The Evidence Room

Internationally renowned and award-winning historian Dr. Robert Jan van Pelt's The Evidence Room is a chilling exploration of the role architecture played in constructing Auschwitz - arguably the Nazis' most horrifying facility. The Evidence Room is both a companion piece to, and an elaboration of, an exhibit at the 2016 Venice Architecture Biennale, based on van Pelt's authoritative testimony against Holocaust denial in a 2000 libel suit argued before the Royal Courts of Justice in London.

This atmospheric and beautifully written police procedural is set in Cooper's Bayou, where the murder of a young mother shook the small Florida town to its core. Twenty years later, the victim's daughter returns to the scene of the crime and learns that the tragedy of her past has very real consequences for her future. This stunning debut mystery spans decades of secrets and lies in a setting that comes alive as a character in its own right.

From out of nowhere there comes a sweeping onslaught of murder. A game of cat and mouse begins as DCI Henry Faulkner and DS Billy Cray are assigned to the case, leading the investigation into capturing this horrific serial killer. The murders begin, so grotesque in nature, mutilations that leave all involved stunned and riddled with fear. Tension mounts, as with each murder, no concrete evidence can be recovered. The pressure begins to cause ripples within the team. Faulkner’s boisterous and arrogant persona clashing with the demons of Cray’s troubled past leave the core of this investigation, at times, in tatters! Who is this serial killer? How can they elude and stay invisible for so long; like a ghost? Does this case have more of a story to tell than meets the eye? Is there a hidden secret, a detail that has gone unnoticed? Victim, upon victim.............

This atmospheric and beautifully written police procedural is set in Florida where a murder of a young mother shook a small bayou town to its core. Twenty years later, the victim's daughter returns to the scene of the crime and learns that the tragedy of her past has very real consequences for her future. Everyone in Cooper's Bayou knows the story of Raylene Atchison, the local woman who was murdered on the banks of the bayou, and her daughter, Aurora, who was found on the steps of the mini-mart, alone. But when Aurora, who was raised far away from Cooper's Bayou, returns to Florida to settle her grandfather's estate, she learns that the suspect in her mother's murder was wrongly accused. Aurora meets Josh Hudson, a cop who has been put on administrative leave at the Evidence Room, a warehouse of dusty and forgotten items that could hold the key for solving Raylene's murder. Together, Josh and Aurora delve into the past and find that the answers they are seeking lie just below the surface of the bayou they thought they knew. Spanning decades of secrets and lies and featuring a setting that comes alive as a character in its own right, Cameron Harvey's THE EVIDENCE ROOM is a stunning debut mystery from a new literary talent.

From the authors of the bestselling Fact vs. Fiction, this book offers easy-to-implement lessons to engage students in becoming media literacy “digital detectives,” looking for clues, questioning motives, uncovering patterns, developing theories and, ultimately, delivering a verdict. The current news landscape is driven by clicks, with every social media influencer, trained and citizen journalists chasing the same goal: a viral story. In this environment, where the race to be first on the scene with the most sensational story often overshadows the need for accuracy, traditional strategies for determining information credibility are no longer enough. Rather than simply helping students become savvy information consumers, today’s educators must provide learners with the skills to be digital detectives – information interrogators who are armed with a variety of tools for dissecting news stories and determining what’s real and what isn’t in our “post-truth world.” This book: • Shares meaningful lessons that move beyond traditional “fake news” protocols to help learners navigate a world in which information can be both a force for good and a tool used to influence and manipulate. • Includes resources and examples to support educators in the work of facilitating engaging, relevant (and fun!) instructional opportunities for K-12 learners, in both face-to-face and digital learning environments. • Unpacks the connection between social-emotional learning and information literacy. • Includes access to the Digital Detective’s Evidence Locker, an online collection of over 100 downloadable and remixable resources to support the lessons in the book. As the authors state: “Remember, the detective’s job is NOT to prove themselves correct. Their job is to detect the truth!” This statement reflects the way they approach the lessons in this book, providing clear and practical guidance to help educators address and overcome this ever-expanding issue.

From January to April 2000 historian David Irving brought a high-profile libel case against Penguin Books and Deborah Lipstadt in the British High Court, charging that Lipstadt’s book, Denying the Holocaust (1993), falsely labeled him a Holocaust denier. The question about the evidence for Auschwitz as a death camp played a central role in these proceedings. Irving had based his alleged denial of the Holocaust in part on a 1988 report by an American execution specialist, Fred Leuchter, which claimed that there was no evidence for homicidal gas chambers in Auschwitz. In connection with their defense, Penguin and Lipstadt engaged architectural historian Robert Jan van Pelt to present evidence for our knowledge that Auschwitz had been an extermination camp where up to one million Jews were killed, mainly in gas chambers. Employing painstaking historical scholarship, van Pelt prepared and submitted an exhaustive forensic report that he successfully defended in cross-examination in court.

100 Simple Ways How to Manage a Successful Property and Evidence Room is just that. One hundred simple ways of doing old business through new ways that can lead to real success. After almost seventeen years of frustration and trying to get it right, a new roadmap is finally here in this book and has one hundred simple ways of doing it. It's simple, no-nonsense, real-world situations with real-world solutions from someone that does it every day from nine to five, with sometimes twenty-four hours being on call, and loves doing it while giving real advice that works. It's a fun read from start to finish that will have you saying, "Why didn't I think of that. Makes sense to me"—or better yet—"Wow." Leadership from the bottom up. Many organizations are merely successful surviving off of antiquated policies and procedures that create long term ineffectiveness. It has become far too common to pass down the worst practices to our new joins under the banner of "It's always been done this way." Over the past seventeen years of faithful service within the New Bern Police Department's Forensics and Evidence Unit, I have been able to deploy transcending strategies that have made me one of the leading evidence specialist throughout North Carolina. 100 Simple Ways How to Manage a Successful Property and Evidence Room is a practical and systematic guide that is a must-have for law enforcement departments of all sizes. Many departments struggle daily with the nagging questions of how to properly store evidence, as well as what are the best practices, and how should a property and evidence room be set up and maintained. In this practical and engaging book, these and many more questions are answered with clarity, accuracy, brevity, and even a splash of levity. It is not because I say so, but because my ideals really do work, and they can work for you in your evidence room. 100 Simple Ways How to Manage a Successful Property and Evidence Room is the culmination of trial and error from things that work versus things that will not work and is finally captured in a "how-to," fun, easy-to-read book that is sure to revolutionize your department's management of property and evidence.

One of twentieth-century Italy's greatest thinkers, Primo Levi (1919-1987) started reflecting on the Holocaust almost immediately after his return home from the year he survived in Auschwitz. Levi's powerful Holocaust testimonials reveal his preoccupation with processes of translation, in the form of both embedded and book-length renderings of texts relevant to Holocaust survival. In Arduous Tasks, Lina N. Insana demonstrates how translation functions as a metaphor for the transmission of Holocaust testimony and broadens the parameters of survivor testimony. The first book to study Levi and translation, Arduous Tasks overcomes the conventional views of the separation between his own personal memoirs and his translations by stressing the centrality of translation in Levi's entire corpus. Examining not only the testimonial nature of his work, Insana also discusses the transgressive and performative aspects of transmission in his writings. Arduous Tasks is a superb and innovative study on the importance of translation not only to Levi, but also to Holocaust studies in general.