The First And Final Story

All Bea’s done is make mistakes. Now her friends are paying the price... Once upon a time, a lowly cabbage fairy ran away to Ӕnathlin, the last surviving city of the fae, centre of the stories, and home of the General Administration. She was going to be the first fairy to become a godmother and run the best Plots anyone had ever seen. Only things didn’t work out like that. Not even close. Banished and alone, Bea’s only solace is that she can’t cause any more harm to the people she loves. Until her path crosses two old friends: a genie on a journey of redemption and an elf with delusional optimism. Now she has to get all three of them safely through the treacherous Sheltering Forest if she’s ever to find the mythical Pathways Tree. Bea knows she’s not the fairy for the job. Every decision she’s made has led to disaster. But with the fate of the world on her shoulders, what choice does she have? Packed full of wit and imagination, The First and Final Story is the thrilling fifth instalment of the bestselling fantasy series, The Pathways Tree by award-winning author F. D. Lee. Please note this book is written in British English. This book will be available until 31st October 2023, when it will move to Kindle Unlimited.

Behind the Short Story provides the inside scoop on how a successful story emerges from first to final draft with illuminating short stories and specific craft advice from 27 of America's best short story authors and fiction-writing teachers. The text compiles critical analysis techniques, writing exercises, representative stories, and useful insights into the writing process from award-winning, student-oriented teachers who are also successful short story writers. Covering the process of writing and elements of fiction at the same time, unique craft commentaries explore the decisions writers make on issues of structure, character, setting, etc. and offer practical suggestions for pre-writing, drafting, and revising.

A moving reflection on a subject that touches us all, by the bestselling author of Claire of the Sea Light Edwidge Danticat’s The Art of Death: Writing the Final Story is at once a personal account of her mother dying from cancer and a deeply considered reckoning with the ways that other writers have approached death in their own work. “Writing has been the primary way I have tried to make sense of my losses,” Danticat notes in her introduction. “I have been writing about death for as long as I have been writing.” The book moves outward from the shock of her mother’s diagnosis and sifts through Danticat’s writing life and personal history, all the while shifting fluidly from examples that range from Gabriel García Márquez’s One Hundred Years of Solitude to Toni Morrison’s Sula. The narrative, which continually circles the many incarnations of death from individual to large-scale catastrophes, culminates in a beautiful, heartrending prayer in the voice of Danticat’s mother. A moving tribute and a work of astute criticism, The Art of Death is a book that will profoundly alter all who encounter it.

Alex and Conner Bailey's world is about to change. When the twins' grandmother gives them a treasured fairy-tale book, they have no idea they're about to enter a land beyond all imagining: the Land of Stories, where fairy tales are real. But as Alex and Conner soon discover, the stories they know so well haven't ended in this magical land - Goldilocks is now a wanted fugitive, Red Riding Hood has her own kingdom, and Queen Cinderella is about to become a mother! The twins know they must get back home somehow. But with the legendary Evil Queen hot on their trail, will they ever find the way? The Land of Stories: The Wishing Spell brings readers on a thrilling quest filled with magic spells, laugh-out-loud humour and page-turning adventure.

Towards a Final Story is the first history of the modern scientific epic. These epic stories pull together our knowledge of the universe, uniting material and biological origins, from beginning to end. The authors of these epics--among them Carl Sagan, E.O. Wilson, and Steven Weinberg--saw their task as providing an integrated schema that would not only bring together but also go beyond the particular scientific results and disciplines available as they wrote their histories. Nasser Zakariya traces how such epic stories could achieve what they claimed, how they inhabit culture and politics, and how they arrived at the present moment from a period in the previous century when inquiries into ultimate origins were regarded by many as unscientific and unanswerable. These prominent, popular historical narratives of science are important forms of knowledge in their own right. They expose what science means in the wider culture and at the same time focus attention on the near paradoxical nature of a universal history narrated by humanity for humanity.

This is a casebook on Louise Erdrich's first novel, Love Medicine, which came out in 1984 to instant national acclaim, winning a National Book Circle Critics Award and launching a tetralogy which it would take Erdrich ten years to complete.

Popular science readers embrace epics—the sweeping stories that claim to tell the history of all the universe, from the cosmological to the biological to the social. And the appeal is understandable: in writing these works, authors such as E. O. Wilson or Steven Weinberg deliberately seek to move beyond particular disciplines, to create a compelling story weaving together natural historical events, scientific endeavor, human discovery, and contemporary existential concerns. In AFinal Story, Nasser Zakariya delves into the origins and ambitions of these scientific epics, from the nineteenth century to the present, to see what they reveal about the relationship between storytelling, integrated scientific knowledge, and historical method. While seeking to transcend the perspectives of their own eras, the authors of the epics and the debates surrounding them are embedded in political and social struggles of their own times, struggles to which the epics in turn respond. In attempts to narrate an approach to a final, true account, these synthesizing efforts shape and orient scientific developments old and new. By looking closely at the composition of science epics and the related genres developed along with them, we are able to view the historical narrative of science as a form of knowledge itself, one that discloses much about the development of our understanding of and relationship to science over time.