The Exorcist Legion

Father Damien Karras: 'Where is Regan?' Regan MacNeil: 'In here. With us.' The terror begins unobtrusively. Noises in the attic. In the child's room, an odd smell, the displacement of furniture, an icy chill. At first, easy explanations are offered. Then frightening changes begin to appear in eleven-year-old Regan. Medical tests fail to shed any light on her symptoms, but it is as if a different personality has invaded her body. Father Damien Karras, a Jesuit priest, is called in. Is it possible that a demonic presence has possessed the child? Exorcism seems to be the only answer... First published in 1971, The Exorcist became a literary phenomenon and inspired one of the most shocking films ever made. This edition, polished and expanded by the author, includes new dialogue, a new character and a chilling new extended scene, provides an unforgettable reading experience that has lost none of its power to shock and continues to thrill and terrify new readers.

Massive new book on The Exorcist covers every aspect of production, with essays, interviews, and essays on all the sequels.

Based on his own experiences in tinseltown, Demons Five, Exorcists Nothing is a hilarious satire of Hollywood fame and misfortune from William Peter Blatty, the New York Times bestselling author of The Exorcist. Once an auteur of renown, Jason Hazard hasn't directed a film in years, more famous for being the husband of movie star, Spritely God. When he accepts an offer to direct the adaptation of the bestselling novel, The Satanist, all hell breaks loose as Hazard's deal with the devil to resurrect his career threatens to consume his very soul. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The Horror Film is an in-depth exploration of one of the most consistently popular, but also most disreputable, of all the mainstream film genres. Since the early 1930s there has never been a time when horror films were not being produced in substantial numbers somewhere in the world and never a time when they were not being criticised, censored or banned. The Horror Film engages with the key issues raised by this most contentious of genres. It considers the reasons for horror's disreputability and seeks to explain why despite this horror has been so successful. Where precisely does the appeal of horror lie? An extended introductory chapter identifies what it is about horror that makes the genre so difficult to define. The chapter then maps out the historical development of the horror genre, paying particular attention to the international breadth and variety of horror production, with reference to films made in the United States, Britain, Italy, Spain and elsewhere. Subsequent chapters explore: The role of monsters, focusing on the vampire and the serial killer. The usefulness (and limitations) of psychological approaches to horror. The horror audience: what kind of people like horror (and what do other people think of them)? Gender, race and class in horror: how do horror films such as Bride of Frankenstein, The Texas Chainsaw Massacre and Blade relate to the social and political realities within which they are produced? Sound and horror: in what ways has sound contributed to the development of horror? Performance in horror: how have performers conveyed fear and terror throughout horror's history? 1970s horror: was this the golden age of horror production? Slashers and post-slashers: from Halloween to Scream and beyond. The Horror Film throws new light on some well-known horror films but also introduces the reader to examples of noteworthy but more obscure horror work. A final section provides a guide to further reading and an extensive bibliography. Accessibly written, The Horror Film is a lively and informative account of the genre that will appeal to students of cinema, film teachers and researchers, and horror lovers everywhere.

William Peter Blatty has thrilled generations of readers with his iconic mega-bestseller The Exorcist. Now Blatty gives us Dimiter, a riveting story of murder, revenge, and suspense. Laced with themes of faith and love, sin and forgiveness, vengeance and compassion, it is a novel in the grand tradition of the great Catholic novels of the 20th Century. Dimiter opens in the world's most oppressive and isolated totalitarian state: Albania in the 1970s. A prisoner suspected of being an enemy agent is held by state security. An unsettling presence, though subjected to unimaginable torture he maintains an eerie silence. He escapes---and on the way to freedom, completes a mysterious mission. The prisoner is Dimiter, the American "agent from Hell." The scene shifts to Jerusalem, focusing on Hadassah Hospital and a cast of engaging, colorful characters: the brooding Christian Arab police detective, Peter Meral; Dr. Moses Mayo, a troubled but humorous neurologist; Samia, an attractive, sharp-tongued nurse; and assorted American and Israeli functionaries and hospital staff. All become enmeshed in a series of baffling, inexplicable deaths, until events explode in a surprising climax. Told with unrelenting pace, Dimiter's compelling, page-turning narrative is haunted by the search for faith and the truths of the human condition. Dimiter is William Peter Blatty's first full novel since the 1983 publication of Legion. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

FOR A KICK-ASS EXORCIST, IT’S ALL ABOUT STAYING ALIVE…. Morgan Kingsley, America’s most successful exorcist, is paying the price for an exorcism gone wrong. The victim’s family is suing the daylights out of her, the Exorcism Board has suspended her, and now she’s living on a diet of ramen noodles and bad coffee. But Morgan has a few good men at her side. One is her current boyfriend, nice-guy legal eagle Brian, who’s suddenly starting to reveal his inner bad boy. The other is Philly cop Adam White, who’s trying to help Morgan find out who sent her a little present—a severed human hand—and why someone seems determined to destroy her. As her stalker turns more violent, leaving dead bodies in his wake, Morgan turns to the dark side of her life: a group of demons steeped in secrets, sinful eroticism, and otherworldly family feuds, including one sexy beast who shares Morgan’s body—and some X-rated fantasies. Soon Morgan must choose between her friends, her enemies, and her libido: to escape a mad demon determined to destroy her completely.

“Friedkin’s book does the unthinkable: It relates the behind-the-scenes stories of his triumphs like The French Connection and The Exorcist, but also sees Friedkin take responsibility (brutally so) for his wrong calls. . . . In doing so, he captures the gut-wrenching shifts of a filmmaker’s life—the bizarre whipsaw from success to disaster.” —Variety An acclaimed memoir from William Friedkin, a maverick of American cinema and Academy Award–winning director of such legendary films as The French Connection, The Exorcist, and To Live and Die in LA.The Friedkin Connection takes readers from the streets of Chicago to the suites of Hollywood and from the sixties to today, with autobiographical storytelling as fast-paced and intense as any of the auteur's films. Friedkin’s success story has the makings of classic American film. He was born in Chicago, the son of Russian immigrants. Immediately after high school, he found work in the mailroom of a local television station, and patiently worked his way into the directing booth during the heyday of live TV. An award-winning documentary brought him attention as a talented new filmmaker and an advocate for justice, and it caught the eye of producer David L. Wolper, who brought Friedkin to Los Angeles. There he moved from television to film, displaying a versatile stylistic range. In 1971, The French Connection was released and won five Academy Awards, including Best Picture and Best Director, and two years later The Exorcist received ten Oscar nominations and catapulted Friedkin's career to stardom. Penned by the director himself, The Friedkin Connection takes readers on a journey through the numerous chance encounters and unplanned occurrences that led a young man from a poor urban neighborhood to success in one of the most competitive industries and art forms in the world. In this fascinating and candid story, he has much to say about the world of moviemaking and his place within it.