The First To Lie

USA TODAY BESTSELLER! Bestselling and award-winning author and investigative reporter Hank Phillippi Ryan delivers another twisty, thrilling, cat and mouse novel of suspense that will have you guessing, and second-guessing, and then gasping with surprise. We all have our reasons for being who we are—but what if being someone else could get you what you want? After a devastating betrayal, a young woman sets off on an obsessive path to justice, no matter what dark family secrets are revealed. What she doesn’t know is that she isn’t the only one plotting her revenge. An affluent daughter of privilege. A glamorous manipulative wannabe. A determined reporter, in too deep. A grieving widow who must choose her new reality. Who will be the first to lie? And when the stakes are life and death, do a few lies really matter? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

An e-original short story that sets the stage for bestselling author Diane Chamberlain's novel Necessary Lies (September 2013). The First Lie gives readers an early glimpse into the life of thirteen-year-old Ivy Hart. It's 1958 in rural North Carolina, where Ivy lives with her grandmother and sister on a tobacco farm. As tenant farmers, Ivy and her family don't have much freedom, though she and her best friend, Henry, often sneak away in search of adventure...and their truest selves. But life on the farm takes a turn when Ivy's teenage sister gives birth—all the while maintaining her silence about the baby's father. Soon Ivy finds herself navigating the space between adolescence and adulthood as she tries to unravel a dark web of family secrets and make sense of her ever-evolving life in the segregated South. Advance praise for Diane Chamberlain's Necessary Lies: "It will steal your heart."—Katrina Kittle, author of The Blessings of the Animals "An emotional powerhouse." —Mary Alice Monroe, New York Times bestselling author of Beach House Memories "Enthralling...[it] transfixed me from the very first pages, and its vivid and sympathetic characters haunted me long after the last."—Christina Schwarz, New York Times bestselling author of Drowning Ruth

We've all had sleepless nights thinking about it. You're home alone. Someone breaks in. In defending yourself, you end up killing the intruder. Now you're the one the police want. That is the situation that criminal barrister Paul Reeve arrives home to find. His wife Alice stands in the bathroom, clutching a bloodied letter opener in her shaking hand. "What have you done, Alice?" "I didn't have a choice..." We would all believe the person we love most. But would we all make the same choice Paul and Alice make next...?

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

The award-winning, bestselling French novel by Philippe Besson—“the French Brokeback Mountain” (Elle)—about an affair between two teenage boys in 1984 France, translated with subtle beauty and haunting lyricism by the iconic and internationally acclaimed actress/writer Molly Ringwald. We drive at high speed along back roads, through woods, vineyards, and oat fields. The bike smells like gasoline and makes a lot of noise, and sometimes I’m frightened when the wheels slip on the gravel on the dirt road, but the only thing that matters is that I’m holding on to him, that I’m holding on to him outside. Just outside a hotel in Bordeaux, Philippe chances upon a young man who bears a striking resemblance to his first love. What follows is a look back at the relationship he’s never forgotten, a hidden affair with a gorgeous boy named Thomas during their last year of high school. Without ever acknowledging they know each other in the halls, they steal time to meet in secret, carrying on a passionate, world-altering affair. Dazzlingly rendered in English by Ringwald in her first-ever translation, Besson’s powerfully moving coming-of-age story captures the eroticism and tenderness of first love—and the heartbreaking passage of time.

“A stunning portrayal of platonic love, the forces that push people apart, and the pains of growing out into the world. The plot unravels slowly, woven in beautiful prose.” — Kirkus Reviews “Miller’s style is languid and portentous...This is for readers who enjoy poetic, character-driven fiction and don’t mind some gauziness to their grit.” — Booklist Praise for LITTLE WRECKS: “Darkly atmospheric and brutally honest, LITTLE WRECKS depicts girls becoming women in a society that devalues both.” — Mindy McGinnis, author of FEMALE OF THE SPECIES Praise for LITTLE WRECKS: “Darkly thought–provoking reflections on modern gender politics.” — Kirkus Reviews Praise for LITTLE WRECKS: “Readers who adore lyrical, character driven fiction with a gritty edge will find plenty to love here.” — Booklist

Three lives, one unreliable narrator and the consequences of losing intimacy. This is All a Lie opens with Ray leaving his mistress for the final time. At the bottom of her apartment tower, he answers his phone. It's Nancy, his lover, and she is threatening to jump if he drives away. She wants emotional truth in an arena where everything is a lie. She wants a reason to stay alive and Ray is uniquely unqualified to give her what she wants. Ray's wife, Tulah, loves snow and keeps a snow journal - every time it snows she goes out in it and records what she thinks and feels about the snow in the context of her life. Tulah is filled with secrets, and denial, and unhappiness and when she is drawn into Ray's messy affair, everything she thought she knew is thrown aside. What are the consequences of losing intimacy? Does Nancy jump from her 39th floor balcony? What happens with Tulah and Ray? The answers lie within, perhaps.