The Face Within

In "The Face Within" Sue Lester reveals how to identify and adjust your unconscious blueprint so you can change your situationat home and at work. Containing the ideal combination of practical exercises, fascinating stories and inspiring case studies, this book is an effective guide to smoothing your path through life. Gaining the clarity, confidence and motivation you desire is in your hands.

A fantasy classic by the author of The House with a Clock in Its Walls—basis for the Jack Black movie—and “a writer who knows what wizardry is all about” (Ursula K. Le Guin). A richly imaginative story of wizards stymied by a power beyond their control, A Face in the Frost combines the thrills of a horror novel with the inventiveness of fairy tale–inspired fantasy. Prospero, a tall, skinny misfit of a wizard, lives in the South Kingdom—a patchwork of feuding duchies and small manors, all loosely loyal to one figurehead king. Along with his necromancer friend Roger Bacon, who has been on a quest to find a mysterious book, Prospero must flee his home to escape ominous pursuers. Thus begins an adventure that will lead him to a grove where his old rival, Melichus, is falsely rumored to be buried and to a less-than-hospitable inn in the town of Five Dials—and ultimately into a dangerous battle with origins in a magical glass paperweight. Lin Carter called The Face in the Frost one of “the best fantasy novels to appear since The Lord of the Rings . . . Absolutely first class.” With a unique blend of humor and darkness, it remains one of the most beloved tales by the Edgar Award–nominated author also known for the long-running Lewis Barnavelt series.

Being a teenager in today's complex world is a difficult enough task, but adopted teens have a unique struggle: to discover their identity and a sense of belonging and place in the world, which often means coming to terms with their past. The Face in the Mirror, based on numerous interviews with adopted teens, adoptive parents, and birth parents, brings attention to the growing and often controversial phenomenon of teenagers wanting to know where they came from. The book, written for both teenagers and adults, is a frank discussion of the issues surrounding adoption, and in particular what adoptees, adoptive parents, and birth parents should know when adopted teens want to discover their past. The book also addresses the impact of cross-cultural or cross-racial adoption, as well as the legal parameters of adoption in the US and Canada, including the complex emotions involved. As written by Marion Crook, an adoptive parent herself and the author of previous books about teens, The Face in the Mirror articulates the complexity of adoption issues with candor and compassion.

A GLOBE AND MAIL BEST BOOK OF 2022 LONGLISTED FOR THE 2022 TORONTO BOOK AWARD “My mother is an artist and I am a liar. Or, if I scratch the surface, my mother is a sick woman and I am an actress . . .” Justine feels uneasy in her marriage, her theatre career and her relationship with her estranged mother, a famous painter. An intuitive and uncanny mimic, distinguished by a pronounced scar across her forehead (the result of a childhood accident), Justine has made acting the centre of her life since she was a teenager, but lately her outwardly charmed life in Toronto has begun to ring false. After a disastrous audition in London, England, a chance encounter with a stranger leads to an unorthodox business proposition that would allow Justine to abandon the world she knows indefinitely. As the complications and contradictions of leaving a life behind swell to the point of crisis, Justine must confront the collateral damage of a traumatic, long-repressed past. In psychologically astute prose full of provocative insights, My Face in the Light is a piercing, poignant novel about truth in art and identity. It’s the story of a young woman owning up to the lies she’s fallen in love with, and figuring out if she can still recognize herself when she finally lets them go.

In 2005, surgeons in France removed part of the face from a cadaver and grafted it onto the head of a 38-year-old woman grossly disfigured by a dog attack. Three years later, in December, 2008, surgeons at the Cleveland Clinic announced they had performed the first U.S. face transplant. Although modern culture is accustomed to pushing medicine and the human body beyond all limits, the world's first partial face transplant and the seven that have followed have caused a stir that still reverberates globally. This book begins with the story of Isabelle Dinoire, the recipient of the first face transplant, and chronicles her surgery and battles with tissue rejection. Its scope widens with a look at how surgical teams, including three U.S. transplant teams, are in a global race to perform the first full face transplant, and at how medical history has led up to this point—with prior successful transplants ranging from body parts as simple as cornea to those as neurologically complicated as the heart, a hand, and a penis. The most novel among these surgeries—the face transplant—conjures up particular and expansive psychological issues. Authors Bluhm and Clendenin show how transplant recipients struggle with functional issues including a lifetime of anti-rejection drugs, a danger highlighted by the recent death of the second face transplant patient, in China. But just as challenging in the case of face transplant is the psychological effect on—and potential threat to—identity. Who are you, if suddenly your face—or a significant portion of it—is not what you were born with? What is it like to look in the mirror, and see a face that is not the one you have always had? Dinoire lamented, "It will never be me." That statement is an absolute simplification of the identity issues a face transplant can create, explain the authors. Bluhm and Clendenin show how, across history and media, humankind—via medicine, literature, film, and other media—has dreamed of a day when face transplants would be possible. With so many disfigurements occurring among the military in Iraq, and experimental face transplants too expensive for implementation in the private sector, it is likely that the U.S. military will take the reins and further face transplant techniques as quickly as possible to serve injured personnel.

This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare.

Follows the adventures of Talia as she travels the land as a Herald of Valdemar in the second book in the classic epic fantasy Arrows trilogy Talia could scarcely believe that she had finally earned the rank of full Herald. Yet though this seemed like the fulfillment of all her dreams, it also meant she would face trials far greater than those she had previously survived. For now Talia must ride forth to patrol the kingdom of Valdemar, dispending Herald's justice throughout the land. But in this realm beset by dangerous unrest, enforcing her rulings would require all the courage and skill Talia could command—for if she misused her own special powers, both she and Valdemar would pay the price!

Taking its cue from Mark Nation's regret that John Howard Yoder refrained from a fuller engagement with the Western philosophical tradition, this book is an effort to explore the possibilities inherent in that conversation. It develops a dialogue between Yoder and the French philosopher Emmanuel Levinas. The placement of Yoder's work alongside of Levinas' conception of otherness cashes out the embedded hope in Nation's remarks by demonstrating the continuing relevancy of Yoder's thought for current Christian sociopolitical discourse. This book is especially aimed at those who seek to continue exploring the themes and ideas of John Howard Yoder.