The Fables Of Jesus In The Gospel Of Luke

This book hopes to bring out the teachings of Jesus' parables, with particular attention paid to the immediate contexts in which Luke puts his parables. These contexts, sometimes only just a sentence and sometimes originating from Jesus as well as from Luke, give the reader an essential guide to the sense of the parables. The nature of a parable, or comparison, is, by general agreement of exegetes, very often open to more than one interpretation. It is in this sizing up the inner possibilities of the parables to have them speak winningly to their audiences, together with the freedom belonging to an author and his desire to remain faithful to the mind of Jesus, that the author strives to interpret Luke's presentation of a large number of Jesus' parables. John Kilgallen, S.J, from Chicago, Illinois and a member of the Chicago Province of the Society of Jesus, is professor emeritus at the Pontifical Biblical Institute, Rome, where he has taught since 1988. He has a doctoral degree in Sacred Scripture (SSD) from the Biblical Institute, as well as a master's degree (MA Classics) from Loyola University Chicago.

Despite the striking frequency with which the Greek word kyrios, Lord, occurs in Luke's Gospel, this study is the first comprehensive analysis of Luke's use of this word. The analysis follows the use of kyrios in the Gospel from beginning to end in order to trace narratively the complex and deliberate development of Jesus' identity as Lord. Detailed attention to Luke's narrative artistry and his use of Mark demonstrates that Luke has a nuanced and sophisticated christology centered on Jesus' identity as Lord.

The Bible is literature as well as a sacred text. For this reason, the application of contemporary methods of literary criticism to the study of Scripture can yield rich benefits. Robert Karris' examination of Luke's Passion account exemplifies this approach. Karris argues that Luke reveals his theology through his artistry, particularly in the themes he chooses to develop and the means by which he does so. These themes provide Karris with an important insight into two questions: Why, in Luke's understanding, was Jesus crucified, and what was the significance of that death? Faithfulness is one more important theme Karris discovers in Luke's Gospel. Luke's Jesus portrays God as endlessly faithful, forgiving, and merciful, even to those unfaithful to him. Justice also surfaces as a clear theme in Luke. Jesus associated with outcasts and preached justice toward victims of his day. When the religious leaders of that time apposed this life-style of justice, Jesus assumed the role of the suffering righteous one. The author concludes by examining Luke's interest in the eating habits of Jesus. By no accident was Jesus slandered as a drunkard and glutton. Hies practice of eating with the unrighteous asserted that the seats at God's banquet table were reserved for the outcasts and the sinners. Karris's study shows that Luke saw the reason for Jesus's death to be rooted in the reason for his life. His conclusions will have value for both the student of Scripture and the individual or group interested in the issues of justice and society.

One of the most fundamental questions when reading and trying to understand New Testament texts is the question of genre. It is impossible to understand a text, its meaning and intention, in its proper historical setting if one does not understand its genre: As an example, interpreting a satirical text without understanding the genre would no doubt lead to grave misunderstandings. The same logic applies to texts from the New Testament, and the matter is complicated even further by the immense historical gap between the time of the genesis of the New Testament canon and now. The problem of the New Testament texts' genre(s) is therefore a vital area of scholarly discussion within international New Testament scholarship. The current volume utilizes the newest insights from current research on the New Testament to cast new light on the question of the genre of Mark's Gospel. Here, prominent international New Testament scholars discuss how we should understand the genre(s) of Mark's Gospel, thus making an important contribution to international scholarship on the Gospel of Mark as well as the Gospel genre in general.

In the spirit of Ludolph of Saxony (c. 1295–1378) and Ignatius of Loyola (1491–1556), The Fourfold Gospel invites the reader into the mystery of God’s redemption in Jesus Christ. All the parallel passages in the Gospels are glossed together, along with the unique material, using a medieval interpretive approach called the Quadriga or the acronym PaRDeS in Hebrew. Meditating on the literal, canonical, moral, and theological senses of Scripture offers a scaffolding for the spiritual formation of the reader. This volume focuses on the illuminative stage of discipleship, the goal of the parables, along with Jesus’s conflict with enemies and our mission.

The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave

Volume 18, 2022 This is the eighteenth volume of the hard-copy edition of a journal that has been published online (www.jgrchj.net) since 2000. As they appear, the hard-copy editions replace the online materials. The scope of JGRChJ is the texts, language and cultures of the Greco-Roman world of early Christianity and Judaism. The papers published in JGRChJ are designed to pay special attention to the larger picture of politics, culture, religion and language, engaging as well with modern theoretical approaches.