The Fated Prophecy

The bloodline is told to be extinct with the death of the one and only female born. Males are still being born, but do not carry the magic. Will another female be created to begin the prophecy? There are many versions of this prophecy. Most of the books say this female will bare a son. Saying he will be powerful, even more so than his ancestors. What if she were to have a daughter? One man will vow to steal her, mark her, mate with her and use her to bare his pups when she is eighteen like the prophecy states it should happen. He believes those actions will give him the power he has always wanted. With others helping to try and steal the child, the Alpha and Luna have no choice to hide her. This child will grow up in the human world, not knowing what she is until her shift at sixteen. The child wonders about the dreams she has. Another family? What about the wolves? Who are Callie and Harvey? Who gave her the teddy bear? It was left with her when I was found at the fire station. It had her name on it Celeste Heaven. That's my name. She wonders who named her? A relative? She doesn't know her given last name, but her adopted last name is Keene. Will she ever meet my birth parents? Ask them why they left her the way they did? Did they even love her? She has a feeling that there is more, she is meant for more. She has an eidetic memory and too smart for her own good sometimes. Her adoptive parents call it ambition. There is a big piece of her that is missing, she wonders if she will ever find out? What happens when she finds out what she really is? Will she accept it? Will she be alone when it all happens? And what will happen when the man she falls for as teenager finds out they are destined mates? Will he accept her? All things must align if the power she holds is to be released within her. But, with free will can Celeste and her destined mate be able to fulfill the requirements they will know nothing about?

Remember when End Time Rewind warned you not to fall for the Doomsday-Rapture theories of Dispensational Premillennialism and their Zionist partners? Well, now that we've survived John Hagee's Four Blood Moons, Jonathan Cahn's Super Shemitah, and the menacing tentacles of the now defunct European Union and Islamic State (the supposed Beast Kingdoms of Revelation 17), the Futurist's next false claim centers around the 70-year anniversary of Israel's founding. Is the Jewish State really the prophetic clock by which God aligns world events and the return of Christ? Many Doomsday-Rapture forecasts have been put forth in the name of Futurism since the 2nd-century AD, none of which have come to fruition. This is disconcerting, because failed predictions and false expectations promoted by our Christian counterparts diminishes the credibility of the Bible and scars the reputation and integrity of the Prophetic Office of Jesus Christ. The age-old, tried-and-true Orthodox (aka Partial or Classical) Preterist approach maintains that the majority of Bible prophecies were already fulfilled by the end of the first century AD, and included Jesus' appearing in an Old Testament-styled, non-physical manifestation with power and great glory. All that remains to be accomplished in the future is for Jesus Christ to physically return to raise the dead (which is when the rapture also occurs), preside over the final judgment, and create a new heaven and earth devoid of sin and death where the new and holy Jerusalem from heaven descends (as per Revelation 20:7 - Revelation 22:5).

Prophecy, Fate and Memory in the Early and Medieval Celtic World brings together a collection of studies that closely explore aspects of culture and history of Celtic-speaking nations. Non-narrative sources and cross-disciplinary approaches shed new light on traditional questions concerning commemoration,sources of political authority, and the nature of religious identity. Leading scholars and early-career researchers bring to bear hermeneutics from studies of religion and literary criticism alongside more traditional philological and historical methodologies. All the studies in this book bring to their particular tasks an acknowledgement of the importance of religion in the worldview of antiquity and the Middle Ages. Their approaches reflect a critical turn in Celtic studies that has proved immensely productive across the last two decades.

Aune's comprehensive study of early Christian prophecy includes a review of its antecedents (Greco-Roman oracles, ancient Israelite prophecy, prophecy in early Judaism), a discussion of Jesus as prophet, and analyses of Christian prophetic speeches from Paul to the middle of the second century A.D. The most detailed study of early Christian prophecy written, Aune's book places the phenomenon of early Christian prophecy within the larger Greco-Roman world.

Fate of the Fallen is the start of a brand new adventure from New York Times bestselling author Kel Kade Not all stories have happy endings. Everyone loves Mathias. Naturally, when he discovers it’s his destiny to save the world, he dives in head first, pulling his best friend Aaslo along for the ride. However, saving the world isn’t as easy, or exciting, as it sounds in the stories. The going gets rough and folks start to believe their best chance for survival is to surrender to the forces of evil, which isn’t how the prophecy goes. At all. As the list of allies grows thin, and the friends find themselves staring death in the face they must decide how to become the heroes they were destined to be or, failing that, how to survive. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”

On the first day of her new school all that shy, wounded Eden wants is to finish her senior year and escape to college. It can't be too much to ask for, can it? Noah has spent two years not knowing why he failed to come of age as every one of his ancestors has. Two years drifting aimlessly, searching for direction... When the two meet the connection is instantaneous and undeniable. A connection that has Eden running and Noah burning to know more. A connection destined to be the catalyst for a prophecy that neither knew existed. A prophecy others are willing to kill for. As families rupture and struggle to realign, as their hearts connect and ignite, Eden learns to trust. But with their love and life on the line, Eden must find the power to believe. Prophecy Awakened is the first book in Tamar Sloan's Prime Prophecy Series. If you enjoyed Stephanie Meyer, Lauren Kate or Maggie Stiefvater, then you'll love a series that captures their best traits in an epic, captivating story of a love that defies boundaries.

Origen is frequently hailed as the most important Christian writer of his period (c.185-c.255 AD), and the first systematic theologian. Origen and Prophecy: Fate, Authority, Allegory, and the Structure of Scripture examines whether there was a system to Origen's thinking about prophecy. How were all of these quite different topics - future-telling, moral leadership, mystical revelation - contained in the single word 'prophecy'? Origen and Prophecy presents a new account of Origen's concept of prophecy which takes its cue from the structure of Origen's thinking about scripture. He claims that scripture can be read in three different senses: the straightforward, or 'somatic' (bodily) sense; the moral, or 'psychic' (soul-ish) sense; and the mystical, or 'pneumatic' (spiritual) sense. This threefold structure, says Origen, underpins all of scripture and is intimately linked through Christ with the structure of the Holy Trinity. This book illustrates how Origen thought about prophecy using the same threefold structure, with somatic (future-telling), psychic (moral), and pneumatic (mystical revelatory) senses. The chapters weave through several centuries of Greek pagan, Jewish, and Christian thinking about prophecy, divination, time, human nature, autonomy and freedom, allegory and metaphor, and the role of the divine in the order and structure of the cosmos.