The Feminist Film Guide

Become a film buff and enjoy your night in with this guide to feminist approved films. Have you noticed something about every “100 Greatest Movies Ever Made,” or “100 Films to See Before You Die” list? The people in those movies … they’re almost all men. With so much incredible cinema to choose from, there’s only so many movies you can watch about bunch of white guys struggling with their daddy issues, right? It’s time to push past the male gatekeepers of what makes a movie “great” or “culturally significant” and get a broader view of what’s out there. This curated selection of great films spans eras and genres, from the overlooked female trail-blazers of the silent era and the iconic triple-threat performers of classic Hollywood, to the gun-toting rebels of the ’80s and ’90s and the funny women absolutely dominating comedy in the new millennium. The Feminist Film Guide offers a fresh take on what defines great cinema and lends a voice to the female creators and characters who’ve defined the artform.

Female directors, screenwriters, producers--who are they and what films have they made? At last there are answers to these and other questions in a unique guide that, for the first time, charts the history of film from a feminist perspective. More than 80 film experts have contributed 600 essays on every aspect of women in film. Photos.

What happens when white people look at non-whites? What happens when the gaze is returned? Looking for the Other responds to criticisms leveled at white feminist film theory of the 1970s and 1980s for its neglect of issues to do with race. It focuses attention on the male gaze across cultures, as illustrated by women filmmakers of color whose films deal with travel. Looking relations are determined by history, tradition, myth; by national identity, power hierarchies, politics, economics, geographical and other environment. Travel implicitly involves looking at, and looking relations with, peoples different from oneself. Featured films include Birth of a Nation, The Cat People, Home of the Brave, Black Narcissus, Chocolat, and Warrior Marks. Featured filmmakers include D.W.Griffith, Jacques Tourneur, Michael Powell, Julie Dash, Pratibha Parmar, Trinh T. Min-ha, and Claire Denis.

Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema examines the way that contemporary film reflects today’s changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of femininity as well as masculinity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities. The volume contains essays by following contributors: Taunya Lovell Banks, Heather Brook, Mridula Nath Chakraborty, Michael DeAngelis, Barry Keith Grant, Kelly Kessler, Hannah Hamad, Christina Lane (with Nicole Richter), JaneMaree Maher, David Hansen-Miller (with Rosalind Gill), Gary Needham, Sarah Projansky, Hilary Radner, Rob Schaap, Yael D Sherman, Michele Shreiber, Janet Staiger, Peter Stapleton, Rebecca Stringer, Yvonne Tasker, and Ewa Ziarek.

This book is aimed at helping media and film studies teachers introduce the basics of feminist film theory. No prior knowledge of feminist theory is required, the intended readers being university undergraduate teachers and students of film and media studies. Areas of emphasis include spectatorship, narrative, and ideology. Many illustrative case studies from popular cinema are used to offer students an opportunity to consider the connotations of visual and aural elements of film, narrative conflicts and oppositions, the implications of spectator “positioning” and viewer identification, and an ideological critical approach to film. Explanations of key terminology are included, along with classroom exercises and practice questions. Each chapter begins with key definitions and explanations of the concepts to be studied, including some historical background where relevant. Case studies include film noir, Kathryn Bigelow’s Strange Days and the work of directors Spike Lee, Claire Denis, and Paul Verhoeven. Studying Feminist Film Theory is a revised and expanded version of Feminist Film Studies: A Teacher’s Guide, published by Auteur in 2007.

Part journalistic chronicle, part memoir, and 100% pure cultural historical odyssey, "Chick Flicks" captures the birth and growth of feminist film as no other book has done. 22 photos.

“May God grant me the serenity to accept the color pink, the courage to not let my house become a shrine to pink and princesses, and the wisdom to know that pink is just a color, not a decision to never attend college in the hopes of marrying wealthy.” - from The Feminist’s Guide to Raising a Little Princess Smart, funny, and thought-provoking, this book shows feminist parents how to navigate their daughters' princess-obsessed years by taking a non-judgmental and positive approach. Devorah Blachor, an ardent feminist, never expected to be the parent of a little girl who was totally obsessed with the color pink, princesses, and all things girly. When her three-year-old daughter fell down the Disney Princess rabbit hole, she wasn't sure how to reconcile the difference between her parental expectations and the reality of her daughter’s passion. In this book inspired by her viral New York Times Motherlode piece “Turn Your Princess-Obsessed Toddler Into a Feminist in Eight Easy Steps,” Blachor offers insight, advice, and plenty of humor and personal anecdotes for other mothers who cringe each morning when their daughter refuses to wear anything that isn’t pink. Her story of how she surrendered control and opened up—to her Princess Toddler, to pink, and to life—is a universal tale of modern parenting. She addresses important issues such as how to raise a daughter in a society that pressures girls and women to bury their own needs, conform to a beauty standard and sacrifice their own passions.

This book is aimed at helping media and film studies teachers introduce the basics of feminist film theory, a complex area that is nonetheless essential for studying the moving image. No prior knowledge of the theory is required as author Terri Murray explains key terminology and the contributions of influential authors whose seminal texts have influenced understanding of gender representation in the visual media, such as John Berger and Laura Mulvey, all illustrated with useful case studies. Films and filmmakers discussed include Blonde Venus, Psycho, Double Indemnity, Mildred Pierce, The Last Seduction, Strange Days, Beau Travail, and 'unexpected heroes' of feminist film--Paul Verhoeven (Basic Instinct) and Spike Lee (She Hate Me).