The Explosion Chronicles

“A rip-roaring Swiftian satire from a contemporary Chinese master” follows a rural community’s transformation from small village to megalopolis (The Economist). With the Yi River on one side and the Balou Mountains on the other, the village of Explosion was founded more than a millennium ago by refugees fleeing a seismic volcanic eruption. But in the post-Mao era the name takes on a new significance as the community grows explosively from a small village to a vast metropolis. Behind this rapid expansion are members of the community’s three major families, including the four Kong brothers; Zhu Ying, the daughter of the former village chief; and Cheng Qing, who starts out as a secretary and goes on to become a powerful political and business figure. Linked together by a complex web of loyalty, betrayal, desire, and ambition, these figures are the driving force behind their hometown’s transformation into an urban superpower. Brimming with absurdity, intelligence, and wit, The Explosion Chronicles considers the high stakes of passion and power, the consequences of corruption and greed, the polarizing dynamics of love and hate between families, as well as humankind’s resourcefulness through the vicissitudes of life. “Yan’s burlesque of a nation driven insane by money is equally a satire of some of the excesses of the Chinese Revolution.” —The Wall Street Journal

The village of Explosion was founded more than a millennium ago by refugees fleeing a volcanic eruption. But in the post-Mao era the name takes on a new significance as the community grows explosively. Three major families—linked by a complex web of loyalty, betrayal, desire and ambition—are the driving force behind their hometown’s transformation into an urban superpower. Brimming with intelligence and wit, The Explosion Chronicles considers the high stakes of passion and power, the consequences of corruption and greed, the polarising dynamics of love and hate between families, and the seemingly unstoppable excesses of capitalism—it is a smart, flamboyant and poetic tale of ambition, lies and vice from China’s master satirist. Yan Lianke was born in 1958 in Henan Province, China. Text has published his novels Serve the People!, Lenin’s Kisses, Dream of Ding Village and The Four Books. Yan Lianke won the Hua Zhong World Chinese Literature Prize in 2013. He has also won two of China’s most prestigious literary awards: the Lu Xan Prize and the Lao She Award. He lives in Bejing. Translator Carlos Rojas is Associate Professor in the Department of Asian and Middle Eastern Studies at Duke University. His translations include two other novels by Yan Lianke: Lenin’s Kisses and The Four Books.

“Yan is one of those rare geniuses who finds in the peculiar absurdities of his own culture the absurdities that infect all cultures.” —The Washington Post From the Kafka Prize winner and two-time Booker Prize finalist, this is a gripping and bitingly satirical story of ambition and betrayal, following two young communist revolutionaries whose forbidden love sets them apart from their traditionally minded village as the Cultural Revolution sweeps China. Gao Aijun is a son of the soil of Henan’s Balou Mountains, and after his Army service, he is on his way back to his ancestral village, feeling like a hero. Close to his arrival, he sees a strikingly attractive woman walking barefoot alongside a railway track in the warm afternoon sun, and is instantly smitten. She is Xia Hongmei, and lives up to her name of “beautiful flower.” Hiding their relationship from their spouses, the pair hurl themselves into the struggle to bring revolution to their backwater village. They spend their days and nights writing pamphlets, organizing work brigades, and attending rallies, feeling they are the vanguard for the full-blown revolution that is waiting in the wings. Emboldened by encouragement from the Party, the couple dig a literal “tunnel of love” between their homes where, while the unsuspecting villagers sleep, they sing revolutionary songs and compete in shouting matches of Maoist slogans before making earth-moving love. But when their torrid relationship is discovered and they have to answer to Hongmei’s husband, their dreams of a bright future together begin to fray. Will their devotion to the cause save their skins, or will they too fall victim to the revolution that is swallowing up the country? A novel of rare emotional force and surprising humor, Hard Like Water is an operatic and brilliantly plotted human drama about power’s corrupting nature and the brute force of love and desire. “A blistering tour de force . . . poses the uncomfortable and timely question: how did each of us arrive at our certainties?” —The Guardian “One of China’s most important―and certainly most fearless―living writers.” ―Kirkus Reviews

“A brilliant and harrowing novel” about a deadly epidemic fueled by corruption, based on real-life events in China (Publishers Weekly, starred review). Officially censored upon its Chinese publication, Dream of Ding Village is based on a real-life blood-selling scandal in eastern China. The novel is the result of three years of undercover work by Yan Lianke, who worked as an assistant to a well-known Beijing anthropologist in an effort to study a small village decimated by HIV/AIDS as a result of unregulated blood selling. Whole villages were wiped out with no responsibility taken or reparations paid. Dream of Ding Village focuses on one family, destroyed when one son rises to the top of the party pile as he exploits the situation, while another son is infected and dies. The result is a passionate and steely critique of the rate at which China is developing and what happens to those who get in the way. “Lianke confronts the black market blood trade and the subsequent AIDS epidemic it sparked, in a brilliant and harrowing novel.” —Publishers Weekly, starred review

SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2016 'One of China's greatest living authors and fiercest satirists' Guardian In the ninety-ninth district of a sprawling labour camp, the Author, Musician, Scholar, Theologian and Technician - and hundreds just like them - are undergoing Re-education, to restore their revolutionary zeal and credentials. In charge of this process is the Child, who delights in draconian rules, monitoring behaviour and confiscating treasured books. But when bad weather arrives, followed by the ‘three bitter years’, the intellectuals are abandoned by the regime and left on their own to survive. Divided into four narratives, The Four Books tells the story of the Great Famine, one of China’s most devastating and controversial periods. WINNER OF THE FRANZ KAFKA PRIZE 2014 NOMINATED FOR CZECH AWARD MAGNESIA LITERA 2014 HUA ZHONG WORLD CHINESE LITERATURE PRIZE 2013 FINALIST FOR THE MAN BOOKER INTERNATIONAL PRIZE 2013 WINNER OF THE HUA ZHONG WORLD CHINESE LITERATURE PRIZE 2013 SHORTLISTED FOR THE INDEPENDENT FOREIGN FICTION PRIZE 2012 SHORTLISTED FOR THE PRIX FEMINA ETRANGER 2012 SHORTLISTED FOR THE MAN ASIAN LITERARY PRIZE 2011 WINNER OF THE LAO SHE LITERATURE AWARD 2004 WINNER OF THE LU XUN AWARD 1997

Over the last decade, Yan Lianke has been continually heralded as one of the “best contemporary Chinese writers” (The Independent) and “one of the country’s fiercest satirists” (The Guardian). Among many awards and honors, he has been twice a finalist for the Man Booker International Prize and he was awarded the prestigious Franz Kafka Prize for his impressive body of work. Now, for the first time, his two most acclaimed novellas are being published in English. “Timeless” and “marvelous” (Asian Review of Books), Marrow is a haunting story of a widow who goes to extremes to provide a normal life for her four physically and mentally disabled children. When she finds out that bones “the closer from kin the better” can cure their illnesses and prevent future generations from the same fate, she feeds them a medicinal soup made from the bones of her dead husband. But after running out of bones, she resorts to a measure that only a mother can take. A luminous, moving fable, The Years, Months, Days—a bestselling classic in China and winner of the prestigious Lu Xun Literary Prize—tells of an elderly man who stays in his small village after a terrible drought forces everyone to leave. Unable to make the grueling march through the mountains, he becomes the lone inhabitant, along with a blind dog. Tending to a single ear of corn, and fending off the natural world from overtaking the village, every day is a victory over death. With touches of the fantastical, these two novellas—masterpieces of the form—reflect the universality of mankind’s will to live, live well, and live with purpose.

This “blistering satire” of modern China was a finalist for the Man Booker International Prize and a New York Times Editor’s Choice novel (Publishers Weekly, starred review). Lenin’s Kisses is set in modern day China, in the village of Liven. Nestled within the Balou Mountains, the people have enough food and leisure to be content—until their crops and livelihood are obliterated by a snowstorm in the middle of summer. Then a county official arrives with a peculiar plan. He wants to use the villagers to start a traveling performance troupe. Next, he’ll take the profits and buy Lenin’s embalmed corpse from Russia and install it in a mausoleum to attract tourism. But the success of the Shuanghuai County Special-Skills Performance Troupe comes at a serious price. Named a finalist for the 2013 Man Booker International Prize, Lenin’s Kisses is “a satirical masterpiece” (Kirkus) that was on Best Book of 2012 lists from the New Yorker, MacLeans, and Kirkus, and was also a New York Times Editors’ Choice.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • NPR • The Guardian • Kirkus Reviews • The fiction of multiple award–winning author China Miéville is powered by intelligence and imagination. Like George Saunders, Karen Russell, and David Mitchell, he pulls from a variety of genres with equal facility, employing the fantastic not to escape from reality but instead to interrogate it in provocative, unexpected ways. London awakes one morning to find itself besieged by a sky full of floating icebergs. Destroyed oil rigs, mysteriously reborn, clamber from the sea and onto the land, driven by an obscure purpose. An anatomy student cuts open a cadaver to discover impossibly intricate designs carved into a corpse’s bones—designs clearly present from birth, bearing mute testimony to . . . what? Of such concepts and unforgettable images are made the twenty-eight stories in this collection—many published here for the first time. By turns speculative, satirical, and heart-wrenching, fresh in form and language, and featuring a cast of damaged yet hopeful seekers who come face-to-face with the deep weirdness of the world—and at times the deeper weirdness of themselves—Three Moments of an Explosion is a fitting showcase for one of literature’s most original voices. Praise for Three Moments of an Explosion “China Miéville is dazzling. His latest collection of short stories, Three Moments of an Explosion, crowds virtuosity into every sentence.”—The New York Times “You can’t talk about [China] Miéville without using the word ‘brilliant.’ . . . His wit dazzles, his humour is lively, and the pure vitality of his imagination is astonishing.”—Ursula K. Le Guin, The Guardian “[A] gripping collection . . . Miéville expertly mixes science fiction, fantasy and surrealism. . . . Amid the longer stories are more cerebral, poetic flash pieces that will haunt the reader beyond the pages of this exceptional book.”—The Washington Post “The stories shine . . . with a winking brilliance.”—The Seattle Times “Mind-bending excursions into the fantastic.”—NPR “Bradbury meets Borges, with Lovecraft gibbering tumultuously just out of hearing.”—Kirkus Reviews (starred review) “Three Moments of an Explosion is a book filled with fabulous oddities.”—Entertainment Weekly “Miéville moves effortlessly among realism, fantasy, and surrealism. . . . His characters, whether ordinary witnesses to extraordinary events or lunatics operating out of inexplicable compulsions, are invariably well drawn and compelling.”—Publishers Weekly (starred review)