The Excursion By

William Wordsworth (7 April 1770 - 23 April 1850) was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798). The Excursion: Being a portion of The Recluse, a poem is a long poem by Romantic poet William Wordsworth and was first published in 1814[1] (see 1814 in poetry). It was intended to be the second part of The Recluse, an unfinished larger work that was also meant to include The Prelude, Wordsworth's other long poem, which was eventually published posthumously. The exact dates of its composition are unknown, but the first manuscript is generally dated as either September 1806 or December 1809

Explore the relationship between music and society around the world This comprehensive introductory text creates a panoramic experience for beginner students by exposing them to the many musical cultures around the globe. Each chapter opens with a musical encounter in which the author introduces a key musical culture. Through these experiences, students are introduced to key musical styles, musical instruments, and performance practices. Students are taught how to actively listen to key musical examples through detailed listening guides. The role of music in society is emphasized through chapters that focus on key world cultural groups.

Frances Brooke (1724-1789), journalist, translator, playwright, novelist, and even co-manager of a theater, was described as "perhaps the first female novel-writer who attained a perfect purity and polish of style." Today, Brooke is known primarily for The History of Emily Montague, one of the earliest novels about Canada, where she lived for a number of years. But it is her third novel, The Excursion, that is an important example of the fashionable and popular English novels of the late 1770s. Written for the very audience it portrays, this novel introduces the heroine, Maria Villiers, to London's "gentle" society and its glittering pastimes. Brooke drew upon the English courtship novel in the tradition of Eliza Haywood, Henry Fielding, and Frances Burney for her novel's overarching plot structure. But instead of concentrating on Maria's romantic adventures, she experiments with unusual treatments of subplots and unconventional characters. The most interesting aspect of her story is the development of Maria's ambition to win fame and fortune as a writer; it is one of the few portraits of a woman with literary ambitions by an early woman writer. Brooke's wry narrative voice foreshadows that of Jane Austen. The editors' introduction places The Excursion firmly in the tradition of the English novel, provides a fresh biography of Brooke, and brings together the most important eighteenth- and twentieth-century criticism of Brooke's work. The second volume in the series Eighteenth-Century Novels by Women, The Excursion contributes to our understanding of the development of the novel and offers a lively view of women's position in eighteenth-century English society.

Through a wide variety of verbal and pictorial references, this book demonstrates how Wordsworth's iconography, albeit apparently 'collateral', makes crucial contributions to his central arguments and preoccupations in The Excursion, as well as in his other major works.

Challenging, accessible mathematical adventures involving prime numbers, number patterns, irrationals and iterations, calculating prodigies, and more. No special training is needed, just high school mathematics and an inquisitive mind. "A splendidly written, well selected and presented collection. I recommend the book unreservedly to all readers." — Martin Gardner.