The Environmental Tradition

This text brings together a unique collection of writing by a leading researcher and critic which outlines the evolution of the environmental dimension of architectural theory and practice in the past twenty-five years. It deals with the transformation of the environmental design field which was brought about by the growth of energy awareness in the 1970s and 1980s, and places environmental issues in the broader theoretical and historical context in architecture.

Drawing upon the English literary tradition for new perspectives and paradigms, this collection presents a broad range of theoretical and historical approaches to ecocriticism. The first section of the volume offers different theoretical frameworks for ecocritical work, encompassing a range of socio-political, post-modern and multi-disciplinary approaches. In the second section, contributors explore the ways in which ecocriticism allows us to re-think literary history.

In identifying Wordsworth's interest in nature as a vital, ecological interest, and linking it with the ecological debate in political history, this study attempts to define the politics of poetry. Wordsworth is portrayed as the guide to a pastoral consciousness.

A fair and honest debate about religious responses to environmental issues should always distinguish theological principles from prudential judgments. The Cornwall Declaration and the accompanying essays in this volume were written to do just that. They were not written to provide theological rationale for current environmentalist fashion. Rather, they seek to articulate the broad Judeo-Christian theological principles concerning the environment, and to distinguish those principles from contrary ideas popular in the environmental movement.

Perhaps America's best environmental idea was not the national park but the garden cemetery, a use of space that quickly gained popularity in the mid-nineteenth century. Such spaces of repose brought key elements of the countryside into rapidly expanding cities, making nature accessible to all and serving to remind visitors of the natural cycles of life. In this unique interdisciplinary blend of historical narrative, cultural criticism, and poignant memoir, Aaron Sachs argues that American cemeteries embody a forgotten landscape tradition that has much to teach us in our current moment of environmental crisis. Until the trauma of the Civil War, many Americans sought to shape society into what they thought of as an Arcadia--not an Eden where fruit simply fell off the tree, but a public garden that depended on an ethic of communal care, and whose sense of beauty and repose related directly to an acknowledgement of mortality and limitation. Sachs explores the notion of Arcadia in the works of nineteenth-century nature writers, novelists, painters, horticulturists, landscape architects, and city planners, and holds up for comparison the twenty-first century's--and his own--tendency toward denial of both death and environmental limits. His far-reaching insights suggest new possibilities for the environmental movement today and new ways of understanding American history.

In seeking to answer the question Whose Tradition? this book pursues four themes: Place: Whose Nation, Whose City?; People: Whose Indigeneity?; Colonialism: Whose Architecture?; and Time: Whose Identity? Following Nezar AlSayyad’s Prologue, contributors addressing the first theme take examples from Indonesia, Myanmar and Brazil to explore how traditions rooted in a particular place can be claimed by various groups whose purposes may be at odds with one another. With examples from Hong Kong, a Santal village in eastern India and the city of Kuala Lumpur, contributors investigate the concept of indigeneity, the second theme, and its changing meaning in an increasingly globalized milieu from colonial to post-colonial times. Contributors to the third theme examine the lingering effects of colonial rule in altering present-day narratives of architectural identity, taking examples from Guam, Brazil, and Portugal and its former colony, Mozambique. Addressing the final theme, contributors take examples from Africa and the United States to demonstrate how traditions construct identities, and in turn how identities inform the interpretation and manipulation of tradition within contexts of socio-cultural transformation in which such identities are in flux and even threatened. The book ends with two reflective pieces: the first drawing a comparison between a sense of ‘home’ and a sense of tradition; the second emphasizing how the very concept of a tradition is an attempt to pin down something that is inherently in flux.

Across the globe, environmental questions feature more and more in today's social and political agendas. In Western countries environmental campaigns target issues at home and abroad. They have a special urgency, which draws in an astonishing range of field campaigners, from young militants to rebel aristocrats. This book examines the roots of contemporary environmental consciousness and action in terms of both popular experience and tradition. The global reach of this book reflects the character of contemporary environmentalism. It examines a geographically and thematically diverse range of case studies, including: British environmental campaigners in the Brazilian rainforest; ecocriticism and literature; the environmental movement in Kazakhstan; and medieval church iconography. The common theme linking each chapter is that environmental consciousness and activism are shaped through people's life stories, and that their memories are shaped not only through individual experience but also through myth, tradition, and collective memory. Containing a wealth of empirical source material, Environmental Consciousness will be invaluable for sociologists and historians alike. It offers a cutting-edge illustration of how narrative and oral history can illuminate our understanding of an uncertain present. Stephen Hussey is a research associate at the School of Education at the University of Cambridge. His previous publications include Childhood in Question and his next publication will be a book for the wider market entitled Headline History. Paul Thompson is research professor in sociology and director of Qualidata at the University of Essex. He is also founder of the National Life Story Collection at the British Library National Sound Archive and founder-editor of Oral History. His previous publications include The Voice of the Past, The Edwardians, and The Work of William Morris.