The Feud

The gripping new history of the most famous blood feud in American history, by the bestselling author of Skeletons on the Zahara. For more than a century, the enduring feud between the Hatfields and the McCoys has been American shorthand for passionate, unyielding, and even violent confrontation. Yet despite numerous articles, books, television shows, and feature films, nobody has ever told the in-depth true story of this legendarily fierce-and far-reaching-clash in the heart of Appalachia. Drawing upon years of original research, including the discovery of previously lost and ignored documents and interviews with relatives of both families, bestselling author Dean King finally gives us the full, unvarnished tale, one vastly more enthralling than the myth. Unlike previous accounts, King's begins in the mid-nineteenth century, when the Hatfields and McCoys lived side-by-side in relative harmony. Theirs was a hardscrabble life of farming and hunting, timbering and moonshining-and raising large and boisterous families-in the rugged hollows and hills of Virginia and Kentucky. Cut off from much of the outside world, these descendants of Scots-Irish and English pioneers spoke a language many Americans would find hard to understand. Yet contrary to popular belief, the Hatfields and McCoys were established and influential landowners who had intermarried and worked together for decades. When the Civil War came, and the outside world crashed into their lives, family members were forced to choose sides. After the war, the lines that had been drawn remained-and the violence not only lived on but became personal. By the time the fury finally subsided, a dozen family members would be in the grave. The hostilities grew to be a national spectacle, and the cycle of killing, kidnapping, stalking by bounty hunters, and skirmishing between governors spawned a legal battle that went all the way to the United States Supreme Court and still influences us today. Filled with bitter quarrels, reckless affairs, treacherous betrayals, relentless mercenaries, and courageous detectives, THE FEUD is the riveting story of two frontier families struggling for survival within the narrow confines of an unforgiving land. It is a formative American tale, and in it, we see the reflection of our own family bonds and the lengths to which we might go in order to defend our honor, our loyalties, and our livelihood.

"In 1940 Edmund Wilson was the undisputed big dog of American letters. Vladimir Nabokov was a near-penniless Russian exile seeking asylum in the States. Wilson became a mentor to Nabokov, introducing him to every editor of note, assigning reviews for The New Republic, engineering a Guggenheim. Their intimate friendship blossomed over a shared interest in all things Russian, ruffled a bit by political disagreements. But then came Lolita, and suddenly Nabokov was the big (and very rich) dog. Finally the feud erupted in full when Nabokov published his hugely footnoted and virtually unreadable literal translation of Pushkin's famously untranslatable verse novel Eugene Onegin. Wilson attacked his friend's translation with hammer and tong in the New York Review of Books. Nabokov counterattacked in the same publication. Back and forth the increasingly aggressive letters volleyed until their friendship was reduced to ashes by the narcissism of small differences"--

The Hatfield-McCoy feud, the entertaining subject of comic strips, popular songs, movies, and television, has long been a part of American folklore and legend. Ironically, the extraordinary endurance of the myth that has grown up around the Hatfields and McCoys has obscured the consideration of the feud as a serious historical event. In this study, Altina Waller tells the real story of the Hatfields and McCoys and the Tug Valley of West Virginia and Kentucky, placing the feud in the context of community and regional change in the era of industrialization. Waller argues that the legendary feud was not an outgrowth of an inherently violent mountain culture but rather one manifestation of a contest for social and economic control between local people and outside industrial capitalists -- the Hatfields were defending community autonomy while the McCoys were allied with the forces of industrial capitalism. Profiling the colorful feudists "Devil Anse" Hatfield, "Old Ranel" McCoy, "Bad" Frank Phillips, and the ill-fated lovers Roseanna McCoy and Johnse Hatfield, Waller illustrates how Appalachians both shaped and responded to the new economic and social order.

Newspaper reporter Blake Murphy set out to write a story about a shooting in the small town where he was born and raised. The shooting is the latest episode in a feud between two families that has been going on since the Civil War. With help from an elderly former slave, he learns the root cause of the feud, a tragic event that occurred when the son of each family fought on opposite sides during the Civil War. While learning about the people involved in the feud, and the anguish it brought both families, he also learns a long held secret that could change his life forever.

Marauding outlaws, or violent rebels still bent on fighting the Civil War? For decades, the so-called “Taylor-Sutton feud” has been seen as a bloody vendetta between two opposing gangs of Texas gunfighters. However, historian James M. Smallwood here shows that what seemed to be random lawlessness can be interpreted as a pattern of rebellion by a loose confederation of desperadoes who found common cause in their hatred of the Reconstruction government in Texas. Between the 1850s and 1880, almost 200 men rode at one time or another with Creed Taylor and his family through a forty-five-county area of Texas, stealing and killing almost at will, despite heated and often violent opposition from pro-Union law enforcement officials, often led by William Sutton. From 1871 until his eventual arrest, notorious outlaw John Wesley Hardin served as enforcer for the Taylors. In 1874 in the streets of Comanche, Texas, on his twenty-first birthday, Hardin and two other members of the Taylor ring gunned down Brown County Deputy Charlie Webb. This cold-blooded killing—one among many—marked the beginning of the end for the Taylor ring, and Hardin eventually went to the penitentiary as a result. The Feud That Wasn’t reinforces the interpretation that Reconstruction was actually just a continuation of the Civil War in another guise, a thesis Smallwood has advanced in other books and articles. He chronicles in vivid detail the cattle rustling, horse thieving, killing sprees, and attacks on law officials perpetrated by the loosely knit Taylor ring, drawing a composite picture of a group of anti-Reconstruction hoodlums who at various times banded together for criminal purposes. Western historians and those interested in gunfighters and lawmen will heartily enjoy this colorful and meticulously researched narrative.

This groundbreaking book explains the widely accepted practice of feuding amongst noblemen and princes in its social context.

"Mutual Contempt is at once a fascinating study in character and an illuminating meditation on the role character can play in shaping history."—Michiko Kakutani, New York Times Lyndon Johnson and Robert Kennedy loathed each other. Their antagonism, propelled by clashing personalities, contrasting views, and a deep, abiding animosity, would drive them to a bitterness so deep that even civil conversation was often impossible. Played out against the backdrop of the turbulent 1960s, theirs was a monumental political battle that would shape federal policy, fracture the Democratic party, and have a lasting effect on the politics of our times. Drawing on previously unexamined recordings and documents, as well as memoirs, biographies, and scores of personal interviews, Jeff Shesol weaves the threads of this epic story into a compelling narrative that reflects the impact of LBJ and RFK's tumultuous relationship on politics, civil rights, the war on poverty, and the war in Vietnam. As Publishers Weekly noted, "This is indispensable reading for both experts on the period and newcomers to the history of that decade." "An exhaustive and fascinating history. . . . Shesol's grasp of the era's history is sure, his tale often entertaining, and his research awesome."—Russell Baker, New York Review of Books "Thorough, provocative. . . . The story assumes the dimensions of a great drama played out on a stage too vast to comprehend."—Jonathan Yardley, Washington Post (1997 Critic's Choice) "This is the most gripping political book of recent years."—Arthur Schlesinger, Jr. A New York Times Notable Book of the Year