The Eyes Of The World

Orientations -- Prologue: an introduction to the personal, methodological, and spatiotemporal scales of the project -- The eyes of the world: themes of movement, visualization, and (dis)embodiment in Congolese digital minerals extraction (an introduction) -- Mining worlds. War stories: seeing the world through war ; The magic chain: interdimensional movement in the supply chain for the "Black Minerals" ; Mining futures in the ruins -- The eyes of the world on Bisie and the game of tags ; Bisie during the time of movement ; Insects of the forest ; The battle of Bisie ; Closure ; Game of tags: auditing the digital minerals supply chain ; Conclusion: chains, holes, and wormholes.

Just as the images on television are nothing more than light, so are our experiences merely the dance of awareness. Often we form attachments to or feel enslaved by these experiences. But they are only reflections. As easily as television pictures vanish when the channel is changed, the power of our experiences fades if we penetrate to the heart of reality—the light of the natural mind within everyone. You Are the Eyes of the World presents a method for discovering awareness everywhere, all the time. This book does not discuss how to turn ordinary life off, and it does not describe how to create beautiful spiritual experiences; it shows how to live within the source of all life, the unified field where experience takes place.

The Wheel of Times turns and Ages come and go, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again. In the Third Age, and Age of Prophecy, the World and Time themselves hang in the balance. What was, what will be, and what is, may yet fall under the Shadow.

“If your pictures aren’t good enough, you aren’t close enough.” –Robert Capa Robert Capa and Gerda Taro were young Jewish refugees, idealistic and in love. As photographers in the 1930s, they set off to capture their generation's most important struggle—the fight against fascism. Among the first to depict modern warfare, Capa, Taro, and their friend Chim took powerful photographs of the Spanish Civil War that went straight from the action to news magazines. They brought a human face to war with their iconic shots of a loving couple resting, a wary orphan, and, always, more and more refugees—people driven from their homes by bombs, guns, and planes. Today, our screens are flooded with images from around the world. But Capa and Taro were pioneers, bringing home the crises and dramas of their time—and helping give birth to the idea of bearing witness through technology. With a cast of characters ranging from Langston Hughes and George Orwell to Pablo Picasso and Ernest Hemingway, and packed with dramatic photos, posters, and cinematic magazine layouts, here is Capa and Taro’s riveting, tragic, and ultimately inspiring story. This thoroughly-researched and documented book can be worked into multiple aspects of the common core curriculum.

Eyes of the World: Grateful Dead Photography 1965 - 1995 is a large format coffee table book that will bring together, for the first time, a comprehensive collection of photographs from a wide range of photographers whose work has defined the Grateful Dead during their 30 year career. The focus of the book is to present these iconic, lesser-known and unseen images in an unfettered manner that will see them being presented as full page or two-page images on heavyweight paper across 272 oversized pages. Since Jerry Garcia's passing in 1995, the band's popularity has remained immense as evidenced by their continued merchandise sales, acclaimed 50th anniversary "Fare Thee Well" concerts in 2015 and highly anticipated documentary due out this May 2017. Among the photographers included are Herb Greene, Jim Marshall, David Gahr, Baron Wolman, Jay Blakesberg, Michael Putland, William Coupon, Michael O'Neill and Peter Simon, to name just a few. With support from the band's official archivist David Lemieux, Eyes of the World will stand the test of time to become the definitive visual reference of this "band beyond description."

Richard Blade’s autobiography is much more than a spotlight on any one decade. Instead, he gives you a jaw-dropping, uncensored insider’s look into the world of music, movies, and television and its biggest stars, starting in the sixties and continuing through to the new century. Richard takes you on a journey that few have experienced: from his early days as a student at Oxford to the wild, lascivious nights of being a disco DJ touring the clubs of Europe, to coming to America and working with Michael Jackson, Barbra Streisand, and Sarah Jessica Parker and finally breaking through into the L.A. radio scene and becoming the number one morning drive personality in California. From his TV and radio shows to his feature films and live gigs, Richard shares stories that have until now remained secret. His unique perspective will take you on the road with Depeche Mode, to Australia with Spandau Ballet, into the recording studio with Morrissey, and onto the main stage at Live Aid with Duran Duran. He opens up about his friendships with Michael Hutchence and George Michael, as well as his passionate love affair with Terri Nunn of Berlin. This is a no-holds-barred look at life, sex, and death, set to a pulsing backbeat of music. For the first time, Richard Blade shares his extraordinary story, allowing us to see the world through his eyes.

Mosul, Iraq, in the 1940s is a teeming, multiethnic city where Arabs, Kurds, Assyrians, Jews, Aramaeans, Turkmens, Yazidis, and Syriacs mingle in the ancient souks and alleyways. In these crowded streets, among rich and poor, educated and illiterate, pious and unbelieving, a boy is growing up. Burdened with chores from an early age, and afflicted with an older brother who persecutes him with mindless sadism, the child finds happiness only in stolen moments with his beloved older sister and with friends in the streets. Closest to his heart are three girls, encountered by chance: a Muslim, a Christian, and a Jew. After enriching the boy’s life immensely, all three meet tragic fates, leaving a wound in his heart that will not heal. A richly textured portrayal of Iraqi society before the upheavals of the late twentieth century, Saeed’s novel depicts a sensitive and loving child assailed by the cruelty of life. Sometimes defeated but never surrendering, he is sustained by his city and its people.

Where would you go? What would you do? Thinking there is only one last adventure to pursue? Sharing bits of our heart along the way, a cultural exchange awaits us. What do you say!? A beautiful journey spreading kindness and focusing on the global community, it's amazing what we can accomplish together in all of the places that we'll see.