The Fish People

The Bará, or Fish people of the Northwest Amazon form part of a network of intermarrying local communities - each community speaks a different language and marriages must take place between people from different communities with different languages. Here, Jean Jackson discusses Bar· marriage, kinship, spatial organization and other features of their social landscape.

People of the Sturgeon tells the poignant story of an ancient fish. Wanton harvest and habitat loss took a heavy toll on these prehistoric creatures until they teetered on the brink of extinction. But, in Wisconsin, lake sturgeon have flourished because of the dedicated work of Department of Natural Resources staff, university researchers and a determined group of spearers known as Sturgeon For Tomorrow. Thanks to these efforts, spearers can still flock by the thousands to frozen Lake Winnebago each winter to take part in a ritual rooted in the traditions of the Menominee and other Wisconsin Indians. A century of sturgeon management on Lake Winnebago has produced the world's largest and healthiest lake sturgeon population. Through a fascinating collection of images, stories and interviews, People of the Sturgeon chronicles the history of this remarkable fish and the cultural traditions it has spawned. The authors introduce a colorful cast of characters with a good fish tale to tell. Color photos by the late Bob Rashid and images from the Wisconsin Historical Society evoke both the magical and the mortal. Weaving together myriad voices and examining the sturgeon's profound cultural impact, the authors reveal how a diverse group of people are now joined together as "people of the sturgeon."

This collection brings together writers from two continents and four countries whose traditional cultures are based on Pacific wild salmon. 72 duotone photos. Line drawings. Copyright © Libri GmbH. All rights reserved.

The Baniwa Indians of the Northwest Amazon have engaged in millenarian movements since at least the middle of the nineteenth century. The defining characteristic of these movements is usually a prophecy of the end of this present world and the restoration of the primordial, utopian world of creation. This prophetic message, delivered by powerful shamans, has its roots in Baniwa myths of origin and creation. In this ethnography of Baniwa religion, Robin M. Wright explores the myths of creation and how they have been embodied in religious movements and social action—particularly in a widespread conversion to evangelical Christianity. He opens with a discussion of cosmogony, cosmology, and shamanism, and then goes on to explain how Baniwa origin myths have played an active role in shaping both personal and community identity and history. He also explores the concepts of death and eschatology and shows how the mythology of destruction and renewal in Baniwa religion has made the Baniwa people receptive to both Catholic and Protestant missionaries.

Discusses the history, culture, and current status of the Inuit and Aleut peoples.

Folk Tales, Plays and Novellas from the wingtip of India, the North East. Exciting journeys: from the depths of a well to the skies via a golden bridge, from the battles between the Japanese and the Nagas to the war between the sun and people, from insurgency in Mizoram to the pleas of a just-dead soul wishing to stay alive, from the mind of a wolf boy to the mythical account of how man first cultivated paddy.

When they strip us naked like frying baboons over industrial-chemo nitrate bonfires in the back of gutted factories, asphyxiating from scrutiny and laws- we will always have our memories, and those mothers can't do anything about it. -M. R. E. 1993

The Wakuenai of the upper Rio Negro region in southern Venezuela a form of singing called malikai for ceremonies of childbirth, initiation, and healing. This ritual chanting, a rich amalgam of myth and music, serves as a means of integrating individuals into a vertical hierarchy of powers relations between mythic ancestors and human descendants. In Keepers of the Sacred Chants, Jonathan Hill shows how the musical and semantic transformations of everyday discourse in malikai integrate the everyday world into a poetic process of empowerment. He interprets malikai through mythic narratives that explain the cosmos as an ongoing process of musically naming-into-being the species, objects, and activities that define individual humanness and society, and he further shows how semantic and musical meanings are joined to construct each chant and how these chants are manipulated in different contexts. Hill explains how the musical elements of malikai contribute to the success of performance, comparing different genres for which different musical criteria are appropriate. He considers the integration of speech and song through a close analysis of such elements as microtonal pitch rise, rhythm, and timbre, showing how these features are linked to poetic speech and imbued with social power. Hill's penetrating study of malikai is made within the context of Wakuenai history and cosmology and considers influences resulting from contact with the outside world. Because Northern Arawakan-speaking peoples have received less attention than others of the region, his book thus makes a significant contribution to Amazonian ethnography. It is the author's focus on malikai, however, that commends keepers of theSacred Chants to all interested in the multitextured uses of song and story by peoples of the world.