The Father Mother And Son

Verena Kast's Father-Daughter, Mother-Son was first published by Element Books in 1997. Since then, it has become a classic read for those adventuring into Carl Gustav Jung ́s concept of complexes—what they are, how they affect our life and shape our relationships— and for those wanting to understand more about the relationship between fathers and daughters, and mothers and sons—of whatever sex and gender. This book is not only a must read for psychoanalysts and psychologists, but it is also comprehensible and very useful for those that have little knowledge about this field and those eager to know more about themselves. This book is the first of the series titled Jungianeum: Re-Covered Classics in Analytical Psychology curated by Stefano Carpani.

An ancestral love story revealed through a philosophy that is handed down between three generations of violent men in the most unexpected way. Their early lives are desperate with no love or care and lacking positive direction. This miss management of parental love produces violent lost characters, who act out their daily lives in a familiar way to what they know. Their insane upbringing, coupled by their actions, finally comes to a head when they’re imprisoned. A convicted murderer hands his vocational council on life down to a young Mac and the result is the transformation of his character. This sacred oral form of communication has been received in this way since the birth of time, bringing peace to the troubled mind of the individual. Mac the main character takes decades before the message is revealed and understood but Lip a much shorter time. As this knowledge is passed on, we see it grow and evolve with each man before accumulating and manifesting in the trial of Lip. Accused of three deaths, he shows age and wisdom beyond his years in his dual with all around him. Their wish is to kill or imprison him for the rest of his natural life. We follow him through the depths of despair and madness before direction appears giving guidance from his tortuous ways. At first it comes in the form of vengeance and retribution, whilst walking his vengeful path he begins the search for his own killer having no desire to live in a world without love. We follow him as he traverses the lines between sanity and insanity that will surprise you and make you question which was insane – the accused on trial or his accusers. This ancient way of living breaks their recognisable moulds and destroys their devilish characters before transcending them into something unrecognisable in the modern world. This rare energy is only spoken about but very rarely experienced in religion and not acknowledged outside the rules and stipulations of these devout organisations. Yet these men have come through all the demands and tribulations of life, to stand alone without the dual conscious of a disturbed mind.

The Mother Anne loved the time in her life when she prepared breakfast each morning for her two young children. Years later, spending hours alone, Anne convinces herself that her husband is having an affair. If only her son were to break-up with his girlfriend. He would return home and come down for breakfast. She would put on her new red dress and they would go out. The Mother, in this English translation by Christopher Hampton, was commissioned by the Ustinov Studio, Theatre Royal, Bath, and premiered in May 2015. Florian Zeller's The Mother was awarded the Moliere Award for Best Play 2011. The Father 'A wonderfully peculiar, quietly stunning depiction of dementia... A controlled, unforgettable portrait of losing your memory.' Times 'A vivid, lucent translation by Christopher Hampton.' Observer 'One of the most acute, absorbing and distressing portraits of dementia I've ever seen.' Daily Telegraph 'A play that constantly confounds expectations and works almost like a thriller, with a sinister Pinteresque edge.' Guardian The Father, in this English translation by Christopher Hampton, was commissioned by the Ustinov Studio, Theatre Royal, Bath and premiered in October 2014. The production transferred to the Tricycle Theatre, London, in May 2015. Florian Zeller's The Father was awarded the Moliere Award for Best Play 2014.

The perfect gift for parents this Father’s Day: a beautiful, gut-wrenching memoir of Irish identity, fatherhood, and what we owe to the past. “A heartbreaking and redemptive book, written with courage and grace.” –J.D. Vance, author of Hillbilly Elegy “…a lovely little book.” –Ross Douthat, The New York Times The child of an Irish man and an Irish-American woman who split up before he was born, Michael Brendan Dougherty grew up with an acute sense of absence. He was raised in New Jersey by his hard-working single mother, who gave him a passion for Ireland, the land of her roots and the home of Michael's father. She put him to bed using little phrases in the Irish language, sang traditional songs, and filled their home with a romantic vision of a homeland over the horizon. Every few years, his father returned from Dublin for a visit, but those encounters were never long enough. Devastated by his father's departures, Michael eventually consoled himself by believing that fatherhood was best understood as a check in the mail. Wearied by the Irish kitsch of the 1990s, he began to reject his mother's Irish nationalism as a romantic myth. Years later, when Michael found out that he would soon be a father himself, he could no longer afford to be jaded; he would need to tell his daughter who she is and where she comes from. He immediately re-immersed himself in the biographies of firebrands like Patrick Pearse and studied the Irish language. And he decided to reconnect with the man who had left him behind, and the nation just over the horizon. He began writing letters to his father about what he remembered, missed, and longed for. Those letters would become this book. Along the way, Michael realized that his longings were shared by many Americans of every ethnicity and background. So many of us these days lack a clear sense of our cultural origins or even a vocabulary for expressing this lack--so we avoid talking about our roots altogether. As a result, the traditional sense of pride has started to feel foreign and dangerous; we've become great consumers of cultural kitsch, but useless conservators of our true history. In these deeply felt and fascinating letters, Dougherty goes beyond his family's story to share a fascinating meditation on the meaning of identity in America.

An intense account of Adam’s life and legacy, Soar, Adam, Soar is told both by his loving priest-turned-dad and by Adam himself, through his many included Facebook posts.

When Arkady Petrovich comes home from college, his father finds his eager, naive son changed almost beyond recognition, for the impressionable Arkady has fallen under the powerful influence of the friend he has brought with him. A self-proclaimed nihilist, the ardent young Bazarov shocks Arkady's father by criticizing the landowning way of life and by his outspoken determination to sweep away traditional values of contemporary Russian society. Turgenev's depiction of the conflict between generations and their ideals stunned readers when Fathers and Sons was first published in 1862. But many could also sympathize with Arkady's fascination with its nihilist hero whose story vividly captures the hopes and regrets of a changing Russia.