The Everyday Apocalypse

Mining popular media, Dark redefines the term apocalypse as a more honest, watchful way of being in the world and higlights how the imagination can expose our moral condition.

Does life as a mother feel like an apocalypse waiting to happen? Yes? Then welcome to the club of moms who are going crazy one fruit snack at a time. Whitmer shares hilarious insights and stories about parenting. #1 Amazon Bestseller

Publishers Weekly Top 10 Best of the Year In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced overseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague. Praise for Maureen F. McHugh: "Gorgeously crafted stories."—Nancy Pearl, NPR "Hauntingly beautiful."—Booklist "Unpredictable and poetic work."—The Plain Dealer Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree Award-winner China Mountain Zhang and New York Times editor's choice Nekropolis. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others.

Despite wars with Iraq and Afghanistan, as well as 9/11, the United States’ dependence on foreign oil has kept the nation tied to the Middle East. A scientist has developed a cure for America’s addiction—a slow-acting virus that feeds on petroleum, turning it solid. But he didn’t consider that his contagion of an Iraqi oil field would spread to infect the fuel supply of the entire world… In Los Angeles, screenwriter Dave Marshall heard this scenario from a retired U.S. Marine and government insider who acted as a consultant on Dave’s last film. It sounded as implausible as many of his scripts, but the reality is much more frightening than anything he can envision. An ordinary guy armed with extraordinary information, Dave hopes his survivor’s instinct will kick in so he can protect his wife and daughter from the coming apocalypse that will alter the future of Earth—and humanity…

Our times of crumbling structures and decaying social bonds are often depicted as apocalyptic. This book takes the apocalypse as a metaphor to help us in the search for meaning in our everyday realities. Yes, the apocalypse is when social structures and institutions fall apart and we are terrified and suffocated by the debris raining down upon us. But 'apocalypse' also means 'revelation'. The very collapse reveals what dissipating institutions were constructed upon: where there ought to have been foundational common values, most often there is violence and raw power. Yet the values are there, too, and they can be found. This book is a guide to these values, showing how they can be of help to organizers and organizational dreamers.

M. James Penton offers a comprehensive overview of a remarkable religious movement, from the Witnesses' inauspicious creation by a Pennsylvania preacher in the 1870s to its position as a religious sect with millions of followers world-wide. This second edition features an afterword by the author and an expanded bibliography.

In 1975, after his two Godfather epics, Francis Ford Coppola went to the Philippines to film Apocalypse Now. He scrapped much of the original script, a jingoistic narrative of U.S. Special Forces winning an unwinnable war. Harvey Keitel, originally cast in the lead role, was fired and replaced by Martin Sheen, who had a heart attack. An overweight Marlon Brando, paid a huge salary, did more philosophizing than acting. It rained almost every day and a hurricane wiped out the set. The Philippine government promised the use of helicopters but diverted them at the last minute to fight communist and Muslim separatists. Coppola filmed for four years with no ending in the script. The shoot threatened to be the biggest disaster in movie history. Providing a detailed snapshot of American cinema during the Vietnam War, this book tells the story of how Apocalypse Now became one of the great films of all time.