The First World War As A Clash Of Cultures

Contains essays examining the perceived tensions between British and German cultural traditions and beliefs before 1914 and how popular literature, public debate, cultural distinction, and war-time propaganda determined historical, political, and military events leading to war.

A completely fresh look at the culture clash between Britain and Germany that all but destroyed Europe. Half a century before 1914, most Britons saw the Germans as poor and rather comical cousins - and most Germans looked up to the British as their natural mentors. Over the next five decades, each came to think that the other simply had to be confronted - in Europe, in Africa, in the Pacific and at last in the deadly race to cover the North Sea with dreadnoughts. But why? Why did so many Britons come to see in Germany everything that was fearful and abhorrent? Why did so many Germans come to see any German who called dobbel fohltwhile playing Das Lawn Tennisas the dupe of a global conspiracy? Packed with long-forgotten stories such as the murder of Queen Victoria's cook in Bohn, the disaster to Germany's ironclads under the White Cliffs, bizarre early colonial clashes and the precise, dark moment when Anglophobia begat modern anti-Semitism, this is the fifty-year saga of the tragic, and often tragicomic, delusions and miscalculations that led to the defining cataclysm of our times - the breaking of empires and the womb of horrors, the Great War. Richly illustrated with the words and pictures that formed our ancestors' disastrous opinions, it will forever change the telling of this fateful tale.

A new exploration of literary and artistic responses to WW1 from 1914 to the presentThis authoritative reference work examines literary and artistic responses to the wars upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 26 essays collected in this volume approach artistic responses to the war from a wide variety of angles and, where appropriate, pursue their inquiry into the present day. In 6 sections, covering Literature, the Visual Arts, Music, Periodicals and Journalism, Film and Broadcasting, and Publishing and Material Culture, a wide range of original chapters from experts across literature and the arts examine what means and approaches were employed to respond to the shock of war as well as asking such key questions as how and why literary and artistic responses to the war have changed over time, and how far later works of art are responses not only to the war itself, but to earlier cultural production.Key FeaturesOffers new insights into the breadth and depth of artistic responses to WWIEstablishes links and parallels across a wide range of different media and genresEmphasises the development of responses in different fields from 1914 to the present

This book is the first comprehensive investigation of the National War Aims Committee, providing detailed discussion of the establishment, activities and reception of the British domestic propaganda organisation, together with a careful and extensive analysis of the patriotic content of its propaganda.

Going beyond Brooke's own life, this book retraces the evolution of his reputation in cultural imagination as forged by a network of major political and literary figures of the period including Winston Churchill, Edward Marsh, Virginia Woolf, Theodore Roosevelt, T. S. Eliot, Siegfried Sassoon, and Henry James.

Ranging far beyond the traditional canon, this ground-breaking anthology casts a vivid new light on poetic responses to the First World War. Bringing together poems by soldiers and non-combatants, patriots and dissenters, and from all sides of the conflict across the world, International Poetry of the First World War reveals the crucial public role that poetry played in shaping responses to and the legacies of the conflict. Across over 150 poems, this anthology explores such topics as the following: · Life at the Front · Psychological trauma · Noncombatants and the home front · Rationalising the war · Remembering the dead · Peace and the aftermath of the war With contextual notes throughout, the book includes poems written by authors from America, Australia, Austria-Hungary, Belgium, Canada, France, Germany, Great Britain, India, Ireland, Italy, New Zealand, Russia, and South Africa.

When war engulfed Europe in 1914, the conflict quickly took on global dimensions. Although fighting erupted in Africa and Asia, the Great War primarily pulled troops from around the world into Europe and the Ottoman Empire. Amid the fighting were large numbers of expeditionary forces—and yet they have remained largely unstudied as a collective phenomenon, along with the term “expeditionary force” itself. This collection examines the expeditionary experience through a wide range of case studies. They cover major themes such as the recruitment, transport, and supply of far-flung troops; the cultural and linguistic dissonance, as well as gender relations, navigated by soldiers in foreign lands; the political challenge of providing a rationale to justify their dislocation and sacrifice; and the role of memory and memorialization. Together, these essays open up new avenues for understanding the experiences of soldiers who fought the First World War far from home.