Day, 1990. In a North Carolina motel, a two-star general is found dead. His briefcase is missing. Nobody knows what was in it. Within minutes Reacher has his orders: Control the situation. Within hours the general’s wife is murdered. Then the dominoes really start to fall. Somewhere inside the vast worldwide fortress that is the U.S. Army, Reacher is being set up as a fall guy with the worst enemies a man can have. But Reacher won’t quit. He’s fighting a new kind of war—against an enemy he didn’t know he had. And against a conspiracy more chilling, ingenious, and treacherous than anyone could have guessed. The Enemy, like most of the books in the Jack Reacher series, can be read as a standalone thriller.